The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    In a series of secular prayers, Cynthia Cruz alludes to a girlhood colored by abuse and a brother’s death. A beautifully understated sense of menace and damage pervades this vivid, nonlinear tale.

    It's for the seekers searching for a new home, for the wanderers leaving their old homes, for the lovers creating a home wherever they are. Sometimes you hold on to what is left, sometimes you just let go to start afresh.

                Two empty suitcases sit in the corner, if that’s any kind of clue.                                —from “Almost Sixty” Brief, jagged, haiku-like, Jim Moore’s poems in Invisible Strings observe time moving past us moment by moment. In that accrual, line by line, is the anxiety and acceptance of aging, the mounting losses of friends to death or divorce, the accounting of frequent flyer miles and cups of coffee, and the poet’s own process of writing. It is a world of both diminishment and triumphs. Moore has assembled his most emotionally direct and lyrically spare collection, one that amounts to his book of days, seasons, and stark realizations.

    Those things and a little bit of luck have kept him alive, but Angus’ luck is about to be put to the ultimate test. When every clue in a robbery gone wrong points to a unit of corrupt cops, Angus is forced to confront the cop culture he’s been a part of his entire career. Hunted, alone and with no place left to turn, Angus embarks on a pedal to the metal, action packed hell ride down into the gutters where right and wrong quickly become twisted and problems are solved with gunfire and bloodshed. Angus will put his own morality on the line, but will he become the very monster he set out to destroy? This explosive thriller is perfect for fans of heroes who shoot first and ask questions later. Start reading to experience Angus Sullivan’s pulse pounding rampage now!

    It was nominated for all three major American book awards: the National Book Critics Circle Award, the Pulitzer Prize for Poetry, and the American Book Award.

    Along the way, she visits a poor stable boy named Diamond and takes him with her on her journeys. "At the Back of the North Wind" explores the place of death in our lives, social injustice, and our deep need for love and forgiveness. C. S. Lewis, author of the classic Chronicles of Narnia series, said of MacDonald, "What he does best is fantasy--fantasy that hovers between the allegorical and the mythopoeic. And this, in my opinion, he does better than any man. MacDonald is the greatest genius of this kind whom I know."

    In response, the distressed mother, who grew up a Quaker and has never seen a gun, steals weapons from the sheriff’s office and tools from a local hardware store. Frantically racing to rescue her stolen daughter, she is surprised to discover she knows how to expertly handle these dangerous, heavy tools. And it suddenly occurs to Karen that not only has her town changed, she has no idea who she is either!

    From his window on one of the busiest street corners in the world, Littlewood watches the daily parade of fashion queens, prostitutes, gangsters, and celebrities that make up the population of this strangest of villages. Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively readable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Decipher     love. To make what was once whole     whole again: or to see     why it never should have been thought whole.     This “ancient work” reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the “hunger for the Absolute”—a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled “History is a series of failed revelations.”     The result is one of the most fascinating and ambitious books of poetry in many years.One of Publishers Weekly's Best Poetry Books of 2013A New York Times Notable Book of 2013An NPR Best Book of 2013

    Now once-human monsters called Howls prowl abandoned streets, their hunger guided by corrupt necromancers and the all-powerful Kin. Only Hunters have the power to fight back in the unending war, using the same magic that ended civilization in the first place.But they are losing.Tenn is a Hunter, resigned to fight even though hope is nearly lost. When he is singled out by a seductive Kin named Tomás and the enigmatic Hunter Jarrett, Tenn realizes he's become a pawn in a bigger game. One that could turn the tides of war. But if his mutinous magic and wayward heart get in the way, his power might not be used in favor of mankind.If Tenn fails to play his part, it could cost him his friends, his life…and the entire world.

    Their foster mother, Carol, has always been fanatical, but with Jazz grown up and out of the house, Carol takes a dangerous turn that threatens thirteen-year-old Joaquin’s life. Over and over, child services fails to intervene, and Joaquin is running out of time.Then Jazz gets a blocked call from someone offering a solution. There are others like her—people the law has failed. They’ve formed an underground network of “helpers,” each agreeing to eliminate the abuser of another. They’re taking back their power and leaving a trail of bodies throughout Los Angeles—dubbed the Blackbird Killings. If Jazz joins them, they’ll take care of Carol for good.All she has to do is kill a stranger.

    Naiad, the home world, is a frozen ball, but the colonists persevere and expand through wormholes to remote systems.Navigating the time-space anomalies requires Axis-ships. The expensive vessels are constructed by corporations, and remote worlds are claimed by the companies for their valuable ores and gases.The corporations and Naiads are at odds with each other, and their lives are made more complicated by the arrival of strangers in an alien ship.To understand the nature of the unusual vessel coasting toward Beta Two, the director of operations orders the kidnapping of specialists from other mining worlds. Entire families are scooped up, but two siblings, Escher and Allie, evade capture.Hiding deep below the domes’ surfaces, the siblings are befriended by the orphans of miners. The young mickies don’t possess identification chips or cids, which would identify them as citizens.The gang of mickies and the siblings strike a deal to help each other. Each group is determined to reach Naiad. The mickies seek citizen status and freedom, and Escher and Allie want help rescuing their parents.The beleaguered group’s hastily derived plans bury them in criminal complications. When all appears lost, a second alien vessel exits the dark. The hull is similar to the ship at Beta Two, and these strangers seek their enemies.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.