This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele’s mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives.Natalia Ginzburg’s most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.

    Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters—the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister “Unnamed”—in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed‘s exploration of love, power, and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.“The 19th-century Italian literary classic renowned for its vivid descriptions of the 1630 pestilence that gutted Milan.” —The New York Times“Compulsory reading for Italian high school students, The Betrothed gives a historically accurate account of the bubonic plague that wiped out a quarter of Milan’s population in 1629-1631.” —Politico“This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi

    Her life has been characterized by honor and fierce passion, and above all by an abiding search for perfect love that has spanned much of the twentieth century. Ever in the background of this remarkable woman's story is the stunning Sardinian landscape, the deep blues of the Mediterranean, the rugged mountains of the Sardinian back-country dotted with charming villages lost in time.With warmth, great humor, and deep insight Milena Agus writes about the customs and the beauty of her native Sardinia, about love, family, immigration, war, and peace. From the Land of the Moon is the moving English debut of one of Italy s most important new literary talents.

    Mazzucco weaves her own family history into a great American novel of the immigrant experience. A sweeping tale of discovery, love, and loss, Vita is a passionate blend of biography and autobiography, of fantasy and fiction.In April 1903, the steamship Republic spills more than two thousand immigrants onto Ellis Island. Among them are Diamante, age twelve, and Vita, nine, sent by their poor families in southern Italy to make their way in America. Amid the chaos and splendor of New York, the misery and criminality of Little Italy, and the shady tenants of Vita's father's decrepit Prince Street boarding house, Diamante and Vita struggle to survive, to create a new life, and to become American. From journeys west in search of work to journeys back to Italy in search of their roots, to Vita's son's encounter with his mother's home town while serving as an army captain in World War II, Vita touches on every aspect of the heartbreaking and inspiring immigrant story.The award-winning Italian author Melania G. Mazzucco weaves her own family history into a great American novel of the immigrant experience. A sweeping tale of discovery, love, and loss, Vita is a passionate blend of biography and autobiography, of fantasy and fiction.

    Still, she was a mere servant, and now (as this story begins) she is dead.As the details unfold about this mysterious woman, The Almond Picker assumes the witty suspense of a thriller, the emotional power of a love story, and the evocative atmosphere of a historical novel. Set in Sicily in the 1960s, a violent, complicated society in the midst of tumultuous change, The Almond Picker is the story of a woman who negotiated for her freedom as no one else dared.

    Please don’t let it be the boy, Colomba thought. Her silent prayer didn’t go unanswered. The corpse belonged to the mother.'THE ONLY ONE WHO CAN STOP HIM IS THE ONE WHO GOT AWAY...Dante Torre spent eleven young years in captivity - held by a man known only as The Father - before outwitting his abductor. Now working for the police force, Torre's methods are unorthodox but his brilliance is clear. When a young child goes missing in similar circumstances in Rome, Torre must confront the demons of his past to attempt to solve the case.Paired with Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, all evidence suggests The Father is active after being dormant for decades, and that he’s looking forward to a reunion with Dante...

    Inspector Bordelli is one of the few policemen left in the deserted city. He spends his days on routine work, and his nights tormented by the heat and mosquitoes. Suddenly one night, a telephone call gives him a new sense of purpose: the suspected death of a wealthy Signora. Bordelli rushes to her hilltop villa, and picks the locks. The old woman is lying on her bed - apparently killed by an asthma attack, though her medicine has been left untouched.With the help of his young protégé, the victim's eccentric brother, and a semi-retired petty thief, the inspector begins a murder investigation. Each suspect has a solid alibi, but there is something that doesn't quite add up . . .

    Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is.Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape.Named one of 2016’s most influential people by TIME Magazine and frequently touted as a future Nobel Prize-winner, Elena Ferrante has become one of the world’s most read and beloved writers. With this new novel about the transition from childhood to adolescence to adulthood, Ferrante proves once again that she deserves her many accolades. In The Lying Life of Adults,/i>, readers will discover another gripping, highly addictive, and totally unforgettable Neapolitan story.

    Drawn into a circle of young people who try to escape the futility and boredom of their lives in a mindless search for pleasure, she encounters Rosetta, whose suicide tragically foreshadows that of the author just a few months after completing this highly acclaimed contemporary classic.

    Yet, what are they? Miniature psychodramas, prose poems, tall tales, sudden illuminations, malevolent sophistries, fabliaux, paranoiac excursions, existential oxymorons, or wondrous, baleful absurdities? Always provocative, insolent, sinister, and quite often funny, these 100 comic novels are populated by decidedly ordinary lovers, martyrs, killers, thieves, maniacs, emperors, bandits, sleepers, architects, hunters, prisoners, writers, hallucinations, ghosts, spheres, dragons, Doppelgngers, knights, fairies, angels, animal incarnations, and Dreamstuff. Each "novel" construes itself into a kind of Mbius strip, in which, as one critic has noted, "time turns in a circle and bites its tail" like the Ouroborous. In any event, Centuria provides 100 uncategorizable reasons to experience and celebrate an immeasurably wonderful writer. Brilliantly translated from the Italian by Henry Martin.

    that perverse Book -- Eleanora DusaFirst published in Italian in 1900, The Flame is one of the most sensational works of the fin-de-siecle and is justifiably notorious due to its being a thinly-veiled account of the author's tempestuous affair with the legendary actress, Eleanora Dusa. A contemporary critic called it the most swinish novel ever written. Sarah Bernhardt returned her presentation copy to the author unopened.Writing in a florid style reminiscent of Henry James and Walter Pater, D'Annunzio uses turn of the century Venice as a backdrop in this study of the passionate struggle of two gifted artists for supremacy in love and art, and of the difference between male and female fantasy. After almost a century of neglect, D'Annunzio's insight into the nature of passion and the power of language remains disturbingly intact.

    While a family’s villa is requisitioned by enemy troops, they are forced to intimately confront war’s injustice as their involvement with its sinister underpinnings grows more and more complex.In the autumn of 1917, Refrontolo—a small community north of Venice—is invaded by Austrian soldiers as the Italian army is pushed to the Piave river. The Spada family owns the largest estate in the area, where orphaned seventeen-year-old Paolo lives with his eccentric grandparents, headstrong aunt, and a loyal staff. With the battlefront nearby, the Spada home become a bastion of resistance, both clashing and cooperating with the military members imposing on their household. When Paolo is recruited to help with a covert operation, his life is put in irrevocable jeopardy. As he bears witness to violence and hostility between enemies, he grows to understand the value of courage, dignity, family bonds, and patriotism during wartime.

    But when he takes the advice of an Egyptian mystic and hires servants to chant his name over and over again, he seems to not only get better, but younger.Except then a terrorist group lays siege to his island villa, his team of bank managers has to be bussed in to help with the ransom negotiations, and a media spectacle breaks out . . .A hilarious and strangely moving tale that seems ripped from the headlines—although actually written during the time the Red Brigades were terrorizing Italy—Gianni Rodari’s Lamberto, Lamberto, Lamberto has become one of Italy’s most beloved fables. Never before translated into English, the novel is a reminder, as Rodari writes, that “there are things that only happen in fairytales.”

    The only unabridged prose translation of Ariosto's Orlando Furioso - a witty parody of the chivalric legends of Charlemagne and the Saracen invasion of France - this version faithfully recaptures the entire narrative and the subtle meanings behind it.

    "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.