Featuring a mosaic of memories from politicians, businessmen, artists, and writers, from those who were just kids to those who remember losing a fortune, Hard Times is not only a gold mine of information but a fascinating interplay of memory and fact, revealing how the Depression affected the lives of those who experienced it firsthand.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In a series of escalating fights, Cruz must prove he is a combat leader, despite the growing disapproval of the colonel in overall charge. At the same time, the president has ordered the CIA to capture a drug lord. But with a fortune in heroin at stake, the Taliban joins with the drug lord to wipe out the base. As the president negotiates a secret deal, Cruz must rally the Marines to make a last stand. Bringing you into America’s longest war with vivid immediacy, The Last Platoon portrays how leaders rise or wilt under intense pressure. A searing, timeless story of moral conflict, savage combat, and feckless politics.

    Acclaimed historian H. W. Brands brings them back to life: J. P. Morgan, who stabilized a foundering U.S. Treasury in 1907; Alexander Hamilton, who founded the first national bank, and Nicholas Biddle, under whose directorship it failed; Jay Cooke, who helped to finance the Union war effort through his then-innovative strategy of selling bonds to ordinary Americans; and Jay Gould, who tried to corner the market on gold in 1869 and as a result brought about Black Friday and fled for his life.

    They drove Byrd out to a lonely country road, tied him to a logging chain, and dragged him three miles to his death.Joyce King, an award-winning journalist and native Texan, was assigned to cover the story, which drew international media headlines. In Hate Crime, she provides a chilling re-creation of the slaying and the subsequent trials. But she also moves beyond the details of the case to provide insight into the minds of the murderers, and to investigate the Texas prison system in which they developed their virulent racism. King also explores how the town of Jasper, Texas, endured a tragedy that threatened to divide its residents. A first-rate work of reportage, Hate Crime is also a searing look at how race continues to shape life in America.

    But behind this archetypal small-town landscape lies a complicated past.Starting with the town's founding as a religious promised land, music journalist and poet Daniel Wolff plots a course through 130 years of entwined social and musical history, touching on John Philip Sousa, Count Basie, Frank Sinatra, and Frankie Lymon on the way to the town Bruce was born to run from. Out of the details of local history-the boardwalk in the Gilded Age; the celebrities who passed through, from Stephen Crane to Martin Luther King; sensational murder trials; the birth of Mob control; and a devastating mid-century "race riot"-emerges a universal story of one small town's fortunes. Told with grace and full of fascinating detail, Daniel Wolff's tour across thirteen decades of the Fourth of July in Asbury Park captures all the allure and heartbreak of the American dream reduced to blight and decay, with gentrification as the one hope for a return to its glory days.

    Much is known of the slave trade and the American plantation system, but little of the ships that made it all possible.In The Slave Ship, award-winning historian Marcus Rediker draws on thirty years of research in maritime archives to create an unprecedented history of these vessels and the human drama acted out on their rolling decks. He reconstructs in chilling detail the lives, deaths, and terrors of captains, sailors, and the enslaved aboard a “floating dungeon” trailed by sharks.From the young African kidnapped from his village and sold into slavery by a neighboring tribe to the would-be priest who takes a job as a sailor on a slave ship only to be horrified at the evil he sees to the captain who relishes having “a hell of my own,” Rediker illuminates the lives of people who were thought to have left no trace.This is a tale of tragedy and terror, but also an epic of resilience, survival, and the creation of something entirely new. Marcus Rediker restores the slave ship to its rightful place alongside the plantation as a formative institution of slavery, a place where a profound and still haunting history of race, class, and modern economy was made.

    Beginning his epic history in the early 1600s, Eric Jay Dolin traces the dramatic rise and fall of the American fur industry, from the first Dutch encounters with the Indians to the rise of the conservation movement in the late nineteenth century. Dolin shows how the fur trade, driven by the demands of fashion, sparked controversy, fostered economic competition, and fueled wars among the European powers, as North America became a battleground for colonization and imperial aspirations. The trade in beaver, buffalo, sea otter, and other animal skins spurred the exploration and the settlement of the vast American continent, while it alternately enriched and gravely damaged the lives of America’s native peoples. Populated by a larger-than-life cast—including Dutch governor Peter Stuyvesant; President Thomas Jefferson; America’s first multimillionaire, John Jacob Astor; and mountain man Kit Carson—Fur, Fortune, and Empire is the most comprehensive and compelling history of the American fur trade ever written. 16 pages of color and 16 pages of black-and-white illustrations, as well as a two-page, endpaper map of the American fur trade beyond the Mississippi.Starred reviews from Publisher's Weekly and Kirkus Reviews."Nobody writes about the link between American history and natural history with the scholarly grace of Eric Jay Dolin. Fur, Fortune, and Empire is a landmark study filled with a cast of eccentric Western-type characters. Dolin's research is prodigious. Not since the days of Francis Parkman has a historian analyzed the fur trade industry with such brilliance. Highly recommended!" -- Douglas Brinkley, Author, Cronkite and The Wilderness Warrior"Fur, Fortune, and Empire is no melancholy affair. The book bursts with colorful characters, venal corporations, and violent confrontations, all presented with sharp-eyed clarity in a narrative that clips right along. . . . One of the great pleasures of Eric Jay Dolin's work in both Leviathan and Fur, Fortune, and Empire comes in discovering centuries old antecedents of the economic and natural resource issues that we struggle with today. . . . there are plenty of insights as well as much reading pleasure to be had here." Bruce Barcott, Audubon Magazine"A superb one-volume examination of an era when American ingenuity and its competitive spirit began to flourish. . . Dolin describes in marvelous detail . . . colorful figures of the American fur trades' western expansion. . . . at last, we now have a book that properly accounts for America's rise as a fur-trade power." -- Michael Taube, The Wall Street Journal"Though guns, germs and steel certainly played their parts, Dolin's "Fur, Fortune, and Empire" leaves little doubt that the trade in pelts "was a powerful force in shaping the course of American history from the early 1600s through the late 1800s, playing a major role in the settlement and evolution of the colonies, and in the growth of the United States." Dolin puts forth a compelling and well-annotated tale of greed, slaughter and geopolitics as the Dutch, English, French, Spanish, Swedes, Russians and the American colonists fought for a slice of the profit." -- Art Winslow, The Los Angeles Times

    Paine also had a passion for liberty in all its forms, and an abiding hatred of tyranny. His forceful, direct expression of those principles found voice in a pamphlet he wrote entitled Common Sense , which proved to be the most influential political work of the time. Ultimately, Paine's treatise provided inspiration to the second Continental Congress for the drafting of the Declaration of Independence. 46 Pages is a dramatic look at a pivotal moment in our country's formation, a scholar's meticulous recreation of the turbulent years leading up to the Revolutionary War, retold with excitement and new insight.

    The account of how that dream became reality unfolds in the stories of Jefferson and nine other Americans whose adventurous spirits and lust for land pushed the westward boundaries: Andrew Jackson, John "Johnny Appleseed" Chapman, David Crockett, Sam Houston, James K. Polk, Winfield Scott, Kit Carson, Nicholas Trist, and John Quincy Adams. Their tenacity was matched only by that of their enemies: the Mexican army under Santa Anna at the Alamo, the Comanche and Apache Indians, and the forbidding geography itself. Known also for his powerful fiction (Gap Creek, The Truest Pleasure, Brave Enemies), Morgan uses his skill at characterization to give life to the personalities of these ten Americans without whom the United States might well have ended at the Arkansas border. Their stories--and those of the nameless thousands who risked their lives to settle on the frontier, displacing thousands of Native Americans--form an extraordinary chapter in American history that led directly to the cataclysm of the Civil War.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In 1875, the most comprehensive civil rights legislation in the nation's history granted all Americans "the full and equal enjoyment" of public accomodations. Just eight years later, the Supreme Court, by an 8-1 vote, overturned the Civil Rights Act as unconstitutional and, in the process, disemboweled the equal protection provisions of the 14th Amendment. Using court records and accounts of the period, Lawrence Goldstone chronicles how "by the dawn of the 20th century the U.S. had become the nation of Jim Crow laws, quasi-slavery, and precisely the same two-tiered system of justice that had existed in the slave era."The very human story of how and why this happened make Inherently Unequal as important as it is provocative. Examining both celebrated decisions like Plessy v. Ferguson and those often overlooked, Goldstone demonstrates how the Supreme Court turned a blind eye to the obvious reality of racism, defending instead the business establishment and status quo--thereby legalizing the brutal prejudice that came to definite the Jim Crow era.

    It shows that what we think of liberalism today – the top and bottom coalition we associate with President Obama - began not with Progressivism or the New Deal but rather in the wake of the post-WWI disillusionment with American society. In the twenties, the first writers and thinkers to call themselves liberals adopted the hostility to bourgeois life that had long characterized European intellectuals of both the left and the right. The aim of liberalism’s foundational writers and thinkers such as Herbert Croly, Randolph Bourne, H.G. Wells, Sinclair Lewis and H.L Mencken was to create an American aristocracy of sorts, to provide a sense of hierarchy and order associated with European statism.Like communism, Fabianism, and fascism, modern liberalism, critical of both capitalism and democracy, was born of a new class of politically self-conscious intellectuals. They despised both the individual businessman's pursuit of profit and the conventional individual's pursuit of pleasure, both of which were made possible by the lineaments of the limited nineteenth-century state.Temporarily waylaid by the heroism of the WWII generation, in the 1950s liberalism expressed itself as a critique of popular culture. It was precisely the success of elevating middle class culture that frightened foppish characters like Dwight Macdonald and Aldous Huxley, crucial influences on what was mistakenly called the New Left. There was no New Left in the 1960s, but there was a New Class which in the midst of Vietnam and race riots took up the priestly task of de-democratizing America in the name of administering newly developed rightsThe neo-Mathusianism which emerged from the 60s was, unlike its eugenicist precursors, aimed not at the breeding habits of the lower classes but rather the buying habits of the middle class.Today’s Barack Obama liberalism has displaced the old Main Street private sector middle class with a new middle class composed of public sector workers allied with crony capitalists and the country’s arbiters of style and taste.

    The killing that has been done and is being done is a crucial aspect of war and an integral part of the memories servicemen bring home with them. And yet, with few exceptions, it’s only rarely discussed in public and largely left to the veterans themselves to process, wrestle with, and carry.This is unfortunate because to understand what war is and what war does, it is necessary to understand what killing is and what killing does. In “The Kill Switch,” writer Phil Zabriskie, who covered both Iraq and Afghanistan for Time and other magazines, reconnects with two Marines and other veterans he met in Iraq and finds them ready to talk about it and willing to examine soberly and honestly what they’ve done and were asked to do. From boot camp through the initial invasion to the crucible of Ramadi, the siege of Fallujah, and beyond, they recount firefights, ambushes, suicide car bombers, hand-to-hand combat, and the life and death decisions they made about Saddam’s soldiers, battle-hardened insurgents, and people, even children, who were in the wrong place at the wrong time. Unflinching and as important today as it was at the height of these wars, “The Kill Switch” will stay with you long after you’re finished, just as the wars these men fought—and the killing they did—have stayed with them. Phil Zabriskie is a New York-based writer who spent many years working across Asia and the Middle East. He reported extensively on America’s wars in Afghanistan and Iraq for Time magazine and has also written about conflict and its impact on the people who live through it for National Geographic, Fortune, the Washington Post Magazine, and other publications. Cover design by Kristen Radtke.

    Through portraits of these bellwether figures, the prize-winning historian Joseph J. Ellis examines the currents that were shaping the new country.