Denis Barnham, a young and inexperienced flight lieutenant, spent ten hectic weeks on this indomitable island; he left a well-ordered English aerodrome for the chaos and disillusionment of Luqa. His task was to engage the overwhelming number of enemy bombers, usually protected by fighter escorts, and shoot down as many as possible. The Spitfires were bomb-scarred and battered; often they could only get two or three in the air together and the airfields were riddled with bomb craters, but they managed to keep going and they made their mark on enemy operations. The author has written a powerful account of his experiences in Malta starting with his trip out in an American aircraft carrier through the ceaseless battle and turmoil during the desperate defense of the island, until his departure by air back to England, having seen the reinforcements safely landed and the tide of battle turning. His descriptions and illustrations of the air action are thrilling, but terrifying. It is at times a very grim story but told with humor and compassion to bring, arguably, one of the best firsthand accounts of aerial combat ever written.

    More witty and stylish poetic therapy for the Venus and Mars generation.

    could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

    Provocative and original, Time Gifts is a meditation on the nature of time and, especially, on the nature of those at its mercy.

    Although we may put that fear behind us, it remains nonetheless buried deep in places where we prefer not to look. It is a terror-as old as the human race-that survives in spite of the magic of electricity, which disguises but can never erase the differences between night and day.In this powerfully written book, A. Alvarez examines night in all its aspects. How do we light it? How do we inhabit it and make it safe? In what "languages" do we dream? The search moves from the neon-lit brilliance of Las Vegas to the shadowy underworld patrolled by the police. We visit a sleep laboratory, where scientists try to understand what happens to our bodies and in our brains when sleep claims us. Alvarez shows how "night horrors" inspired and terrified Coleridge, how dreams liberated the minds of Stevenson and the Surrealists, and how his own childhood fears provided a gateway to the secret world of the unconscious. And through a highly original and accessible account of the thoughts of Freud, Jung, and their modern-day counterparts, Alvarez reveals how deeply dreams and the unconscious color and fashion our waking lives.Like his bestseller The Savage God, Night is a remarkable, eloquent combination of ideas and personal experience; it is a literary feast, a journey of discovery, and a perfect initiation into the mysteries of the dark.

    "An oblique conversation with Degas reigns throughout this collection of oddly heartbreaking pieces. Against the backdrop of his paintings and sketches, we find ourselves in an intimate world, coherent but uncanny, where private memory becomes inseparable from the culture we hold in common, and all of it just barely cracked open, riven by interstices through which we glimpse the vivid but unsayable. White has given us a truly exceptional first collection, deeply musical and intricately haunting" Cole Swensen."

    

    It is a recipe for womanhood that changes with the whim of the seasons and the political climate. It is a feverish fistful of musings, a comedy of errors, an instruction manual, a compass, an overheard conversation in the ladies' loo, whispered secrets over a (second) bottle of wine. It is a lamentation, an homage to fellow women, at once a celebration of things to come and a mourning of things lost. It is a redefinition of what it is to be magical and otherwordly. It exposes the complex and contradictory impulses of the human spirit, the ugly tangle of emotions we must deal with in ourselves and also as a wider society. With frankness, humour and a decided fuck-you to fear, Vanessa digs deeper than she ever has to find something resembling sorcery.

    The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    The boundaries between what is real and what is fantasy are dissolving to increasingly dangerous effect. And then he falls in love with Alice . . .WHAT HAPPENS NOW is a mesmerizing story about love, fear and faith. Atmospheric, suspenseful and spiked with black humour, it confirms Jeremy Dyson as one of the most exciting and original writers of his generation.

    Like haiku, the game is concerned with the nature of the seasons: joyous in the spring, thrilling in summer's heat, ripening with the descent of fall, and remembered fondly in winter. Featuring the work of Jack Kerouac, the king of the Beat writers, who penned the first American baseball haiku, and Alan Pizzarelli, a major American haiku poet, the collection also includes Masaoka Shiki, one of the four great pillars of Japanese haiku, who fell in love with baseball when he was a student in Tokyo. Baseball Haiku, a literary and baseball treasure, will make a marvelous gift for the baseball fan in your family."

    Gardner, once a famous poet, now is retired. He slips in and out of senility as his wife Fanny valiantly tries to keep them both afloat. They have asked their daughter, Mags, to come home and help them move. Mags agrees, for she hopes as well to finally paint their portrait. She is now on the verge of artistic celebrity herself and hopes, by painting her parents, to come to terms with them and they with her. Mags triumphs in the end as Fanny and Gardner actually step through the frame and become a work of art ineffable and timeless.

    Instructions: An elimination dance begins with a crowded dance floor. At a signal, the band stops playing and the announcer reads an elimination, say, "Any lover who has gone into a flower shop on Valentine's Day and asked for clitoris when he meant clematis." Any dancer answering this description must sit down, and his partner is also disqualified. The process continues (e.g. "Any person who has burst into tears at the Liquor Control Board") until a single couple remains. And now, the post-Meech Lake edition.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    But then her father has a dreadful accident and her mother breaks down in guilt and grief. Maria, the only child, must care for them. Her hopes are dashed, not only of her career, but of marrying the one who's loved her for years.Reluctantly, Maria is driven into the arms of the supposedly reliable Barney. But he's no such thing. The young couple have to leave their home in a hurry and settle in Birmingham, where Barney grows increasingly difficult and finally goes too far. A family crisis ensues but out of it comes the one thing Maria had given up hope of ever finding again.This is a superb saga of love, loss and family closeness, set against the tumultuous years of the war and its aftermath. Established fans of this author will love it and it is set to win her many new dedicated readers.