A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with. But that's tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It's even harder when you live in a house that wanders all over the world . . . carrying you with it. Even worse, Marinka is being trained to be a Yaga. That means no school, no parties--and no playmates that stick around for more than a day. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences. Her beloved grandmother mysteriously disappears, and it's up to Marinka to find her--even if it means making a dangerous journey to the afterlife. With a mix of whimsy, humor, and adventure, this debut novel will wrap itself around your heart and never let go.

    Glinda the Good Witch set the three friends on their new paths: the Scarecrow would now rule the Emerald City with his new brain, the Tin Woodman and his heart would travel to the land of the Winkies to become their leader, and the Lion would put his courage to good use as the King of Beasts.But in a place like Oz, where magic and temptation lurk around every corner, the gifts from the Wizard begin to take on a life of their own…This bind-up of three prequel novellas to the New York Times Bestselling Dorothy Must Die series follows the Tin Woodman, the Scarecrow, and the Lion as they evolve from Dorothy’s beloved friends into something almost Wicked.

    The spunky girls in these ten entertaining and inspiring stories are much too busy saving the day to wait around for Prince Charming.

    There once was a frozen forest so cold, you could feel it through the soles of your boots. It was a strange place where some kisses broke enchantments and others began them. Many said witches lived there -- some with cold hearts, others with hot ovens and ugly appetites -- and also dwarves in tiny houses made of stones. In this icy wood, a stepmother might eat a girl's heart to restore her own beauty, while a woodcutter might become stupid with grief at the death of his donkey. Here a princess with too many dresses grows spiteful out of loneliness, while a mistreated girl who is kind to a crone finds pearls dropping from her mouth whenever she speaks. With empathy and an ear for emotion, Emily Jenkins retells seven fairy tales in contemporary language that reveals both the pathos and humor of some of our most beloved stories. Charming illustrations by Rohan Daniel Eason add whimsical details that enhance every new reading.

    In this riveting collection of fables and folktales from cultures across the globe, characters from beloved fairytales, cultural fables, ancient mythologies, and inspirational deities are brought to life, including Sleeping Beauty (Italy), Rapunzel (Germany), Jack and the Beanstalk (England), Our Lady of Guadalupe (Mexico), Sun God Ra (Egypt), the Crane Wife (Japan), and dozens more.Lesser-known stories introduce characters such as the volcano goddess Pele from Hawaii; Mwindo, the wise and powerful king of the Nyanga people; and the strong and resilient Yennenga, mother of the Mossi people in Burkina Faso. The recurring themes of conquering evil, overcoming adversity, and finding love and companionship are woven throughout this collection.Yoshi Yoshitani's art style is fresh and unique, featuring diverse and multicultural characters. Each story will be featured opposite a correlating illustration, both lush and vibrant.

    That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like.As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.

    Each one had a special talent. When baby Seventh Sister is snatched by a hungry dragon, her loving sisters race to save her.

    She races after them and comes upon an igloo. Being a curious girl, she goes inside only to find no one home. That's because the polar bear family who lives there is out walking while their breakfast cools off. Aloo-ki eats some soup, tries on their boots, and finally crawls into the smallest bed for a nap. Meanwhile, Papa, Mama, and Baby Bear see her dogs adrift, swim out to rescue them and return home to find Aloo-ki fast asleep in Baby Bear's bed.Jan traveled to the far North to meet the Inuit people and see the amazing land where they live. Dramatic illustrations capture the shimmering ice, snow and deep blue seas of the Arctic, and when Jan adds a raven-haired Inuit girl and her appealing huskies, an endearing family of polar bears, and playful Arctic animals in the borders, the result is one of her most beautiful picture books.The decorative Inuit patterns and clothing Jan uses throughout are sure to attract adult fans and collectors while children will want to listen to and look at this exciting version of a well-loved story over and over again.

    With its great feasts, its white stone churches, its merchant visitors from many lands, Sadko felt there was no better place to be. Yet he was lonely too, for the rich young ladies who danced to his music would never favor anyone so poor. One night he takes his twelve-string gusli and goes alone to play by the River Volkhov. Suddenly from the water rises the Sea King, who invites the astonished musician to play at his underwater palace. But how will Sadko get there? And how will he get back? And will he want to return at all, when he meets the Sea King's lovely daughter? One of the most popular legends of Russia, Sadko's story is found in medieval epic ballads, as well as in a popular opera by Rimsky-Korsakov. It is retold here in elegant prose, complemented by the entrancing illustrations of a modern Russian master. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK "FOLKTALES ON STAGE," OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of "The Baker's Dozen," "The Sea King's Daughter," "The Monkey King," and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Gennady Spirin, with a style he describes as "fairy-tale realism," is one of the world’s most esteemed children’s illustrators. His honors include five gold medals from the Society of Illustrators, the Golden Apple from the Bratislava International Biennial, First Prize at the Bologna and Barcelona international book fairs, and four appearances on the New York Times list of Ten Best Illustrated Books of the Year. Born and trained in Russia before moving to the United States, Gennady already knew well the legend of Sadko and welcomed the chance to contribute his sumptuous art to this retelling.  ///////////////////////////////////////////////// HONORS 1997 New York Times Ten Best Illustrated Books of the Year  1998 American Library Association Notable Children's Books  1998 NCSS/CBC Notable Trade Books in the Field of Social Studies  1997 Aesop Accolade, American Folklore Society  1998 Honor Title, Storytelling World Awards  1997 Cincinnati Enquirer Best Illustrated Children's Books  American Bookseller Pick of the Lists  Starred review, Publishers Weekly  Featured on "CBS This Morning" ///////////////////////////////////////////////// "Emotionally authentic prose and jewel-like illustrations make this an exquisite volume. . . . [A] mood of eloquent enchantment." -- Publishers Weekly, Aug. 25, 1997, starred review "Exquisite." -- The New York Times Book Review, Oct. 26, 1997 "Knock-your-socks-off beautiful. . . . Will stay in a family's library forever." -- Valerie Lewis, "CBS This Morning," Dec. 11, 1997 "Retains the flavor of Old Russia. . . . A fascinating spin on mermaid/human interaction." -- Denise Anton Wright, School Library Journal, Dec. 1997 "The telling is descriptive yet very accessible. . . . The pictures are gorgeous and resplendent with extraordinary details." -- Stephanie Zvirin, American Library Association Booklist, Nov. 15, 1997

    His work was mostly written in tragic, sometimes humorous form, as in this title, often centering on the harsh lives of villagers in the Lori region. Tumanyan's inspiration for his writing came considerably from his parents. He was born in the village of Dsegh in the Province of Lori, Armenia. With his father was an offspring of an Armenian princely family of Tumanian (branch of the Mamikonians) and the village's priest and his mother an avid storyteller with a particular interest in fables, Tumanyan had incorporated many of the themes from his mother's stories and his father's preachings into his writings. Tumanyan is usually regarded in Armenian circles as "All-Armenian poet." He earned this title when the Catholicos of Armenia had ordered that Armenian refugees from the west not enter certain areas of his church and house, since he is considered to be "The Catholicos of all Armenians." Tumanyan in response decried that decision claiming that the refugees could seek relief in the Catholicos' quarters under order of "The Poet of all Armenians."

    . . Once upon a time my brother and I were normal kids. The next minute? The mirror in our basement slurped us up and magically transported us inside Snow White's fairy tale. I know it sounds crazy, but it's true.But hey -- we're heroes! We stopped Snow White from eating the poisoned apple. Hooray! Or not. If Snow White doesn't die, she won't get to meet her prince. And then she won't get her happy ending. Oops. Now it's up to us to:- Avoid getting poisoned- Sneak into a castle- Fix Snow White's storyBut Snow White's REAL happy ending might not be quite what we expected . . .

    And when an isbjorn (polar bear) seeks her out, and promises that her family will become rich if only the Lass will accompany him to his castle, she doesn't hesitate. But the bear is not what he seems, nor is his castle, which is made of ice and inhabited by a silent staff of servants. Only a grueling journey on the backs of the four winds will reveal the truth: the bear is really a prince who's been enchanted by a troll queen, and the Lass must come up with a way to free him before he's forced to marry a troll princess.

    Here readers discover how Great Mother Snake created and peopled the world with plants and creatures, what makes frogs croak, why kangaroos have pouches, and just what it is that makes platypuses so special. The illustrations are by the aboriginal artist and storyteller Francis Firebrace, whose distinctive, colorful work is known throughout Australia and beyond. He uses the four traditional colors of aboriginal art (black, white, red, and yellow), as well as his experiences as a member of the Yorta-Yorta, to make these stories live on the page. A beautiful, imaginative book to open new frontiers in children’s minds, Stories from the Billabong shows a master storyteller and distinguished artist each at the height of their powers.

    A pair of pet cats, a blue fairy godmother, and an endearing, if somewhat overweight, Prince Charming are just a few of the delightful details that dance across these pages—right into readers’ hearts—in this thoroughly charming, sometimes surprising, and always original version of the classic fairy tale.

    There is only one problem: She was born into a cursed family and has the face of a pig. Hidden away from the world, Penelope now finds herself subjected to a string of snobby, blue-blooded bachelors in a desperate attempt to find her a husband in order to break the curse. Though she yearns for something greater, what's a girl to do when faced with a determined mother and her matchmaking sidekick? Hoping to snap a photo of the mysterious girl, mischievous tabloid reporter Lemon hires down-on-his-luck Max to pose as a prospective suitor and infiltrate the family. But when Max finds himself truly drawn to Penelope, he can't bring himself to expose and disappoint her, so he just disappears. Fed up with this latest betrayal and determined to live life on her own terms, Penelope decides to break free from her family and go out into the world in search of adventure. Hiding her true identity with a scarf, Penelope discovers a wondrous world where freedom opens her eyes to possibilities she never knew existed. Making new friends along the way, she discovers happiness in the most unexpected places.