Kristen, his beloved daughter, dying, pounded bloody and broken by feet and fists. Kristen, dead-as dead as Lucas' most hidden desires.In Lucas Ellington's eyes, the mindless crowd of rock n' rollers is blameless. His child was murdered by Whip Hand, the Ultimate Party Band. The main event.Whip Hand dissolved soon after the arena disaster but the musicians are still alive out there, still alive and kicking.Not for long. Lucas has sacrified one set of dreams; he will not surrender another. Instead of Kristen, he cradles revenge to his breast.His ultimate target: Gabriel Stannard. Whip Hand's lead singer.

    Justin Gray, a former small-time drug dealer in St. Louis, has arrived in Tampa, FL, to start a new life. But on his first night in town his buddy Erik takes him to a disco, where he tries a mild dose of skullflush. Another of Erik's friends takes a larger dose and is tranformed into a ravenous beast who practically devours four people on the dance floor and then commits suicide. Local dealer Tony Mendoza begins a search for Justin, the only witness who knows what really happened in the disco that night. Mendoza himself is sought by the Yanomamo warrior Kerebawa, who travels to America to retrieve skullflush and avenge its theft before it is sniffed by too much of Tampa's "nightlife."

    A Marine Corps psychiatrist with a crisis of faith encourages his patients to enact their fantasies as part of their therapy. However, he proves himself to be more deeply disturbed than at first appears and finally sacrifices himself to save one of his patients.

    An ex-mental patient, working as a hospital porter is reminded of his accidental killing of his baby brother years before, and he and an escaped convict, both disturbed, unleash a terror beyond belief.

    Jack Quinlan, an American writer, is researching a book on the horrors of the Irish Famine. As the days pass, and the longer nights, the darkness of history parts ... only to reveal an even greater darkness in the present.

    The man had suddenly stepped into the road, and the brakes had failed. Clare could only steer wildly, the car finally crashing into a tree and on to the kerb. Now her brother Rob was dead, silent in the passenger seat, slumped against the door. He died of massive head injuries. But there was something else, something that at first she couldnt quite grasp, that seemed inexplicable. His right arm was missing. Gone. Someone had taken it.

    Out of the murky sewers they suddenly attacked —snapping, biting, ripping at his flesh. After the first sensationalism had died down, the newspapers lost interest ... the experts dismissed them as no more dangerous than ferrets ... people started to forget.But Matt knew different. All the time they were growing in size and numbers — and they preyed on living flesh!For when they returned — slithering out of village ponds, swimming pools, even bath pipes — the fate of the British population was sealed.And there was no more horrifying way to die ....

    . .Paul Kelly had a very big temper for such a small boy. When he tired of his toys he smashed them. When a dog or cat got in his way, he kicked them. And when other children told on him, he made sure they were very, very sorry . . .CHILD’S PLAY . . .But that was nothing compared to what Paul discovered next. Which was that if he didn’t like certain people, he could make it so he’d never have to see them again. Ever. And no one would suspect such a little boy of such a horrible deed. Of such monstrous powers. No one would ever guess that killing could be much more fun than playing with dump trucks and sandboxes. Especially the way Paul did it . . .

    . .Yeti. . .Sasquatch.But whatever it is, it's out there in the woods and leaving a trail of blood and severed heads behind it.For John Moon, a half-mad Indian, it is a spirit that holds the key to his inner self. He worships its power and he'll kill to protect it. Desperate, exhausted, half-starved, Moon will follow it wherever it goes.For Raymond Jason, killing it has become an obsession. He was the only survivor of a hunting trip to the Rockies where the hunters became the monster's prey. Now he is determined to track the creature down and destroy it.But when the two men finally corner their quarry they set loose a flood of terror and destruction that me leave no survivors. . .RUNNING TIME ➼ 7hrs. and 41mins.©2019 Thomas Page (P)2019 Valancourt Books LLC

    After long and tedious days on the assembly line, she returns home to care for her corpse-like husband while enduring her loathsome and hateful mother-in-law, Jo. Jo blames the entire town for her son’s mishap, and when she gives a strange piece of jewelry to the man she believes most responsible, a series of gruesome deaths is set in motion. Sarah believes the amulet has something to do with the rising body count, but no one will believe her. As the inexplicable murders continue, Sarah and her friend Becca Blair have no choice but to track down the amulet themselves, before it’s too late.

    When a careless exploration leaves her trapped underground, she learns to live again in the absence of everything she once knew. Even driven by love and light, Sally Ann finds the deepest darkness within herself in When Darkness Loves Us.Beauty Is... - Old Martha Mannes has been a part of Morgan, Illinois since her birth. The whole town knows her as the dim-witted woman who was born without a nose, but Martha's mind wasn't always a blank slate. Unlocking the monster buried deep in her memories may bring back the sparkling child she once was... or it may send those around her crashing down into the nightmares of a little girl gone wrong.

    In the orderly, pleasant world Barbara inhabited, nice children -- and they were nice children — didn't hold an adult captive.But what Barbara didn't count on was the heady effect their new-found freedom would have on the children. Their wealthy parents were away in Europe, and in this rural area of Maryland, the next house was easily a quarter of a mile away. The power of adults was in their hands, and they were tempted by it. They tasted it and toyed with it -- their only aim was to test its limits. Each child was consumed by his own individual lust and caught up with the others in sadistic manipulation and passion, until finally, step by step, their grim game strips away the layers of childishness to reveal the vicious psyche, conceived in evil and educated in society's sophisticated violence, that lies always within civilized men.More than a terrifying horror story, Let's Go Play at the Adams' is a compelling psychological exercise of brooding insights and deadly implications.

    And somewhere in the night, a small girl smiled as her mother burned. Asylum inmates slaughtered their attendants. In slimy tunnels, once-human creatures gathered. Madness raged as the lights began to fade and humanity was attacked by an ancient, unstoppable evil.

    Treading through the detritus of this vanished civilization, Ashley and his party uncover a New kingdom sarcophagus containing a mummy that has lain sequestered, undisturbed over the aeons, within a rock-cut tomb. While Ashley is translating the hieroglyphic writings that attend this discovery, a scandal erupts over the mummy, involving both a hideous mutilation and the threat of a Pharaonic curse. More ominously, the expedition is visited by a mysterious intruder, Lucian Mallory...As extraordinary a novel as Arkham House has ever published, The Third Grave was conceived by one of the few living fantasists capable of fulfilling the literary requirements of the genre. David Case's first book, published twelve years ago, created a sensation among cognoscenti of the macabre, and this new novel reaffirms his stature as one of the great American masters of horror.

    Ravenous hunger and violent rage have brought them together under a cunning, ferocious leader.Man has betrayed his best friend - now the dogs will have their day. It's a bitter winter, and the dogs of summer have grown hungry... and vicious!This new Paperbacks From Hell edition of David Fisher's The Pack (1976) features a new introduction by Will Errickson and the original cover painting by Lydia Rosier.