Brodkey was a writer for whom style was everything, but in his own implacable and untimely mortality he found a subject before which style was nothing. In this assemblage of essays, journal entries, and brief notes, he confronts his illness from a clinical perspective without losing his ironic tone or his genius for minutiae. In a sense, Brodkey wrote nothing but autobiography throughout his career; this, then, is a fitting final chapter.

    When tragedy strikes in the Triangle Shirtwaist Factory fire, Helen is seduced by the Suffragist cause and is soon immersed, working alongside famous activists.As Helen's involvement with the cause deepens, she encounters myriad sources of tension that test her perseverance: estrangement from her husband, who is blindsided by his wife's sudden activism; ostracization by neighbors; unease at working side by side with wealthier suffragettes; and worry about her children as she leaves them to picket the White House in Washington.The narrative spans World War One and concludes with the triumph of 1919. In a time when the obstacles for women, from any background, were insurmountable, Helen discovers her voice as an independent woman and dreams of equality in a male-dominated society.

     Boston 1868...At the insistence of her parents, sixteen-year-old Katie O'Neil reluctantly left her beloved Galway. She joined her cousin, Moira Murphy to work as a nanny and domestic. In mid-nineteenth century Boston, Irish domestics were often referred to as Kitchen Canaries and considered property of their employers. The young women are violated by their employer, Charles Brennan. Their shame and guilt is so great, they keep the abuse a secret even from each. When Katie becomes pregnant, Charles Brennan's victims, Moira, his wife Rose, and the negro household help, bond together to hide the newborn. In this post-Civil War era, Boston is bustling with change as wealthy Englishmen and Boston Brahmins expand world trade routes, build railroads and develop land. Immigrants from Ireland, Italy and Poland establish neighborhoods, existing in overcrowded, disease-ridden shacks and tenements. They, and negroes flocking North, suffer hate, humiliation and rejection from the establishment. The only value they have to the rich Bostonians is their willingness to work for little money performing menial or back-breaking, dangerous jobs on the docks, and building railroads. This story is about the goodness of others, black, white, Irish and English whose strength prevails to overcome evil and guide Katie and Moira to true redemption. The sequel, Through the Open Door is now available.

    With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns regarding organs for transplant and human tissue for research.

     When a famous ex-general's daughter is kidnapped, Detective Simms is assigned with bringing her home. Forged in the Mexican War, this man of steel knows how to survive and how to kill. But he will need all of his skill and guile to survive this unforgiving land, and bring the general's daughter home. And then, it gets personal...

    This story is brutal and shockingly unpredictable. In the year 1823, at the height of the British Empire and the colonization of Australia, Pat Roche sits on board a convict ship, sentenced for the term of his natural life to the New Colonies. All hope of ever seeing his wife and child again appeared to be lost. The ship is a fraught with tension under such a strict military guard; with one hundred and fifty criminals confined to a small space, it can only mean trouble. By the time the ship arrives at Van Dieman’s Land, there will be fighting, flogging, rape, murder and mutiny. Pat Roche will find himself involved in it all. Sarah Roche has now been shunned by the local community and is struggling to fend for herself and her little boy. There is a terrible turn of events and she is soon to follow in her husband’s footsteps. So too will a desperate voyage begin for her on board the female convict ship, otherwise known as ‘Floating Brothels’. She arrives in Hobart a broken woman, only regaining her strength after a fleeting moment with her husband. Pat is being taken away to a place of unbearable torment; the notorious Sarah Island settlement, where escape is punishable by death. Many colourful characters weave their way through the pages, creating a plot intertwined with deceit, retribution, murder, tragedy and enduring love, resulting in a heart wrenching climax.For Pat Roche, when there is nothing more worth living for, a chance to escape and find his family is worth dying for.

    For the first time in years, men and women had appeared onstage together. The future held no limits, the actors believed. In this fast-moving, fondly told and frequently very funny account, Qais Akbar Omar and Stephen Landrigan capture the triumphs and foibles of the actors as they extend their Afghan passion for poetry to Shakespeare's.Both authors were part of the production. Qais, a journalist, served as Assistant Director and interpreter for Paris actress, Corinne Jaber, who had come to Afghanistan on holiday and returned to direct the play. Stephen, himself a playwright, assembled a team of Afghan translators to fashion a script in Dari as poetic as Shakespeare's. This chronicle of optimism plays out against the heartbreak of knowing that things in Afghanistan have not turned out the way the actors expected.

    and visions of the past.

    

    Book

    Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. He grew up. And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of his stepfather, leading to constant swerving between his parents' houses, and between boys' and women's clothes. But as Grayson enters art college and discovers the world of London squats and New Romanticism, he starts to find himself. At last he steps out as a potter and transvestite.

    Add this reality to one’s shrinking recognizability among the multiple billions down through history, and the worldly emphasis on standing out really falls flat; we’re all in this obscurity thing together.Ironically, the trouble with me and you and the rest of humanity is not a lack of self-confidence but that we have far too much self-importance. To live and die unnoticed would seem a grave injustice to many. It’s all too easy to think we’re somebody if our portfolio is strong, there are a few letters after our name, or we’re well-known at work, church, or school.As pride creeps in, we are tempted to want more: more recognition, more admiration, more influence, more, more, more. Few have ever given thought to wanting less. That’s why we need Embracing Obscurity.Putting the premise into immediate action, an established Christian author electing to remain anonymous writes about living and dying in simplicity, contending that true success, as modeled by Jesus, starts with humility, service, sacrifice, and surrender. Such a life involves mystery and banks on the hope that today is just a dress rehearsal for eternity.When we stop imitating the world and instead choose to embrace obscurity, real life -- chock full of significance, purpose, and renewed passion -- begins.

    With an innate grasp of color, light, and composition, and inspired by the mercurial Caravaggio, the fiery Artemisia embraces her calling with a precocious brilliance. But as a young woman, she also finds herself oppressed by a powerful patriarchy, and she is forced to endure emotional and physical abuse at the hands of men.Until a shattering act of violence unleashes Artemisia’s righteous fury.Refusing to be silenced and resolved to best men at their own games, Artemisia does what no woman had dared to do before. She fights back.A bracing historical novel about a woman boldly at odds with her time, Fierce Dreamer explores the fearless determination that would fuel Artemisia Gentileschi’s most courageous works of art and make her independent voice a vital one for our own time.

     Excerpt: John, who was ambitious, met her advances more than half way, and finally, encouraged by her father, offered her his heart and hand. Under other circumstances, Matilda would undoubtedly have spurned him with contempt; but having heard that her recreant lover was about taking to himself a bride, she felt a desire, as she expressed it, "to let him know she could marry too." Accordingly, John was accepted, on condition that he changed the name of Nichols, which Miss Richards particularly disliked, to that of Livingstone. This was easily done, and the next letter which went to Oakland carried the news of John's marriage with the proud Matilda. A few months later and Mr. Richards died, leaving his entire property to his daughter and her husband. John was now richer far than even in his wildest dreams he had ever hoped to be, and yet like many others, he found that riches alone could not insure happiness

    The ton explodes with malicious gossip.Where did Phoebe’s mysterious riches come from? Everyone wants to know—and so does she. But too many people in her glittering new world aren’t who they seem to be. And then there’s the confusing behavior of handsome Captain Anthony Grenville—the man who once ruined her.With scandalous rumors flying, Phoebe can’t afford to succumb to passion again. But can the newly-minted Heiress of Holborn discover the truth about her fortune... before her secret enemies can ruin her life?