It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    But when you’re the sister of Bram and the niece of Sherlock, vampire hunting and mystery solving are in your blood. And when two society girls go missing, there’s no one more qualified to investigate.Now fierce Evaline and logical Mina must resolve their rivalry, navigate the advances of not just one but three mysterious gentlemen, and solve murder with only one clue: a strange Egyptian scarab. The stakes are high. If Stoker and Holmes don’t unravel why the belles of London society are in such danger, they’ll become the next victims.

    Her silence is a mystery, as well as her magic. Concerned for her safety, her mother is anxious to see her married, and Cai Jenkins, a widower from the far hills, seems the best choice.After her wedding, Morgana is heartbroken at leaving her mother, and wary of this man, whom she does not know, and who will take her away to begin a new life. But she soon falls in love with Cai’s farm and the wild mountains that surround it. Cai works to understand the beautiful, half-tamed creature he has chosen for a bride, and slowly, he begins to win Morgana’s affections. It’s not long, however, before her strangeness begins to be remarked upon in her new village. A dark force is at work there—a person who will stop at nothing to turn the townspeople against Morgana. Forced to defend her home, her man, and herself, Morgana must learn to harness her power, or she will lose everything.

    a mother who mysteriously disappears, a stranger who stalks her around London, and even the noble English Grandmother who kicked Saira and her mother out of the family. But when an old graffiti tag in a tube station transports Saira to the 19th Century and she comes face-to-face with Jack the Ripper, she realizes she needs help after all. Saira meets Archer, a charming student who helps her blend in as much as a tall, modern American teen can in Victorian England. He reveals the existence of the Immortals: Time, Nature, Fate, War and Death, and explains to Saira that it is possible to move between centuries – if you are a Descendant of Time. Saira finds unexpected friendships at a boarding school for Immortal Descendants and a complicated love with a young man from the past. But time is running out for her mother, and Saira must embrace her new identity as she hides from Archer a devastating secret about his future that may cost him his life.

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    A Knight of the Order of the Round Table, his use of magick and the technologies of steam power have made him both respected and feared. But his considerable skills are useless in the face of his greatest challenge, guardianship of five unusual children. At a loss, Merrick enlists the aid of a governess.Miss Caroline Bristol is reluctant to work for a bachelor but she needs a position, and these former street children touch her heart. While she tends to break any mechanical device she touches, it never occurs to her that she might be something more than human. All she knows is that Merrick is the most dangerously attractive man she's ever met—and out of reach for a mere governess.When conspiracy threatens to blur the distinction between humans and monsters, Caroline and Merrick must join forces, and the fate of humanity hinges upon their combined skills of steam and sorcery...76,400 words

    Checking into a quaint boardinghouse for the summer, she hopes to put her life into perspective. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos.But in this inviting refuge, where a century of souls has passed, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t. Bad dreams and night whispers lure Brynn to a shuttered room at the end of the hall, a room still heavy with a recent death. And now she’s become irresistibly drawn to Dominic—even in the shadow of rumors that wherever he goes, suspicious death follows.In this chilling season of love, transformation, and fear, something is calling for Brynn. To settle her past, she may have no choice but to answer.

    From class demands to being an outsider among her male cohorts, she'll have to go above and beyond to prove herself. So when she stumbles across what appears to be a faulty Bio-mechanical--one of the mechanized cadavers created to service the school--she jumps at the chance to fix it and get ahead in the program.Only this Bio-mechanical isn't like the others. Where they are usually empty-minded and perfectly obedient, this one seems to have thoughts, feelings... and self-awareness.Soon Lizzie realizes that it is Victor Frankenstein--a former student who died under mysterious circumstances. Victor, it seems, still has a spark of human intelligence inside him, along with memories of things he discovered before his untimely death.. .and a suspicion that he was murdered to keep that information from getting out. Suddenly Lizzie finds herself intertwined in dark secrets and sabotage that put her life, and the lives of Victor and their friends, in danger. But Lizzie's determined to succeed--even if that means fighting an enemy who threatens the entire British Empire.

    ” A timeless tale of love,  devotion . . . and the undead.Jane Slayre, our plucky demon-slaying heroine, a courageous orphan who spurns the detestable vampyre kin who raised her, sets out on the advice of her ghostly uncle to hone her skills as the fearless slayer she’s meant to be. When she takes a job as a governess at a country estate, she falls head-over-heels for her new master, Mr. Rochester, only to discover he’s hiding a violent werewolf in the attic—in the form of his first wife. Can a menagerie of bloodthirsty, flesh-eating, savage creatures-of-the-night keep a swashbuckling nineteenth-century lady from the gentleman she intends to marry? Vampyres, zombies, and werewolves transform Charlotte Brontë’s unforgettable masterpiece into an eerie paranormal adventure that will delight and terrify.

     Except it wasn't flu, and death gave them back.Seventeen-year-old Ella copes the best she can; caring for her war-injured father, scrubbing the floors, and slaying the undead that attack the locals. Vermin they're called, like rats they spread pestilence with their bite. Ella's world collides with another when she nearly decapitates a handsome stranger, who is very much alive.Seth deMage, the new Duke of Leithfield, has returned to his ancestral home with a mission from the War Office -- to control the plague of vermin in rural Somerset. He needs help; he just didn't expect to find it in a katana-wielding scullery maid.Working alongside Seth blurs the line between their positions, and Ella glimpses a future she never dreamed was possible. But in overstepping society's boundaries, Ella could lose everything - home, head and her heart...

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Some houses are never at peace. England, 1917  Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick – but she arrives to discover a house of unease and her sister gripped by fear and suspicion.Before long, strange incidents begin to trouble Stella – sobbing in the night, little footsteps on the stairs – and as events escalate, she finds herself drawn to the tragic history of the house.Aided by a wounded war veteran, Stella sets about uncovering Greyswick’s dark and terrible secrets – secrets the dead whisper from the other side…

    Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.Not long into their marriage, Eliza fears that she should have listened to the locals. There’s something terribly wrong at Havenwood Manor: Forbidden rooms. Ghostly whispers in the shadows. Strangely guarded servants. And Malcolm’s threatening moods, as changeable as night and day.As Eliza delves deeper into Malcolm’s troubling history, the dark secrets she unearths gain a frightening power. Has she married a man or a monster? For Eliza, uncovering the truth will either save her or destroy her.

    None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.