She's got six steady clients that keep her hands full. There's Lex, the fussy but fabulous department store owner who loves Oysters Rockefeller and 1950s comfort food; Willa, who needs to lose weight under doctor's orders but still believes butter makes everything better; a colorful family who may or may not be part of the Russian mob; an uberwealthy Georgetown family; the picture-perfect Van Houghtens, whose matriarch is allergic to everything; and finally, a man she calls "Mr. Tuesday," whom she has never met but who she is strangely drawn to. For Gemma, cooking is predictable. Recipes are certain. Use good ingredients, follow the directions, and you are assured success. Life, on the other hand, is full of variables. So when Gemma's takes an unexpected turn on a road she always thought was straight and narrow, she must face her past and move on in ways she never would have imagined. Because sometimes in life, all you need is a little hope, a lot of courage, and---oh yes---butter.

    Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can't quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend's life. Until a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall apart further-and there is nothing Mia can do to help. And as good, kind, brave Lorrie Ann stops being so good, Mia begins to question just who this woman is and what that question means about them both. A staggeringly arresting, honest novel of love, motherhood, loyalty, and the myth of the perfect friendship that moves us to ask ourselves just how well we know those we love, what we owe our children, and who we are without our friends.

    More Like Her is the story of a seemingly perfect woman who’s the envy of her friends, neighbors, and co-workers…until the life of the object of their jealousy spectacularly, unexpectedly, and disastrously explodes. A novel of secrets, disappointments, false impressions—and what really goes on behind those suburban picket fences—More Like Her is ultimately about facing reality and appreciating everything that life has to offer.

     It's early summer when Ginny and William's peaceful life in Vermont comes to an abrupt halt. First, their daughter Lillian arrives, with her two children in tow, to escape her crumbling marriage. Next, their son Stephen and his pregnant wife Jane show up for a weekend visit, which extends indefinitely when Jane ends up on bed rest. When their youngest daughter Rachel appears, fleeing her difficult life in New York, Ginny and William find themselves consumed again by the chaos of parenthood -- only this time around, their children are facing adult problems. By summer's end, the family gains new ideas of loyalty and responsibility, exposing the challenges of surviving the modern family -- and the old adage, once a parent, always a parent, has never rung so true.

    . . In the top-floor flat lives music exec Katie. She spends her days fighting off has-been rock stars and wondering how much cheesecake you'd need to eat yourself to death. Below her, a pair of muscular Poles share with a streetwise cabbie named Lydia, who has a sharp tongue, an even sharper brain but some unexpected soft spots. On the first floor is Fionn - a gardener who prefers the company of parsnips to people. But he looks like a fairy-tale prince and when he's offered his own television show, he's suddenly thrust into the limelight. And at the bottom of the house live Matt and Maeve, who are Very Much In Love and who stave off despair by doing random acts of kindness. But a mysterious visitor has just landed at 66 Star Street, bringing love, friendship and heartbreak, and a new-found optimism. Old secrets are working their way to the surface and all their lives are about to change in the most unexpected of ways . . .

    Wineglass in hand, Kate strikes a bargain with them. To celebrate her new lease on life, she'll do the one thing that's always terrified her: white-water rafting down the Grand Canyon. But if she goes, each of them must promise to do one thing in the next year that is new, or difficult, or scary—and Kate gets to choose their challenges.Shimmering with warmth, wit, and insight, Joy for Beginners is a celebration of life: unexpected, lyrical, and deeply satisfying.

    And life without ahusband at thirty-one is just fine, thank you very much.She has a steady job working as a private investigator(albeit a mediocre one); a devoted boyfriend of fiveyears, Jason; and a wonderful relationship with her dad(it's a shame her mother is such a lost cause). Then, ona romantic weekend retreat to a faux-ancient castle,Jason proposes marriage, leaving Hannah with nochoice but the obvious: to turn him down cold.Much to her horror, four weeks later, Jason becomesengaged to his next-door neighbor, a fine bakerand "proficient seamstress." Has Hannah blown herlast chance at a solid relationship as her familyclaims? Jason agrees to give her another chance -- butonly if she meets his terms, among them a promise todust off the many skeletons in her closet.Brimming with her characteristic blend of humorand heartache, Anna Maxted's Being Committed is a perceptivelook at intimacy (and its substitutes), commitmentphobia, and the power others have over us.

    It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state.) And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .

    So when Mal and his wife, Stephanie, ask Nova to be a surrogate mother, she agrees—despite her reservations about what it might mean for their friendship. Then Nova’s fears are realized. Halfway through the pregnancy, Stephanie finds a text from her husband to Nova that reads “Goodnight, beautiful.” Already suspicious of their deep connection, Stephanie demands that Mal cut all ties to Nova and their unborn baby, leaving Nova to raise the child alone. Eight years later, Nova is anxiously waiting for her son, Leo, to wake up from a coma, while childless Stephanie is desperately trying to save her failing marriage. Despite her anger and hurt, Nova wants Mal to have the chance to know his son before it’s too late. Will it take a tragedy to remind them all how much they mean to one another?

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    She finds herself surrounded by glamour girls and pageant queens all vying for a date with the smokin hot bachelor. Ashley's plan, to fly under the radar and get sent home early, falters when she soon discovers a knack for drawing unwanted attention her way. Bad boy quarterback Luke Townsend thought choosing between 25 stunning women would be a dream come true. How wrong he was! Luke's patience is tried by the wiles of the charmers and the persistence of the camera crews. It doesn't take long for him to realize, however, that the one girl trying the hardest to get off the show is the one who most intrigues him.

    Though Geneva and her sister, Ann, are as different as night and day (“I being night, of course, dark and dramatic”), Geneva remembers she had a family before she had a star on her door. But so accustomed is she to playing the lead, finding herself a supporting actress in someone else’s life is strange and unexplored territory. Then the discovery of an old scrapbook that she and her sister created long ago starts her thinking of things beyond fame. For The Great Mysterious is a collection of thoughts and feelings dedicated to answering life’s big questions—far outside the spotlight’s glow. . . .

    She's taken step one and gotten engaged to a reliable man, but she's beginning to question their relationship. Does he really love her, or is she just arm candy for his political career? Why is her future mother-in-law getting increasingly hostile? Worse, why does he stand up for his mother when she says those awful things, instead of protecting her? Cathy is full of self-doubt. Both of her options—going through with the wedding or breaking off her engagement—are beginning to look like a nightmare either way. She knows her friends will back her up, but she's the one who has to make a decision that's going to tear her apart.

    She also strongly believes in crisp schedules, clear guidelines, and taking people at face value. Not that the twenty-seven-year-old sees many people. After several unfortunate incidents, her overbearing mother keeps her at home.But when her mother has a stroke, Elvira is suddenly on her own. To help her navigate a world that is often puzzling, she draws up seven ironclad rules. Armed with these, a notebook full of questions, and guidance from a helpful neighbor, she takes charge of herself―and realizes that something isn't quite right about the life she thought she knew.She'll need all the courage, perseverance and curious charm she can muster to unravel the mystery of what happened to her family and to manager her own life, her way.

       Tina Fontana is the hapless but brazen thirty-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She’s excellent at her job and beloved by her famous boss—but after six years of making his reservations for restaurants she’d never get into on her own and pouring his drinks from bottles that cost more than her rent, she’s bored, broke, and just a bit over it all.   When a technical error with Robert’s travel-and-expenses report presents Tina with the opportunity to pay off the entire balance of her student loan debt with what would essentially be pocket change for her boss, she struggles with the decision: She’s always played by the rules. But it’s such a relatively small amount of money for the Titan Corporation—and for her it would be a life-changer . . .  The Assistants speaks directly to a new generation of women who feel stuck and unable to get ahead playing by the rules. It will appeal to all of those who have ever asked themselves, “How is it that after all these years, we are still assistants?”