We do not know much about the scientific achievements of our ancestors. Is it possible that there were highly advanced civilizations in past, whose technological achievements have been completely forgotten? Now there can be an objective verification, because Rigveda has been remarkably well preserved. Ancient Indians went to extreme lengths to preserve the Vedas. They are in the same form today, that they have been several thousand years earlier. The question is why? Why did generations of Indians go through so much trouble to preserve the Vedas, while the apparent meaning seems to be so mundane. The reason is that Vedas are coded, and once you understand that code, it has such a powerful message that is going to transform your perception of humanity. This book describes the scientific meaning of Vedas and other Hindu scriptures and compares them with currently accepted scientific wisdom.

    Her "floating abstractions," in which lines and free bands of color emerge almost imperceptibly, can be reproduced only with difficulty. Her writings, on the other hand--although certainly not intended as programmatic statements--offer valuable clarity regarding her own works and poetic insight about art in general. Since its original publication in 1991, this volume of Martin's writings has been a fundamental document for libraries of artists, collectors, and critics. Rather than identifying herself with her Minimalist peers, Martin has aligned herself with the ancient Greeks, Egyptians, and Chinese, asserting that "the function of art work is . . . the renewal of memories of moments of perfection." In combination with illustrations of her works, these texts--including lectures, stories recorded by critic Ann Wilson, passages ostensibly arranged in associative sequences, and "fragmentary ideas"--form an eloquent artist's statement by the creator of "silent paintings."

    The works of Maimonides, particularly The Guide for the Perplexed, are reckoned among the fundamental texts that influenced all subsequent Jewish philosophy and also proved to be highly influential in Christian and Islamic thought. Spanning subjects ranging from God, prophecy, miracles, revelation, and evil, to politics, messianism, reason in religion, and the therapeutic role of doubt, Maimonides and the Book That Changed Judaism elucidates the complex ideas of The Guide in remarkably clear and engaging prose. Drawing on his own experience as a central figure in the current Israeli renaissance of Jewish culture and spirituality, Micah Goodman brings Maimonides’s masterwork into dialogue with the intellectual and spiritual worlds of twenty-first-century readers. Goodman contends that in Maimonides’s view, the Torah’s purpose is not to bring clarity about God but rather to make us realize that we do not understand God at all; not to resolve inscrutable religious issues but to give us insight into the true nature and purpose of our lives.

    But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church.Encourages Christian artists in the pursuit of their calling and provides artists and non-artists alike a short introduction to thinking Christianly about the arts.

    Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in light of his theory. Provocative and inspiring, this book is a paradigm-shattering work that will transform your view of history and the mind.

    But these days we are tampering with time in ways that affect how we live, the textures of our experience, and our very sense of what it is to be human. What is the nature of time in our time? Why is it that even as we live longer than ever before, we feel that we have ever less of this basic good? What effects do the hyperfast technologies--computers, video games, instant communications--have on our inner lives and even our bodies? And as we examine biology and mind on evermore microscopic levels, what are we learning about the process and parameters of human time? Hoffman regards our relationship to time--from jet lag to aging, sleep to cryogenic freezing--in this broad, eye-opening meditation on life's essential medium and its contemporary challenges.

    Mark Lanier, one of America's top trial lawyers, uses his experienced legal eye to examine the plausibility of the Christian faith. Bringing science, current knowledge, and common sense together in a courtroom approach, this "trial" elucidates a rich understanding of God and a strong foundation for Christian faith. Following the format of a traditional legal trial, Lanier takes us from opening statement to closing summation by way of testimony from well-known witnesses--the scientist, the theologian, the linguist, the humanist, the philosopher, the psychologist and the ancient biblical eye-witness. These sources and many others investigate the sticky subjects of the Christian worldview that are commonly scrutinized by skeptics or overlooked by marginal believers:Who is God in light of astronomical and subatomic science? How could divine inspiration of Scripture or Christ's bodily resurrection be possible? How should we see the nature of reality, free will and choice, ethics, morality and the idea of heaven and afterlife? Lanier presents a persuasive case for the Christian faith and leaves it up to us to choose what is worthy of belief and what is not. Christianity on Trial provides a thought-p

    R.C. Sproul shows that we don’t have to give up our intellect in order to believe. In fact, logic and reason clearly demonstrate that God exists, and no one has an excuse for their unbelief. Dr. Sproul rebuts common arguments from atheists, exposing the inconsistency and illogical nature of denying the existence of God.The Crucial Questions booklet series by Dr. R.C. Sproul offers succinct answers to important questions often asked by Christians and thoughtful inquirers.

    But what if, nonetheless, Einstein got it wrong?Since the 1930s, physicists have noticed an alarming discrepancy between the universe as we see it and the universe that Einstein's theory of relativity predicts. There just doesn't seem to be enough stuff out there for everything to hang together. Galaxies spin so fast that, based on the amount of visible matter in them, they ought to be flung to pieces, the same way a spinning yo-yo can break its string. Cosmologists tried to solve the problem by positing dark matter—a mysterious, invisible substance that surrounds galaxies, holding the visible matter in place—and particle physicists, attempting to identify the nature of the stuff, have undertaken a slew of experiments to detect it. So far, none have.Now, John W. Moffat, a physicist at the Perimeter Institute for Theoretical Physics in Waterloo, Canada, offers a different solution to the problem. The cap­stone to a storybook career—one that began with a correspondence with Einstein and a conversation with Niels Bohr—Moffat's modified gravity theory, or MOG, can model the movements of the universe without recourse to dark matter, and his work chal­lenging the constancy of the speed of light raises a stark challenge to the usual models of the first half-million years of the universe's existence.This bold new work, presenting the entirety of Moffat's hypothesis to a general readership for the first time, promises to overturn everything we thought we knew about the origins and evolution of the universe.

    Why not be done with it? David Dark argues that it's not that simple. The ease with which we put the label on others without applying it to ourselves is an evasion, a way of avoiding awareness of our own messy allegiances. Dark writes: "If what we believe is what we see is what we do is who we are, there's no getting away from religion." Both incisive and entertaining, Life's Too Short to Pretend You're Not Religious combines Dark's keen powers of cultural observation with candor and wit. Equal parts memoir and analysis, Dark persuasively argues that the fact of religion is the fact of relationship. It's the shape our love takes, the lived witness of everything we're up to for better or worse, because witness knows no division. Looking hard at our weird religious background (Dark maintains we all have one) can bring the actual content of our everyday existence the good, the bad and the glaringly inconsistent to fuller consciousness. By doing so, we can more practically envision an undivided life and reclaim the idea of being "religious.""

    Herbert experimented brilliantly with a remarkable variety of forms, from hymns and sonnets to "pattern poems", the shapes of which reveal their subjects. Such technical agility never seems ostentatious, however, for precision of language and expression of genuine feeling were his primary concerns. Herbert is one of the finest religious poets in any language, though even secular readers respond to his quiet intensity and exuberant inventiveness. The poems he made achieve a perfection of form and feeling, a luminosity and a metaphysical grandeur unexcelled in the history of English writing.Though long overshadowed by Donne and Milton, Herbert has come to be one of the most admired of the metaphysical poets. In this new edition of Herbert's works, the distinguished scholar and translator Ann Pasternak Slater shows through detailed textual notes, a reordering of the poems, and an extensive introduction just how great a writer Herbert is.