It is now being used as a textbook in classes at University of Minnesota, University of Texas, UC Berkeley, and elsewhere. Generations of college students and writers have learned the basics of English grammar from this short book. It was rated "one of the 100 most influential books written in English" by Time in 2011, and iconic author Stephen King recommended it as a grammar primer that all aspiring writers should read. Written a century ago, Strunk's book is a nostalgic link to the Art Deco era and the Roaring Twenties. Many of the grammar rules listed in his book still apply today; but the English language has changed over the years, and some of these rules have are now obsolete. This Classic Edition addresses these changes with the following enhancements and additional content: 1. This 2018 update adds two new chapters requested by college professors and students: Basic Rules of Capitalization and Style Rules for Better Writing. 2. Editor's notes have been inserted throughout the book to flag grammar rules that are become obsolete and to provide up-to-date advice for students and writers. 3. Emojis have been added to help readers identify correct examples from errors at a glance. 4. A Study Guide is included in the last chapter, and the paperback version includes blank, lined pages in the back of the book for note taking. 5. The e-book version has been restyled for improved display on the latest generations of digital book-reading devices. Elements of Style: Classic Edition 2018 gives students and writers a blueprint that they can follow to write clearly and effectively while learning the fundamental rules of English Grammar. NOTE: Some courses may specify other versions of this book, such as Elements of Style 4th Edition by E.B. White, or Elements of Style 2017, which builds on Strunk's work and presents 500+ up-to-date grammar and style rules for students and writers. If your course requires one of these versions, use these links to obtain the correct book: --The Elements of Style, 4th Edition (Strunk & White) http://amazon.com/dp/020530902X --Elements of Style 2017 http://amazon.com/dp/1988236282

    Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. Its hoarding is itself a demonstration. This thought-provoking issue of the acclaimed literary annual Freeman's explores who gets to say what matters in a time of social upheaval. Many of the writers are women. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of color walking in public space. Power must often be seized. The narrator of Lan Samantha Chang's short story finally wrenches control of the family's finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam's story achieves freedom by selling bull semen. Australian novelist Josephine Rowe recalls a gallery attendee trying to take what was not offered when she worked as a life-drawing model. Violence often results from power imbalances--Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. But not all power must wreak damage. Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plan in Korea to the glare he received from a bear traveling with her cubs in the woods, asking--do you plan me harm?Featuring work from brand new writers Nicole Im, Jaime Cortez, and Nimmi Gowrinathan, as well as from some of the world's best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Le�la Slimani, and Turkish novelist Elif Shafak, Freeman's: Power escapes from the headlines of today and burrows into the heart of the issue.

    tells the story of theclassic Marx Brothers wartime satire Duck Soup. As always, Blount isinformed yet informal, tongue-in-cheek yet tempered, providing the perfectvoice to recount the irreverent antics of Harpo, Chico, Groucho, and Zeppo. Readers of HarpoSpeaks, The Essential Groucho,and Monkey Business and fans of Animal Crackers, A Night at the Opera and the Marx Brothers’ other timelesscomedies—as well as all fans of Blount’s witty and insightful books like Alphabet Juice and Feet on the Street and listeners to NPR’s weekly news quiz, Wait, Wait, Don’t Tell Me—will becaptivated by the lyrical humorist’s compelling, behind-the-scenes storytellingof the 1933 classic film.

    He saw his country being devastated by war & progress & he waged a private war to save it. His only weapons were words - the poetry for which he is best known &, even more influential, the radio talks that first made him a phenomenon.

    Includes essays and excerpts from the works of prominent modern thinkers such as Umberto Eco, Jacques Derrida, and Isaiah Berlin among others.

    Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

    F. Freedman presents The Obstacle Course, a coming-of-age story that recounts the adventures of a colorful, profane, street-smart, and appealing fifteen-year-old boy growing up in 1957 on the Eastern Shore of Maryland. Roy Poole has to be smart because he is almost always on his own. His father is a drinker, womanizer, and wife-beater. His mother can't cope with her husband or her children; Roy copes by running with his own gang, whose escapades sometimes border on the criminal. And this young man is eminently available when the girls come after him, which is often. But there is another side to Roy. He builds model ships and regularly hitchhikes to Annapolis to run the Naval Academy's grueling obstacle course. For Roy Poole's one ambition in life, his consuming dream, is to become a midshipman. One day, like a gift from heaven, Roy meets a retired admiral who also builds model ships. The admiral is immediately attracted to the youngster, and he becomes almost a second father to the boy. Admiral Wells arranges for Roy to be admitted to a military prep school that sends most of its graduates to the Naval Academy. And then, suddenly, Roy's innocence brings about an explosion in this exotic world he has entered. Embittered and lost, Roy strikes out blindly for parts unknown. And on that adventure, particularly in an encounter with members of a black church, people that he, a Southerner in the fifties, has never known except as stereotypes, he begins the process of understanding that offers him a chance for his own redemption. This powerful and gritty coming-of-age novel will evoke memories of Holden Caulfield and Huck Finn. It also bears comparison to the novels of Pat Conroy. Best of all, The Obstacle Course confirms Freedman's talent for telling a compelling story in a full and rich original voice that marks him as a novelist with a limitless future.

    No sex criminal, from Jack the Ripper to Zodiac to the Green River Killer, inhabits the popular mind as does Bundy. Now, the two men who know Bundy’s criminal nature best – Dr. Robert Keppel and author Stephen Michaud – have teamed to write the definitive narrative of Bundy’s bloody career, as well as the inside story of how Keppel tracked the elusive killer for 15 years, from his first days as a rookie Seattle homicide investigator to a series of tense encounters within the Florida State Prison where Bundy, in a doomed attempt at forestalling his execution, finally gave up some of his Terrible Secrets. The story of Keppel’s long struggle to identify the handsome, articulate onetime law student, and confront him with his crimes, is abundantly illustrated with photos, drawings and documents from the investigator’s personal file. The book’s dozens of pictures include a map of Bundy’s Issaquah, Washington, hillside body dump that Ted drew for Keppel at the prison. Also shown for the first time are handwritten notes from Bundy’s investigative file. The authors also draw from Keppel’s extensive mail correspondence with Bundy. The result is a riveting, close-up portrait of a “diabolical genius,” as a federal judge described Bundy, stripped of myths and misinformation and revealed - in his own words – for the archly-sly, murder-obsessed predator he became. There’s never been a book quite like Terrible Secrets.

    Nature, man and human history are reflected on in the verse of English and American poets and such prose works as the Gettysburg Address and the Declaration of Independence.

    . .'Tucked away along a shady path towards the north-east edge of Hampstead Heath is a sign: Women Only. This is the Kenwood Ladies' Bathing Pond. Officially opened to the public in 1925, it is the only wild swimming spot in the UK that is reserved for women.Created centuries ago, the Heath's chain of ponds are one of the sources of the River Fleet that runs subterraneously through London. Swimming in the Ladies' Pond's green, silty, silky waters, it's hard to avoid the feeling that you are moving through history and outside of time.On a hot summer's day, thousands of swimmers from eight to eighty-odd can be found queuing to take a dip before sunbathing in the adjoining meadow. In the cooler months, when the water temperature plummets, the Pond is still visited daily by hardy regulars, many of whom have been swimming there for decades.Combining personal reminiscence with reflections on the history of the place over the years and through the seasons, for the first time this collection brings together writers' impressions of the Pond.

    The pieces in this volume show him to be at times playful, more serious at other, but writing always with the lightest of touches. He had the keenest of eyes for the 'infra-ordinary', the things we do every day - eating, sleeping, working - and the places we do them in without giving them a moment's thought. But behind the lightness and humour, there is also the sadness of a French Jewish boy who lost his parents in the Second World War and found comfort in the material world around him, and above all in writing.This volume contains a selection of Georges Perec's non-fiction works, along with a charming short story, 'The Winter Journey'. It also includes notes and an introduction describing Perec's life and career.

    The strange saga of American architecture in the twentieth century makes for both high comedy and intellectual excitement as Wolfe debunks the European gods of modern and postmodern architecture and their American counterparts.

    He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe.Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.

    Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck’s documentary “I Am Not Your Negro.” Edited by Nobel laureate Toni Morrison, the Library of America’s Collected Essays is the most comprehensive gathering of Baldwin’s nonfiction ever published.With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as “The Harlem Ghetto,” “Everybody’s Protest Novel,” “Many Thousands Gone,” and “Stranger in the Village.”Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. “One writes,” he stated, “out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.” With singular eloquence and unblinking sharpness of observation he lived up to his credo: “I want to be an honest man and a good writer.”The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America’s racial divide and an impassioned call to “end the racial nightmare…and change the history of the world.” The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin’s earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.