You were wild when I met you, and I was mad for you. But then something happened. And now you’re gone. But don’t worry. I’ll find you. I just need to sift through the story of us to get to where you might be. I’ve got places to look, and a list of names. The police have a list of names, too. See now? There’s another lie. There is only one person they’re really looking at, Molly. And that’s yours truly.

    In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

    Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed?Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

    On a rainy April morning, she is reading auras at Spiritual Palms when Susan Burke walks in. A keen observer of human behavior, our unnamed narrator immediately diagnoses beautiful, rich Susan as an unhappy woman eager to give her lovely life a drama injection. However, when the "psychic" visits the eerie Victorian home that has been the source of Susan's terror and grief, she realizes she may not have to pretend to believe in ghosts anymore. Miles, Susan's teenage stepson, doesn't help matters with his disturbing manner and grisly imagination. The three are soon locked in a chilling battle to discover where the evil truly lurks and what, if anything, can be done to escape it.“The Grownup,” originally appeared as “What Do You Do?” in George R. R. Martin’s Rogues anthology.

    That’s why Gladie is more than a little skeptical when her Grandma Zelda — who is more than a little psychic — recruits her into the family’s matchmaking business in the quaint small town of Cannes, California. What’s more, Gladie is also highly unqualified, having a terrible track record with romance. Still, Zelda is convinced that her granddaughter has her clairvoyant “gift.” But when the going gets tough, Gladie wonders if this gift has a return policy. When Zelda’s neighbor drops dead in his kitchen, Gladie is swept into his bizarre family’s drama. Despite warnings from the (distractingly gorgeous) chief of police to steer clear of his investigation, Gladie is out to prove that her neighbor’s death was murder. It’s not too long before she’s in way over her head — with the hunky police chief, a dysfunctional family full of possible killers, and yet another mysterious and handsome man, whose attentions she’s unable to ignore. Gladie is clearly being pursued — either by true love or by a murderer. Who will catch her first?

    The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel.Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . . Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso.

    But by daybreak, their plan had been shot to hell. One of them was in the hospital. One was in jail. One was dead. And one got away with it.Arden Maxwell, the daughter of the man who disappeared all those years ago -- presumably with the money, after murdering his accomplice -- has never reconciled with her father's abandonment of her and her sister. After countless personal setbacks she decides to return to her family home near mysterious Caddo Lake, and finally get answers to the many questions that torment her. Little does she know, two of her father's co-conspirators -- a war hero and a corrupt district attorney -- are watching her every move.Ledge Burnet, a rebellious teen at the time of the heist, evaded his jail sentence by enlisting in the army. Now he's back in town to care for his ailing father -- and to keep his eye on the county's corrupt district attorney, whom he suspects was the real murderer. Although the two are bound to silence because of the crime they committed together, each has spent years waiting and hoping that the other will make a fatal misstep. But the arrival of their elusive accomplice's daughter, Arden, who may know more about the missing money than she's telling, sets them both on red alert. She ignites Ledge's determination to expose the D.A.'s treachery . . . and sparks a desire he wishes to deny.

    They take walks in the park together, visit county fairs, museums, and zoos, and eat together overlooking the lake. Some might say the father is a little too accommodating given the lack of discipline when the child loses his temper in public. Some might say he spoils his son by allowing him to set his own bedtimes and eat candy whenever he wants. Some might say that such leniency is starting to take its toll on the father, given how his health has declined.What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

    When her superior, Marcel, is attacked in a supposed random mugging, she is tasked with serving one of the hotel’s most mysterious and attractive guests.Nicholas Cassirer checks into the hotel under an assumed name every three months. Usually, he stays in the penthouse suite with a beautiful female companion but on this occasion, he arrives alone and is displeased in having to deal with someone new. A match of wits ensues as he tests Acacia’s expertise with a series of almost impossible demands. Her intelligence and creativity rise to the challenge, earning his respect.They strike a tenuous accord until Acacia discovers a famous stolen painting in his suite, she contacts a former boyfriend who works for the elite BRB, a unit of French law enforcement that deals with art thefts.Nicholas is questioned by police and released when it is revealed the painting is a reproduction. Irked with her behavior, Acacia’s supervisor demotes her threatening dismissal and the cancellation of her work permit.But Acacia has already attracted Nicholas’s attention. Remorseful that she may lose her job on his account, he offers her a choice – she can wait until her supervisor dismisses her, or she can leave the city of lights behind and become his personal assistant.Acacia initially refuses his offer, but Nicholas is persistent. He reveals himself as a man who quietly acquires stolen art in order to restore it to its rightful owners. Faced with mounting familial debts and the possibility of dismissal and deportation, she agrees to work for him.Nicholas opens up a whole new world of beauty and intrigue to Acacia as they travel the globe. Soon the line between employer and assistant is blurred, and the two lonely people embark on a passionate relationship.

    But the machine has broken down. Burnt out by the endless days of crying children and menial tasks, and exhausted from always putting herself last, Gilly doesn't immediately consider the consequences when she's carjacked. With a knife to her throat, her first thought is that she'll finally get some rest. Someone can save "her" for a change.But salvation isn't so forthcoming. Stranded in a remote, snowbound cabin with this stranger, hours turn to days, days into weeks. As time forges a fragile bond between them, she learns her captor is not the lunatic she first believed, but a human being whose wasted life has been shaped by secrets and tragedy. Yet even as their connection begins to foster trust, Gilly knows she must never forget he's still a man teetering on the edge. One who just might take her with him.

    When we first meet Dawson, he’s been ordered by his cantankerous boss to leave behind his loving wife and young son in Ghana’s capital city to lead a murder investigation: In a shady grove outside the small town of Ketanu, a young woman—a promising medical student—has been found dead under suspicious circumstances. Dawson is fluent in Ketanu’s indigenous language, so he’s the right man for the job, but the local police are less than thrilled with an outsider’s interference. For Dawson, this sleepy corner of Ghana is rife with emotional land mines: an estranged relationship with the family he left behind twenty-five years earlier and the painful memory of his own mother’s inexplicable disappearance. Armed with remarkable insight and a healthy dose of skepticism, Dawson soon finds his cosmopolitan sensibilities clashing with age-old customs, including a disturbing practice in which teenage girls are offered to fetish priests as trokosi, or Wives of the Gods. Delving deeper into the student’s haunting death, Dawson will uncover long-buried secrets that, to his surprise, hit much too close to home.

    Good grades, good family, a paper route. But he is about to meet a different kind of teacher: Mr. Dussander. Todd knows all about Dussander's dark past. The torture. The death. The decades-old manhunt Dussander has escaped to this day. Yet Todd doesn't want to turn him in. Todd wants to know more. Much more. He is about to learn the real meaning of power—and the seductive lure of evil.

    Gritty and magical, filled with mystery, poetry, and pain, Ivy Pochoda's voice recalls Richard Price, Junot Diaz, and even Alice Sebold, yet it's indelibly her own."-Dennis Lehane Summer in Red Hook, Brooklyn, a blue collar neighborhood where hipster gourmet supermarkets push against tired housing projects, and the East River opens into the bay. Bored and listless, fifteen-year-old June and Val are looking for some fun. Forget the boys, the bottles, the coded whistles. Val wants to do something wild and a little crazy: take a raft out onto the bay.But out on the water, as the bright light of day gives way to darkness, the girls disappear. Only Val will survive, washed ashore semi-conscious in the weeds.June's shocking disappearance will reverberate in the lives of a diverse cast of Red Hook residents. Fadi, the Lebanese bodega owner, trolls for information about the crime. Cree, just beginning to pull it together after his father's murder, unwittingly makes himself the chief suspect although an elusive guardian seems to have other plans for him. As Val emerges from the shadow of her missing friend, her teacher Jonathan, Julliard drop-out and barfly, will be forced to confront a past riddled with tragic sins of omission.In Visitation Street, Ivy Pochoda combines intensely vivid prose with breathtaking psychological insight to explore a cast of solitary souls, pulled by family, love, and betrayal, who yearn for a chance to escape, no matter the cost.

    Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at the prison, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. But her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.

    Then a torrent of blows rains down upon their bodies until their eyes cloud over in final agony. The killer shows no remorse--just a twisted need to witness each victim's last terrified moments.Don't SpeakPublic defender Rachel Wainwright is struggling to reopen a decades-old case, convinced that the wrong man is in prison. Homicide detective Deke Morgan doesn't want to agree. But if Rachel's hunch is correct, whoever fatally bludgeoned young, beautiful Annie Dawson thirty years ago could be the source of a new string of brutal slayings.Just Prepare To DieRachel's investigation is about to reveal answers--but at a price she never thought to pay. Now she's become the target of a rage honed by years of jealousy and madness. And a murderer is ready to show her just how vicious the truth can be. . .