Now, as she prepares for her school reunion, 39-year-old Sarah has to face up to the truth of what really happened back in the summer of 1986.August 1985: Sarah celebrates her fifteenth birthday in the back garden of the suburban seaside house she shares with her ageing father. As she embarks on her fifth and final year at Selton High School for Girls Sarah's main focus is on her erratic friendships with Tina and Kate; her closest allies one moment, her fiercest opponents the next as they compete for the attention of the new boy, Dante. When her father is unexpectedly taken ill, Sarah is sent to stay with Kate's family in nearby Amber Chalks. Kate's youthful parents welcome her into the comfort of their liberal family home, where the girls can eat off trays and watch TV in Kate's bedroom. They've never been closer -- until a few days into her stay, events take a sinister turn, and Sarah knows that nothing will ever be the same again.

    A devastating fire burned down their home, but she remains convinced her daughter survived.Now you don'tTen-year-old Tom lives by a neglected church. Is he the only one who sees the strange, solitary child playing there? And what is she trying to tell him?Now you runThere's a new vicar in town -- Harry. But menacing events suggest he isn't welcome. What terrible secret is this town hiding?Sometimes I wish that she'd just leave me in peace.

    She trusted him because she wanted excitement. There's a saying that curiosity can kill … but Valerian Kimble is beginning to learn that satisfaction might just be worse.Fourteen-year-old Valerian lives in an age where antiheroes and bad boys are portrayed as the romantic ideal, and good guys are passe and boring. So when Gavin Mecozzi, the school's brilliant but twisted loner, begins to show an interest in her after a chance meeting in a pet store, Val is intrigued. He's charming and poetic and makes her feel things that she thought were only possible in books--Fear.Because somebody is stalking Val. Somebody who wants to hurt her. Own her. Possess her. Maybe even kill her.As her meetings with Gavin unravel into a more complex and frightening relationship, Val can't help but wonder if the new boy in her life is her depraved and obsessive stalker.And whether he's capable of murder.Time is running out.

    Zach was just a rookie on the perimeter of that case, but he’s never forgotten the traumatized woman with the haunted eyes.As more information emerges, the crimes take on an even more sinister similarity. But Josie’s attacker died by suicide. Does the city have a copycat on its hands? A killer who picked up where the original perpetrator left off? Or are they facing something far more insidious?Josie has spent the last eight years attempting to get her life back on track, but now there’s a very real chance she could be the unknown suspect’s next target. As Zach vows to keep her safe, and Josie finds herself responding to him in a way she hasn’t responded to any man in almost a decade, the investigation takes on an even more complex edge of danger.As past and present collide, Josie and Zach are thrust toward a shocking and chilling truth. A revelation that threatens not only Josie’s life, but everything she’s been fighting so desperately to reclaim.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    Collecting the debts that are owed to me.Ten years ago, they took from me. They left me for dead.They should have made sure I stayed dead.Now I'm taking from them.One name at a time.I've trained for too long.I've been patient.I can't stop now.Revenge is best served cold...They never see me coming, until I paint their walls red.Logan doesn't know how they hurt me. He doesn't know about the screams they ignored. He doesn't know how twisted that town really is.He just knows people are dying.He doesn't know he's in love with their killer.No one suspects a dead girl.And Logan doesn't suspect the girl in his bed.They're looking for a monster.Not a girl who loves red.Not a girl in love.I'm a faceless nightmare.At least until I tell them the story they've pretended never happened.But in the end, will Logan choose them? Or will we watch them burn together?**Graphic**Adult language**Some triggers could be too much for the easily disturbed reader**Sexual content**Fucked up moral compass; read at your own risk.

    At least that is what she's always believed.Everyone has secretsUntil the day she arrives at her childhood home to find a house ringing with silence. Her mother is hanging from a tree. Her father is lying in a pool of his own blood, near to death.Especially those closest to you The police are convinced it is an attempted murder-suicide. But Sophia is sure that the woman who brought her up isn't a killer. As her father is too ill to talk it is up to Sophia to clear her mother's name. And to do this she needs to delve deep into her family's past - a past full of dark secrets she never suspected were there . . .What if your parents had been lying to you since the day you were born?

    Haunted by her absence--and her ghost--Aaron goes through her belongings, where he finds a receipt for a motel room in another part of the country. Piloted by grief and an increasing sense of curiosity, Aaron embarks on a journey to discover what Allison had been doing in the weeks prior to her death.Yet Aaron is unprepared to discover the dark secrets Allison kept, the death and horror that make up the tapestry of her hidden life. And with each dark secret revealed, Aaron becomes more and more consumed by his obsession to learn the terrifying truth about the woman who had been his wife, even if it puts his own life at risk.

    But when her mother's unexpected death brings Grace and her teen-age daughter home, she finds more haunting the halls and passageways of Alban House than her own personal demons. Long-buried family secrets, a packet of old love letters and a lost manuscript plunge Grace into a decades-old mystery about a scandalous party at Alban House, when a world-famous author took his own life and Grace's aunt disappeared without a trace. The night has been shrouded in secrecy by the powerful Alban family for all of these years, and Grace realizes her family secrets tangle and twist as darkly as the secret passages of Alban House. Her mother was intending to tell the truth about that night to a reporter on the very day she died - could it have been murder? Or was she a victim of the supposed Alban curse? With the help of the disarmingly kind--and attractive—Reverend Matthew Parker, Grace must uncover the truth about her home and its curse before she and her daughter become the next victims.

    Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven.But you’d better hope not.Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . .When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

    But Taylor’s fed up. Why does Sierra always get what – and who – she wants? From kissing Taylor’s crush to stealing the guy they both met online for herself, Sierra doesn’t seem to notice when she hurts her friends.So when Sierra says Jacob Jones is the one and asks her friends to cover for her while she goes to meet him for the first time, Taylor rolls her eyes. But Sierra doesn’t come back when she said she would.One day. Two days. Three . . .What if Taylor’s worrying for nothing? What if Sierra’s just being Sierra, forgetting about everyone else to spend time with her new guy? When Taylor finally tells Sierra’s mum that her daughter is missing, Taylor and her friends are thrown into a dark world they never even knew existed.Can Taylor find Sierra’s abductor in time? Or should she be looking for a killer?

    Alex: A hardened goth-punk who’s convinced she’s a vampire with a penchant for blood.Stacia: A seventeen-year-old raised by an alcoholic mother, her fellow prisoners the only family she’s ever truly had.Kammie: The youngest of the three--a mute who finds solace in a houseplant. But does life outside the house offer the freedom they’d envisioned? Or is it too late, the scars too deep? A coming-of-age tale of revenge that explores a friendship and the desperate lengths they will go through to ensure they stay united, held together by the scars that bind them.

    He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

    Holly saw it all. In one violent moment, a hit-and-run accident turns Holly’s life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house—all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren’t the only ones in the neighborhood with something to hide.Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?

    Perfect for fans of One of Us is Lying, E. Lockhart, and Gillian Flynn.17-year-old Kim never expected to plot a murder. But that was before her boyfriend dumped her for another girl. Now, Kim’s stuck on a class trip to London with him and his new soulmate and she can’t help wishing he was a little bit dead, even if she’d never really do that.   But when Kim meets Nicki, a stranger on the plane who’s more than willing to listen to Kim’s woes, things start to look up. Nicki's got a great sense of humor, and when she jokes about swapping murders, Kim plays along—that is, until Kim’s ex-boyfriend mysteriously dies.   Blackmailed by Nicki to fulfill her end of the deal, Kim will have to commit a murder or take the fall for one.