They have delighted in the romance of Jane Austen, thrilled at the adventures of Jules Verne, and pondered the lessons of Aesop. Introduce young readers to these familiar volumes with Great Illustrated Classics. In this series, literary masterworks have been adapted for young scholars. Large, easy-to-read type and charming pen-and-ink drawings enhance the text. Students are sure to enjoy becoming acquainted with traditional literature through these well-loved classics.

    Classics Illustrated tells this wonderful fairy tale in colorful comic strip form, providing an excellent introduction for younger readers. Also includes coloring page for the enthusiastic young reader!

    There is tremendous variety in this volume including the stories of Kuay Yin, the compassionate Buddhist goddess; Durga, the fierce Hindu warrior goddess; lx Chel, an ancient Mayan goddess; Changing Woman, the man-faceted Navajo deity, and more. Each story in this dynamic collection is accompanied by an exquisite portrait by the late, supremely gifted illustrator Trina Schart Hyman

    Filled with intricate details, Emma Chichester Clark's bright, captivating illustrations fill each page.

    This glorious edition is told in a shorter version of L. Frank Baum's original text, with artwork in the style of W. W. Denslow. With sparkling touches of colored foil and Emerald City eyeglasses, this classic tale is certain to find an honored place on the family bookshelf.

    There is also an image gallery showcasing over thirty classic Beauty and the Beast illustrations by Walter Crane and others.Beauty and the Beast – All Four VersionsBeauty and the Beast by Gabrielle-Suzanne Barbot de Villeneuve.Beauty and the Beast by Jeanne-Marie LePrince de Beaumont.  The Singing, Springing Lark by the Brothers Grimm.Beauty and the Beast by Andrew Lang.  Image Gallery.

    Gennady Spirin, in his adaptation of the Brother Grimms' earliest version of "Little Red Cap," tells the story of a young girl in a red hood who takes a cake to her sick grandmother. Along the way, she meets a wicked wolf who tricks her into thinking he's her granny. Sumptuous illustrations, inspired by the golden age of Dutch painting in the 17th century and Renaissance, capture the charm and spirit of a tale that has remained steadfast in oral and written versions throughout the centuries. An Author's note about the tale's history is included.

    Each has a special magic, an aura that is sometimes beautiful and fascinating, sombre and frightening, or exciting and colourful. But what unites all these stories is the essential quality of folk-lore, something that transcends the boundaries of nations, of custom and time, that gives them their permanence and universality of appeal. "Authors need folk-tales," Richard Adams says, "in the same way as composers need folk-song. They're the headspring of the narrator's art, where the story stands forth at its simple, irreducible best. They don't date, any more than dreams, for they are the collective dreams of humanity." In order to preserve as far as possible the immediacy and directness of authentic folk story-telling, each of the nineteen tales is presented as being told by an imagined narrator to one or more hearers at a particular time and place, sometimes past, sometimes present. However, the reader is never told the identity either of the teller or his hearers, but is left free to infer both them and the occasion solely from the narrator's own words. This original technique adds a novel dash of piquancy to this fine collection.

    Now brought luminously to life by K. Y. Craft's lavish paintings, this new edition of a timeless favorite is sure to enchant readers both young and old. Fairy tale lovers have been eagerly awaiting Craft's next magical romance since the release of her Cinderella. With illustrations inspired by the magnificent style of Baroque painters, the sumptuous color and exquisite detail of this breathtaking interpretation make it a dream come true.

    The first three fairy tales are “The Sleeping Beauty,” “Blue Beard,” and “Cinderella,” all three of which were popularized in France by Charles Perrault in 1697 in his Tales of Mother Goose. The last tale in the compilation is “Beauty and the Beast,” this version attributed to Gabrielle de Villeneuve, who published it in 1740 and 1756.Quiller-Couch had this to say regarding his translation of these tales: “I began by translating Perrault’s tales, very nearly word for word…the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) ‘may not be the best claret, but ‘tis the best we’ve got...’”

    The giant appetite of the ogre could only be satisfied by the flesh of children until young Zeralda tamed his taste buds with her culinary art.

    A Russian adaptation of the classic fairy-tale of Snow White and the Seven Dwarves.

    You have probably heard of her? If so, you will know these three things: She was small.She had lots of golden curls.And she had far too much curiosity for her own good. So when Goldilocks discovers an intriguing wooden cottage deep in the forest, she just can't resist peeking inside. Now why would there be one, two three of everything...?

    Mattotti's sweeping ink illustrations capture the terror and longing found in the classic Brothers Grimm fairy tale. Gaiman crafts an original text filled with his signature wit and pathos that is sure to become a favorite of readers everywhere, young and old.

    Award-winning author Ursula Jones tells the story with elegance and humour, capturing all the magic and excitement of this timeless fairy tale. Illustrated with exquisite style by Sarah Gibb, this is a beautiful book to pore over and cherish.