The classic J M Barrie story retold by the Walt Disney Studios, using the characters from the 1953 Walt Disney film 'Peter Pan'.

    But one morning, he hears a rumor that Cucullin, the strongest giant in the land, is coming to find and fight him.Fleeing home, Fin tells his wife of his worries. But clever Oonagh the giantess has a plan-- with her wits and her skills and her magic charms, she sets out to trick Cucullin and save her husband.Full of humor and charm, Tomie dePaola's retelling of this classic fable is boldly illustrated, with detailed borders based on ancient Irish metalwork.

    Candace finds herself cast out of her home by jealous older sisters, but with the help of a witch woman and a magical moss gown, she captures the heart of the young plantation owner.

    That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like.As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.

    Brings to vivid life the trials and tribulations of young Ella, mistreated by her nasty stepmother and unattractive stepsisters, who dreams of going to the Prince's ball.

    Its closing lines: "We just want people to know about this. The stuff that has happened to us could happen to anyone." Little could they imagine the remarkable adventure that awaited them as they followed Jared, Simon, and Mallory Grace and a strange old book into a world filled with elves, goblins, dwarves, trolls, and a fantastical menagerie of other creatures. The oddest part is in entering that world, they didn't leave this one!Five captivating books!One thrilling adventure!The Spiderwick Chronicles

    Tales include The Birth of Cuchulain and Finn and the Salmon of Knowledge. Full-color illustrations.

    At the same time, it provides us with a fresh perspective on the struggles of the people there. They fight to conserve their culture and a vision of the world which they see as flowering with holiness—a holiness that cannot be measured in dollars or defined by politics.The text for La Historia de los Colores is taken from the communiqué dated October 27, 1994 from Subcomandante Insurgente Marcos to the Mexican People. Originally published in Mexico with illustrations by Domitila Domínguez as La Historia de los Colores © 1996 by Colectivo Callejero, Guadalajara.Who is Marcos?Subcomandante Insurgente Marcos is the military strategist and spokesperson for the Zapatistas, an indigenous guerrilla movement in Mexico. It is his person, more than any other factor, that has pushed the Zapatista movement and the plight of the indigenous people in Mexico onto the international scene. Marcos continues to be the focus of media attention—in Mexico, in the States, and internationally, despite the Mexican government’s attempts to discredit him.On New Year’s Day, 1994, Subcomandante Insurgente Marcos and the Zapatistas, wearing their trademark ski masks, erupted on the world scene by declaring war on the Mexican government and attacking military installations in San Cristóbal, Chiapas. Since that time, Marcos—because of his charm, intelligence and mystique—has become a post-modern revolutionary hero. In his communiqués to the Mexican people, he has often related folktales and stories that reflect the culture and wisdom of the indigenous peoples of Chiapas.But no one seems to know who Subcomandante Insurgente Marcos is. The Mexican Government claims he is Rafael Guillen, but they’re literalists. He says he’s a Mexican like any other, born somewhere between the Atlantic and Pacific Oceans and between the northern and southern borders. He says he wears a ski mask because he is no longer whoever he was.

    So the Folk banish her and send her to live among humans as a changeling. Named Saaski by the couple for whose real baby she was swapped, she grows up taunted and feared by the villagers for being different, and is comfortable only on the moor, playing strange music on her bagpipes.  As Saaski grows up, memories from her forgotten past with the Folks slowly emerge. But so do emotions from her human side, and she begins to realize the terrible wrong the Folk have done to the humans she calls Da and Mumma. She is determined to restore their child to them, even if it means a dangerous return to the world that has already rejected her once.

    . . . The droll illustrations, with tones blended to luminescent shading, are complete and humorous themselves.' -- Association of Library Service to Children, ALA.

    In this bold, funny, and unflinching collection, the beloved author-illustrator retains all the emotion and humor of the original fairy tales: the heroes are courageous, the villains are horrible, and the children are tasty. With her sly, simple language and vibrant illustrations, even the scariest fiends become the stuff of shared hilarity and shivery thrills.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    Lesser and Zelinsky retell the story of a pair of children lost in the woods who run into a witch with a very tasty house.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

     Ella Cinders loves helping her father in his dress shop and laughing with her friend Buttons, the store's delivery boy. Then comes the terrible day when her father remarries and everything changes. Her stepmother makes her sew in the dreary basement. Her stepsisters mock her shabby dress. And to top it off, the new Mrs. Cinders forbids Ella to attend the duke's grand ball. Heartbroken, Ella is sure that her life will never be what she dreamed. But with the help of a fairy godmother and some sparkling courage of her own, this Cinderella discovers that dreams can come true in the most unexpected of ways. Join Ella amidst the dazzle and fashion of the roaring twenties as she takes happily ever after into her own hands!