Butler.We are a people who do not forget.Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.Zin E. Rocklyn’s extraordinary debut is a lush, gothic fantasy about the prices we pay and the vengeance we seek.

    Magazine* *Medium* *BookRiot* *BookPage* CrimeReads* Tor Nightfire* Bookshop* *Book Talk* BiblioLifestyle* and more! Morrow uses her heroine's warped perspective to examine painful truths about race and class in America, but this isn't a book intended to teach anyone a lesson, except maybe: Be careful. You never know who's really in control.--LA TimesFrom bestselling author Bethany C. Morrow comes a new adult social horror novel in the vein of Get Out meets My Sister, the Serial Killer, about Farrah, a young, calculating Black girl who manipulates her way into the lives of her Black best friend's white, wealthy, adoptive family but soon suspects she may not be the only one with ulterior motives. . . .Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS--White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can't seem to afford--and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she's convinced she's always had over her life by staying with Cherish, the only person she loves--even when she hates her.As troubled Farrah manipulates her way further into the Whitman family, the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them--if they didn't think something was wrong with Farrah, too. When strange things start happening at the Whitman household--debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish's hotheaded boyfriend, and a mysterious journal that seems to keep track of what is happening to Farrah--it's nothing she can't handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it's anyone's guess who is really in control.Told in Farrah's chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.

    She knows the terrifying rumors about Rowan Sylvanan, who drowned his entire family when he was a boy. But neither the estate nor the monster are what they seem.There are monsters in the woods.As Leta falls for Rowan, she discovers he is bound to the Lord Under, the sinister death god lurking in the black waters of the lake. A creature to whom Leta is inexplicably drawn…There’s a monster in the shadows, and now it knows my name.Now, to save Rowan—and herself—Leta must confront the darkness in her past, including unraveling the mystery of her connection to the Lord Under.

    But as one of the few scholarship kids, Rachel struggles to fit in, and when she gets caught up in a prank gone awry, she ends up with more enemies than friends.To her surprise, however, the prank attracts the attention of the Mary Shelley Club, a secret club of students with one objective: come up with the scariest prank to orchestrate real fear. But as the pranks escalate, the competition turns cutthroat and takes on a life of its own.When the tables are turned and someone targets the club itself, Rachel must track down the real-life monster in their midst . . . even if it means finally confronting the dark secrets from her past.

    She can leave behind the memory of the past winter; of her sickly ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn’t right on the prairie. She’s heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can’t be sure if the true evil lies in the land, or deep within her soul.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    In this stunning 40th Anniversary Edition, a desperate mother and two priests fight to free the soul of a little girl from a supernatural entity of pure malevolence.

    There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    She’s an assistant at Triumph Comics, which doesn’t have the creative zeal of Marvel nor the buttoned-up efficiency of DC, but it doesn’t matter. Carmen is tantalizingly close to fulfilling her dream of writing a superhero book.That dream is nearly a reality when one of the Triumph writers enlists her help to create a new character, which they call “The Lethal Lynx,” Triumph's first female hero. But her colleague is acting strangely and asking to keep her involvement a secret. And then he’s found dead, with all of their scripts turned into the publisher without her name. Carmen is desperate to piece together what happened to him, to hang on to her piece of the Lynx, which turns out to be a runaway hit. But that’s complicated by a surprise visitor from her home in Miami, a tenacious cop who is piecing everything together too quickly for Carmen, and the tangled web of secrets and resentments among the passionate eccentrics who write comics for a living.Alex Segura uses his expertise as a comics creator as well as his unabashed love of noir fiction to create a truly one-of-a-kind novel--hard-edged and bright-eyed, gritty and dangerous, and utterly absorbing.

    London, 1799. Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young antiquarian scholar. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore the shop to its former glory, and to escape her nefarious uncle. But what Edward discovers about the vase has Dora questioning everything she has believed about her life, her family, and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason. Gorgeously atmospheric and deliciously page-turning, Pandora is a story of secrets and deception, love and fulfilment, fate and hope.

    Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She's a con artist who erases herself to become whoever you need her to be—a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to hear, and by the time she's done, you've likely lost everything.Kat Roberts has been waiting ten years for the woman who upended her life to return. And now that she has, Kat is determined to be the one to expose her. But as the two women grow closer, Kat's long-held assumptions begin to crumble, leaving Kat to wonder who Meg's true target is.The Lies I Tell is a twisted domestic thriller that dives deep into the psyches and motivations of two women and their unwavering quest to seek justice for the past and rewrite the future.

    As he unravels a web of secrets and lies, Vonvalt discovers a plot that might destroy his order once and for all – and bring down the entire Empire. As an Emperor's Justice, Sir Konrad Vonvalt always has the last word. His duty is to uphold the law of the empire using whatever tools he has at his disposal: whether it's his blade, the arcane secrets passed down from Justice to Justice, or his wealth of knowledge of the laws of the empire. But usually his reputation as one of the most revered—and hated—Justices is enough to get most any job done. When Vonvalt investigates the murder of a noblewoman, he finds his authority being challenged like never before. As the simple case becomes more complex and convoluted, he begins to pull at the threads that unravel a conspiracy that could see an end to all Justices, and a beginning to lawless chaos across the empire.

    But after four years of painstaking research, she has nothing but anxiety and stomach pain to show for her efforts. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a rollercoaster of mishaps and misadventures, from campus protests and OTC drug hallucinations, to book burnings and a movement that stinks of “Yellow Peril” propaganda. In the aftermath, nothing looks quite the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the “super kawaii” Japanese author he’s translated, doubts and insecurities creep in. At the same time, she finds herself drawn to the cool and aloof Alex Kim (even though she swears he’s not her type). As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and most of all, herself. An uproarious and bighearted satire, alive with sharp edges, immense warmth, and a cast of unforgettable characters, Disorientation is both a blistering send-up of white supremacy in academia, and a profound reckoning of a Taiwanese American woman’s complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.