The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    He was an employee of Hindustan Shipyard limited which is building India’s nuclear submarine fleet. This is the fourth submarine engineer in the last twelve months who perished under mysterious circumstances. Navy leadership gets suspicious about a covert sabotage operation being carried out by an unknown enemy, to slow down India's attempt at acquiring a potent nuclear deterrent platform. After deliberations at different levels, an Intelligence Bureau agent is sent to Vizag to work as an undercover operative. What secrets will she uncover? Will she become the next target of an enemy spy ring? Would the Indian Navy exact revenge from a belligerent enemy?

    The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction“The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    A raw, honest and heartfelt poetry collection from Taz Alam – for the tough times, the great times, and everything in between.Depressed, but it’s fine.Anxious, but it’s fine.Heartbroken, but it’s fine.When you’re ready to embrace how you really feel,I hope this book helps you connect, reflect, and be seen.What matters is that you’re here.Maybe we can be fine, together.

    I make no prayer. Save us the green In the weed of time.Now is November; In night uneasy Nothing I say. I make no prayer. Save us from the water That washes us away.What do I ponder? All smiled disguise, Lights in cold places, I make no prayer. Save us from air That wears us loosely.The leaf of summer To cold has come In little time. I make no prayer. From earth deliver And the dark therein.Now is no whisper Through all the living. I speak to nothing. I make no prayer. Save us from fire Consuming up and down.Evening with Lee Shore and CliffsSea-shimmer, faint haze, and far out a bird Dipping for flies or fish. Then, when over That wide silk suddenly the shadow Spread skating, who turned with a shiver High in the rocks? And knew, then only, the waves' Layering patience: how they would follow after, After, dogged as sleep, to his inland Dreams, oh beyond the one lamb that cried In the olives, past the pines' derision. And heard Behind him not the sea's gaiety but its laughter.The FishermenWhen you think how big their feet are in black rubber And it slippery underfoot always, it is clever How they thread and manage among the sprawled nets, lines, Hooks, spidery cages with small entrances. But they are used to it. We do not know their names. They know our needs, and live by them, lending them wiles And beguilements we could never have fashioned for them; They carry the ends of our hungers out to drop them To wait swaying in a dark place we could never have chosen. By motions we have never learned they feed us. We lay wreaths on the sea when it has drowned them.

    Of endless weekdays, working weekends, making presentations, working with complicated Excel sheets, handling a boss with time-management issues and the general politics of the workplace. Sigh! After eight years of this life, her only personal insight is that she's terribly unambitious and constantly struggling to be an average performer in the competitive corporate world. When a colleague flashes the glint of a golden sabbatical she catapults into it headfirst. After all, one has to find one's calling at some point in one's life. So will the sabbatical miraculously change her life forever? Or will she go rushing back to her pocket money-generating job?

    This novel is a unique and innovative take on the world of a Bihari youth who breaks many stereotypes. This novel revolves around the character of Rahul (a Bihari) who is living in Mumbai. The narration is filled with crisp humor and a distinctive comic tone which it a pleasant read, whilst delivering a strong social message. The book is authored by Shashikant Mishra and is published by Radhakrishna Prakashan in 2015.Rahul is a common Bihari youth who has been dreaming of living in Mumbai (the city of dreams) ever since his tender years. Hailing from an affluent family, he reaches Mumbai without much hassle. But its not all sunshine and rainbows as he settles down in the film capital of the country!He receives a significant culture shock and it takes ample time for Rahul to get adjusted to the fast paced life of the city. Rahul wants to become a civil servant and hence is preparing for the UPSC exams. He is duly focused on his goal and exam preparation until he gets a girl in his life, Shalu. Now Rahul is faced with the dilemma of choosing one - Shalu or the UPSC exam. What choice is Rahul going to make? Will he go with the love of his life? Or will he sacrifice his life for the sanctity of his professional career? Could there be an option where he can choose both? This is a gripping novel which answers all these questions and more.

    Sheltered by a potter the boy grew up with the prophecy of a wandering sage ringing in his ears that he would one day become king. The Sanskrit classic, Kathasaritasagar and Vikrama Charita, from which most of this story is taken, traces the path that makes Shalivahana so powerful that an entire era, the Shalivahana Shaka, was named after him.

    Her little sister, Angela, was brutally murdered and Savage has been searching for the strength to write her grief down ever since. Finally, just shy of six years later, and one year after justice finally rained down upon the man to blame, Savage found the courage to try. This collection is an 18-poem narrative of the very real and raw emotions felt by the author over the years since the tragedy. Here, she pays homage to her baby sister and bleeds her own pain onto paper for anyone who might need help finding their own strength.

    This unique book is a compilation of 365 intimate letterswritten by Osho [from 1962 to 1971] to his disciples and friends while hewas traveling in India on subjects as diverse as solitude, love, meditationand receptivity; as well as our fruitless efforts to make our lives secure,the stupidity of the human mind, and the ability to laugh at oneself.

    The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. The yakṣa accomplishes this by describing the many beautiful sights the cloud will see on its northward course to the city of Alakā, where his wife awaits his return.

    It’s Asura Hayagriva who’s gotten away with the sacred scriptures.Lord Vishnu offers to go to the creator’s rescue and takes the guise of Matsya, the fish. King Satyavrath lands up with a tiny gold fish when he’s offering prayers to the Sun God one morning. Is the fish all that it appears to be?How can Satyavrath help the fish?Read more to find out the reason for Lord Vishnu taking the avatar on earth as Matsya. *This is a straightforward story of the first avatar of Mahavishnu, retold in simple English just the way it’s written over the ages. The target audience is the youngsters, children, who don’t know all that much about Indian mythology. It’s also for those parents who are keen to read aloud stories to their children and are looking for suitable books on mythology.

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    Don Marquis' creations have been constantly in print since 1934.