This enthralling story of the God of Desire explores his many wondrous adventures, as well as his heady romance with Rati, his chief consort.Best friends with Indra, the King of the Gods, tutor to the Apsaras in the art of lovemaking, Kamadeva lives a dream life in the magnificent Kingdom of Amaravathi - until danger strikes when he incurs the wrath of Shiva because of a preordained curse. Follow Kama as he hurtles towards his destiny and the Destroyers dreaded third eye. Find out if he will rise from the ashes to reign supreme as the King of Hearts or if he will be doomed to spend an eternity as Ananga - The bodiless one.In Kamadeva - The God of Desire, the author masterfully marries imagination with stellar research to bring to vivid life one of the most intriguing Gods of the Hindu pantheon. Laced with wit and narrated in contemporary flavour, Kamadeva will take you on a rollicking ride into the heart of desire and its tantalizing dark side.

    Poems from the 1600s to the present day are beautifully illustrated with images from the unrivaled collection of Japanese paintings and prints in the British Museum. The majority of the poems come from the Tokugawa period (early seventeenth to mid nineteenth centuries) and include works from the best-known Japanese classical authors, female poets and a number of contemporary writers. Nearly all are newly translated by Alan Cummings.From the tender and the melancholy to the witty and the ribald, the poems and images in Haiku Love comment on the most universal of human emotions.

    The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. The yakṣa accomplishes this by describing the many beautiful sights the cloud will see on its northward course to the city of Alakā, where his wife awaits his return.

    Over 21 days five murder cases were discovered that led to the unravelling of a spine-chilling tale of cold-blooded crime. Half-naked bodies; missing suspects; a desperate manhunt; connections with the underworld, police and Bollywood; and a seductress who lured victims - all led to a man named Vijay Palande.Palande, who targeted dreamers, mainly Bollywood aspirants in Mumbai, had an uncomplicated modus operandi - he would befriend the target, gauge his wealth, murder him, hack his body into pieces, and abandon the remains in the Western Ghats. Equipped with the sophistication of Charles Sobhraj, the nonchalance of serial-killer Raman Raghav and the cruelty of Jack the Ripper, Palande had the country hooked.In The Front Page Murders, Puja Changoiwala, who covered the story as it came to light, recounts in gripping detail one of the most sensational cases in India’s recent history and the personalities involved in it. In doing so, she delves into the functioning of daily crime reporting and police investigations, providing startling insights into the worlds of journalism and crime

    And his eyes! They look at you intently, they pierce you! I am scared of his eyes. It all started that day, actually it was night. I was sleeping near my daddy. All of a sudden, a noise woke me up. Whole house was shaking violently with the noise. It was a drum beating loudly, rhythmically. The beat was moving everything in the surrounding. Suddenly, the noise stopped. Then it was the sound of a honey fly, goo, goo, again the drum beats started. I was so scared, I tried to wake up daddy, it was then I realized that daddy was not in his bed. I was alone; there was no one else on the bed. Daddy was nowhere, I felt lonely! The darkness surrounded me and that drum beat was getting on my nerves. I screamed at the top of my voice." When you start reading these stories something familiar, something unfamiliar will create fear in your minds. It will freeze you; it will be so very realistic that you will forget that it is unreal. The fear never experienced before, but somewhere within you, deep inside, it will start beating drums in your mind. Listen to it carefully, surely it will clear your mind of all the hidden consciousness you had till today. This great author introduces us to our own fears buried deep inside.

    However, the nature of the topic and the contents will be extremely relevant and useful for those interested in understanding the evolving dynamics of the system of governance in the country.In his inimitable style which is hallmark of Laxmikanth' s books, the author clearly identifies the topics of the subject and presents them in his familiar reader friendly format. It is also worth mentioning that these topics do not overlap with his Indian Polity book

    As time passed, railways were built and newspapers appeared, isolated villages like vilakkudi were exposed to social and cultural change. It is this transition that the author, Ranganathans great -great-great grandson, tries to trace through the story of his family.

    Clues they untie lead them no-where while instances they encounter lead them to believe it as an accident and close the case. Restless Amar continues his investigation as he believes it is a murder. As enigma overshadows facts, suspicion turns over to everyone in the family. Can Amar foresee the hidden meaning in those clues? Is the murderer one among the Shinde’s family members? Will Amar’s hypothesis help him to solve the case or will it leave him spell-bound? Clues are meant to lead a criminal case to convergence. Criminals are bound to leave a clue. But Case No. 56 does impose big reluctance to these beliefs. Join the journey of investigation with the duo as they unveil some unbelievable truths.

    As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata.In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will - who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God.

    The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of the entire court, but her honour is saved by Krishna who miraculously creates lengths of cloth to replace the ones being removed.

    Adapted from the hit TV series on NDTV Good Times, ‘Highway on my Plate’, it lists the top eats on almost every major Indian highway and routes as presented by the popular anchors Rocky and Mayur. Packed with information, Highway on my Plate is an indispensable guide for all road trips.About The AuthorRocky and Mayur are the highly popular anchors of ‘Highway on my Plate’ which is the hit TV show from NDTV Good Times.

    Much to the anxiety of her parents – the spirited Biji and the doting Baba – Amara leads an unremarkable life. That is, until she marries Harvard-educated millionaire, Prashant Roy. However, this fairy-tale isn’t meant to last, and even as Amara’s marriage collapses, she finds herself returning to the land of her birth, to the small city of Shimla. Here, in a borough grappling with questions of modernity, Amara is caught in a tug-of-war between old beliefs and new ones, between parents who favour obedience and new friends who encourage independent thought. With powerful insights, One and a Half Wife traces the coming-of-age of multiple characters, while re-defining family, relationships and love in contemporary India.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    

    But after a minute or two, they too walked away, because looking at the two any longer became unbearable.’A woman who won’t let the shadow of death disrupt her love life, another who falls irrevocably in love with a dead police officer, a devoted wife who steps out twice a week for Narcotics Anonymous meetings, friends who should have been lovers, the woman who offers all her pent-up love to a railway announcer’s voice … Annie Zaidi’s stories are at once warm and distant, violent and gentle – and, above all, untroubled by cynicism. This is a look at love, straight in the eye, to understand the alluring nature of the beast.