Originally adopted as a mascot by the Polish Army in Iran, Wojtek soon took on a more practical role, carrying heavy mortar rounds for the troops and going on to play his part as a fully enlisted ‘soldier’ with his own rank and number during the Italian campaign.After the war, Wojtek, along with some of his Polish compatriots from II Corps, came to Berwickshire, where he became a significant member of the local community before subsequently moving to Edinburgh Zoo. Wojtek’s retirement was far from quiet: a potent symbol of freedom and solidarity for Poles around the world, he attracted a huge amount of media interest that shows no sign of abating more than 45 years after his death. In an extended introduction, journalist and historian Neal Ascherson reflects on the Polish experience in the Second World War, and gives full recognition to the Poles’ heroic sacrifice and the extraordinary influence they had on the countries in which they served.

    We had taken off in peace at nine-thirty and landed in war at noon.'Jackie Moggridge was just nineteen when World War Two broke out. Determined to do her bit, she joined the Air Transport Auxiliary. Ferrying aircraft from factory to frontline was dangerous work, but there was also fun, friendship and even love in the air. At last the world was opening up to women... or at least it seemed to be.From her first flight at fifteen to smuggling Spitfires into Burma, Jackie describes the trials and tribulations, successes and frustrations of her life in the sky. [Publisher's Description]

     The victories won by British arms in the years which followed that great deliverance have made men forget those soldiers – the first of the many – upon whom it fell to withstand the shock of Hitler’s great attack. It is now fitting that these men and their Commander-in-Chief, Lord Gort, should be worthily remembered, and their story fully told, from those first landings in France, in the autumn of 1939, until the climax of Dunkirk. The authors, both professional writers, themselves served as officers with the B.E.F., and have recaptured the gallantry and comradeship of that little force. The result is a moving story of courage and devotion in the face of odds which no other British Force has ever been called upon to face. It is chivalrous to admire a gallant enemy, and of that chivalry we have lately seen much. Justice demands that the courage and devotion of our own fighting men be no less clearly recognised. There were no medals for the B.E.F., hardly even today the laurels of memory. They were soldiers, doing a soldier’s job against odds which no British Force had ever been called upon to face, and which, it is to be hoped, no British Force will ever face again. What were they then, the men of that small Expeditionary Force, a mere army in one of the groups of French armies? How did they spend the months of what has been called the “twilight war”, and how, when the shock of battle came at last, did they withstand the blow? Dunkirk tells the true story of those brave men who fought to save the lives of so many. With the 2017 movie release of Christopher Nolan’s Dunkirk now is the time to remember the real history of the battle in the words of those who experienced it. Lt. Colonel Ewan Butler and Major J. Selby Bradford M.B.E., M.C. served in France as young officers during the last months of 1939 and the first five of 1940 with that small British Expeditionary force commanded by Lord Gort, which first faced the full might of Nazi Germany. Dunkirk was first published in 1950 under the title Keep The Memory Green. It was used as inspiration for the 1958 film, Dunkirk, starring Richard Attenborough.

    

    But one day she is suddenly forced to confront the cruel reality of the Holocaust, together with the rest of French Jewry. Paulette is forced to separate from her family, and as a result, abandoned by her father. But despite her difficult and shocking life experiences, she remains naïve and optimistic, holding on to her thirst for life even in the darkest hours. An authentic and moving life story I Love You My Child, I'm Abandoning You is an exciting human documentary, taking place in France during the Holocaust. It honors the memory of the French Jews who perished in the Second World War, while simultaneously giving voice the persistent will to live, and the strength and bravery that characterize those who survived and gave rise to the future generations of the Jewish people. An existential odyssey that puts a spotlight on the human need and right to belong Ariela Palacz shares her life story through the character of little Paulette Szenker, sensitively weaving past and present into an authentic and moving journey that shifts between WWII France and contemporary Jerusalem. A story about the human spirit and the thirst for a family, a tradition, and a nation, that will touch your heart. Get your copy of I Love You My Child, I'm Abandoning You now!

    He was also responsible for implementing Nazi policies towards the Jews in his area - inhumane processes that were the precursors of genocide. Yet he later claimed, like so many other Germans after the war, that he had 'known nothing about it'; and that he had personally tried to save a Jew before he himself managed to leave for military service. A Small Town Near Auschwitz re-creates Udo Klausa's story. Using a wealth of personal letters, memoirs, testimonies, interviews and other sources, Mary Fulbrook pieces together his role in the unfolding stigmatization and degradation of the Jews under his authoritiy, as well as the heroic attempts at resistance on the part of some of his victims. She also gives us a fascinating insight into the inner conflicts of a Nazi functionary who, throughout, considered himself a 'decent' man. And she explores the conflicting memories and evasions of his life after the war.But the book is much more than a portrayal of an individual man. Udo Klausa's case is so important because it is in many ways so typical. Behind Klausa's story is the larger story of how countless local functionaries across the Third Reich facilitated the murderous plans of a relatively small number among the Nazi elite - and of how those plans could never have been realized, on the same scale, without the diligent cooperation of these generally very ordinary administrators. As Fulbrook shows, men like Klausa 'knew' and yet mostly suppressed this knowledge, performing their day jobs without apparent recognition of their own role in the system, or any sense of personal wrongdoing or remorse - either before or after 1945.This account is no ordinary historical reconstruction. For Fulbrook did not discover Udo Klausa amongst the archives. She has known the Klausa family all her life. She had no inkling of her subject's true role in the Third Reich until a few years ago, a discovery that led directly to this inescapably personal professional history.

    Concentrating purely on the role of German girls in Hitler's Third Reich, we learn of their home lives, schooling, exploitation and eventual militarization from firsthand accounts of women who were indoctrinated into the Jung Madel and Bund Deutscher Mädel as young girls. From the prosperous beginnings of 1933 to the cataclysmic defeat of 1945, this insightful book examines in detail their specific roles as defined by the Nazi state. Few historical literary works have gone as deep to find the truth, the conscience and the regret, and in this sense 'Hitler's Girls' is a unique work unlike any other yet published. Written in an attempt to provide a definitive voice for this unheard generation of German females, it will leave the reader to decide for themselves whether or not the girls were the obedient accessories to genocide, and it will lead many readers to question many aspects of what they have previously thought about the role of girls and young women in Hitler's Third Reich. This is their story.

    But with the fall of the Berlin Wall in 1989, she found herself swept up in a flood of startling revelations from her mother's earlier life. As she pored through old photographs and documents, she began to ask questions about secrets and omissions. The answers she found both shocked and inspired her, and would irrevocably transform her view of her mother, herself, and the meaning of family legacy.From Berkeley, California to New York City, to Leipzig, Germany, this compelling memoir takes you across continents and lifetimes."The Woman in the Photograph" will make you wonder about the men and women in your own photographs and how your life has been shaped by events you know little about.

    Little Anna huddles with her doll in the corner of a train car while a German officer shrieks, “You are Jews!” Fleeing for their lives, her family has abandoned their elegant house near Prague Castle, bringing their life of privilege to an abrupt halt.In this memoir that reads like a novel, we meet Anna’s shining and beautiful opera singer mother, her prominent lawyer father, and their circle of friends that includes Albert Schweitzer and the family of Czech President Thomas Masaryk.Through Anna’s eyes, we relive magical Christmases, summers in the country, and a terrifying trip to Nazi Dresden that changes everything. We experience the family’s escape, their voyage to Ellis Island, and Anna's struggle to become an American girl in a city teeming with immigrants and prejudice. Post-war life brings cherished Holocaust survivors and their harrowing stories.After the Velvet Revolution of 1989, Anna’s family sues for the return of their house in Prague. But will they prevail? And if they do, what then?The House in Prague is richly illustrated with pictures and artifacts from the author’s family archive. Written with straightforward, lyrical clarity, the members of her family and the many famous musicians, authors, and poets that pass through their lives come alive for the reader. A gripping story on its own merits, this tale of war, love, and loss dares us to think about the immigrant experience in fresh ways.Index included."An exquisite rumination on history, loss, and love. Anna Perlberg's voice is a luminous guide to the heart of home - hers, but also, as is true of all great stories, ours." (Caroline Heller, author of Reading Claudius: A Memoir in Two Parts)

    All over the country, people are on the move- concentration camp survivors, Allied PoWs, escaping Nazis- and the civilian population is running out of food. The man who orchestrated this nightmare is in his bunker beneath the capital, saying his farewells. This is the gripping story of Hitler's final hours, as seen through the eyes of those who were with him in the bunker; those fighting in the streets of Germany; and those pacing the corridors of power in Washington, London and Moscow.30th April 1945 was a day that millions had dreamed of, and millions had died for.

    Indeed, she was ostracized by Hitler for a number of months after she made the mistake of publicly contradicting him once too often.In addition to her portrayal of Hitler, there are illuminating anecdotes about Hitler's closest colleagues. She recalls, for instance, that the relationship between Martin Bormann and his brother Albert (who was on Hitler's personal staff) was so bad that the two would only communicate with one another via their respective adjutants - even if they were in the same room. There is also light shed on the peculiar personal life and insanity of Reichsminister Walther Darr�.Schroeder claims to have known nothing of the horrors of the Nazi regime. There is nothing of the sense of perspective or the mea culpa that one finds in the memoirs of Hitler's other secretary, Traudl Junge - who concluded 'we should have known'. Rather the tone that pervades Schroeder's memoir is one of bitterness. This is, without any doubt, one of the most important primary sources from the pre-war and wartime period.Christa Schroeder was Hitler's personal secretary for twelve years in total. She worked as his secretary until his suicide in April 1945, living at the Wolfsschanze near Rastenburg. Her memoir Er War Mein Chef was first published in 1985, a year after her death in Munich, aged 76.

    Though he is one of the less remembered figures of the Vichy government, Darquier (the aristocratic "de Pellepoix" was appropriated) was one of its most hideously effective officials. Already a notorious Nazi-supported rabble-rouser when he was appointed commissioner, he set about to eliminate the Jews with particularly brutal efficiency. Darquier was in charge of the Vel' d'Hiv' round-up in Paris in which nearly 13,000 Jews were dispatched to death camps. Most of the French who died in Auschwitz were sent there during his tenure. Almost all of the 11,400 French children sent to Auschwitz--the majority of whom did not survive--were deported in his time. In all, he delivered 75,000 French to the Nazis and, at the same time, accelerated the confiscation of Jewish property, which he then used for his own financial gain. Never brought to justice, he lived out his life comfortably in Spain, denying his involvement in the Holocaust until his last days. Where did Louis Darquier come from? How did this man--a chronic fantasist and hypocrite, gambler and cheat--come to control the fates of thousands? What made him what he was? These are the questions at the center of this extraordinary book. In answering them, Carmen Callil gives us a superlatively detailed and revealing tapestry of individuals and ideologies, of small lives and great events, the forces of government and of personalities--in France and across the European continent--that made Vichy possible, and turned Darquier into its "dark essence." A tour de force of memory, accountability, and acknowledgment, "Bad Faith" is a brilliant meld of grand inquisitive sweep and delicate psychological insight, a story of how past choices and actions echo down to the present day, and an invaluable addition to the literature and history of the Holocaust.

    The couple had worked in China as members of a tight community of foreign correspondents with close ties to Chinese leaders; if captured by invading Japanese troops, they were certain to be executed. Racing to the docks just before midnight, they barely escaped on a freighter—the beginning of a tumultuous journey that would take them from one island outpost to another. While keeping ahead of the approaching Japanese, Mel and Annalee covered the harrowing war in the Pacific Theater—two of only a handful of valiant and dedicated journalists reporting from the region.Supported by deep historical research, extensive interviews, and the Jacobys’ personal letters, Bill Lascher recreates the Jacobys’ thrilling odyssey and their love affair with the East Asia and one another. Bringing to light their compelling personal stories and their professional life together, Eve of a Hundred Midnights is a tale of an unquenchable thirst for adventure, of daring reportage at great personal risk, and of an enduring romance that blossomed in the shadow of war.

    A bohemian Berliner, a Flieger-Hitlerjugend member, a prodigy pilot, and a butcher’s son, with nothing in common but their love for the Luftwaffe and the freedom the sky has to offer. The bond they develop is put to the test by what might be a stronger adversary - war itself. Over the English Channel, in the dusty skies of Africa, on the brutal Eastern front, they will discover where their loyalty lies, and what true bravery means. “It’s Großdeutsches Reich, soldier. When one has a family at home, it doesn’t leave him many chances for the revolt.” As the war progresses, Willi and Johann grow more and more disillusioned with the regime they’re protecting with their lives. An SS unit appearing on their base to claim one of their own; bits of conversation revealing the truth about the extermination program accidentally overheard during the official reception - the pieces of the puzzle are slowly coming together, but it’s too late to do anything but fight to the bitter end, whatever it may bring.   Set during one of the bloodiest wars in history, “Of Knights and Dogfights” is the story of the shattered illusions of youth, tyranny and freedom, friendship and love guiding one out of the darkest hell of Soviet captivity.

    This unsparing portrait of a childhood in 1939 Hungary--told in the voice of a brave and unforgettable nine-year-old Jewish girl--is the best sort of memoir, revealing not only a compelling story, but also the bruised yet still bold self which bears the weight of its story in memory (The New York Times Book Review).