at a chair in the church?  I was born and raised in a radical, abusive, fear-controlling, ultra-fundamentalist religious family.  This is my true inspirational story of how I survived abuse and neglect as a child and then escaped the church by seeking truth and freedom against all odds.  Most people never escape religions with cultish control because the brainwashing is virtually impossible to break... ... So how did these ghosts rescue me from this control? This church had many cult elements and produced Jim Bakker, Jimmy Swaggart, plus Jonestown, Guyana cult leader & mass murderer Jim Jones and controlled thousands of people with fear. Written in story form to inspire you, make you laugh, cry, and think. Why was the tiny child required to warn bullies three times?  Like the book “Educated A Memoir” meets Ghosts and the Supernatural. You will love this true story because everyone loves to see the hero win! Get it now.

     He is handsome, ambitious - and an unwitting pawn in a game of thrones, played out by the rival queens of England and Scotland. As he escapes northwards, Darnley falls in love with the enigmatic Mary, Queen of Scots. But is the beautiful and regal woman all that she seems? As Darnley is drawn into Mary's web - and bed - he discovers that being a king does not mean wearing the crown. As one of the most passionate marriages in British history falters, Darnley must pit his wits against his wife. There will be blood. The end of their affair will shape their hearts - and history. Recommended reading for fans of Philippa Gregory, Alison Weir and Sarah Gristwood. Praise for Steven Veerapen: "A superb, page-turning debut. The author balances gimlet-eyed research with narrative drive and clever reveals... Danforth is a strong yet torn central character... I look forward to reading the second book in the series." Richard Foreman. Steven Veerapen was born in Glasgow and raised in Paisley. Pursuing an interest in the sixteenth century, he was awarded a first-class Honours degree in English, focussing his dissertation on representations of Henry VIII’s six wives. He then received a Masters in Renaissance studies, and a Ph.D. investigating Elizabethan slander. Steven is fascinated by the glamour and ghastliness of life in the 1500s, and has a penchant for myths, mysteries and murders in an age in which the law was as slippery as those who defied it.

    Set in almost uninhabitable regions of Central Australia, The Songlines asks and tries to answer these questions: Why is man the most restless, dissatisfied of animals? Why do wandering people conceive the world as perfect whereas sedentary ones always try to change it? Why have the great teachers—Christ or the Buddha—recommended the Road as the way. to salvation? Do we agree with Pascal that all man's troubles stem from his inability to sit quietly in a room?We do not often ask these questions today for we commonly assume that living in a house is normal and that the wandering life is aberrant. But for more than twenty years Chatwin has mulled over the possibility that the reverse might be the case.Pre-colonial Australia was the last landmass on earth peopled not by herdsmen, farmers, or city dwellers, but by hunter-gatherers. Their labyrinths of invisible pathways across the continent are known to us as Songlines or Dreaming Tracks, but to the Aboriginals as the tracks of their ancestors—the Way of the Law. Along these "roads" they travel in order to perform all those activities that are distinctively human—song, dance, marriage, exchange of ideas, and arrangements of territorial boundaries by agreement rather than force.In Chatwin's search for the Songlines, Arkady is an ideal friend and guide: Australian by birth, the son of a Cossack exile, with all the strength and warmth of his inheritance. Whether hunting kangaroo from a Land Cruiser, talking to the diminutive Rolf in his book-crammed trailer, buying drinks for a bigoted policeman (and would-be writer), cheering as Arkady's true love declares herself (part of The Songlines is a romantic comedy), Chatwin turns this almost implausible picaresque adventure into something approaching the scale of a Greek tragedy.The life of the Aboriginals stands in vivid contrast, of course, to the prevailing cultures of our time. And The Songlines presents unforgettable details about the kinds of disputes we know all too well from less traumatic confrontations: over sacred lands invaded by railroads, mines, and construction sites, over the laws and rights of a poor people versus a wealthy invasive one. To Chatwin these are but recent, local examples of an eternal basic distinction between settlers and wanderers. His book, devoted to the latter, is a brilliant evocation of this profound optimism: that man is by nature not a bellicose aggressor but a pacific, song-creating, adaptive species whose destiny is to quest for the truth.

    Indeed, from childhood most of us develop some mental image of a witch--usually an old woman, mysterious and malignant. But why do witches still feature so heavily in our cultures and consciousness? From Halloween superstitions to literary references such as Faust and, of course, Harry Potter, witches seem ever-present in our lives. In this Very Short Introduction, Malcolm Gaskill takes a long historical perspective, from the ancient world to contemporary paganism. This is a book about the strangeness of the past, and about contrasts and change; but it's also about affinity and continuity. He reveals that witchcraft is multi-faceted, that it has always meant different things to different people, and that in every age it has raised questions about the distinction between fantasy and reality, faith and proof. Delving into court records, telling anecdotes, and challenging myths, Gaskill re-examines received wisdom, especially concerning the European witch-hunts of the sixteenth and seventeenth centuries. He also explores the modern memory and reinvention of witchcraft--as history, religion, fiction, and metaphor.

    It purports to relate the history of the Brythonic inhabitants of Britain from earliest times, and this text has been used to write a history of both Wales and England, for want of more reliable sources. The Historia Brittonum has drawn attention because of its role in influencing the legends and myths surrounding King Arthur. This history is the source of several stories some of which were repeated and amplified by later authors.

    Witches were as unquestioned as alchemy or astrology in medieval England; yet it wasn't until the midsixteenth century that laws were passed against them. Now a leading historian of crime and society in early modern England offers the first scholarly overview of witchcraft in that country in over eighty years, examining how tensions between church, state, and society produced widespread distrust among fearful people.Instruments of Darkness takes readers back to a time when witchcraft was accepted as reality at all levels of society. James Sharpe draws on legal records and other sources to reveal the interplay between witchcraft beliefs in different partts in the social hierarchy. Along the way, he offers disturbing accounts of witch-hunts, such as the East Anglian trials of 1645-47 that sent more than 100 people to the gallows. He tells how poor, elderly women were most often accused of witchcraft and challenges feminist claims that witch-hunts represented male persecution by showing that many accusers were themselves women.Prosecution of witches gradually declined with increasing skepticism among jurists, new religious attitudes, and scientific advances that explained away magic. But for two hundred years, thousands participated in one of history's most notorious persecutions. Instruments of Darkness is a fascinating case study that deepens our understanding of this age-old cultural phenomenon and sheds new light on one society in which it occurred.

    This revised edition now includes entries from Bram Stoker's recently discovered diaries, the amazing tale of Nicolae Ceausescu's attempt to make Vlad a national hero, and an examination of recent adaptations in fiction, stage and screen.

    Loren Rhoads, creator and editor of the magazine, has compiled some of her favorite stories from all ten issues in this sometimes shocking, occasionally gruesome, always fascinating anthology. This quirky book is filled with tales from ordinary people -- who just happen to have eccentric, peculiar interests. Ranging from the outrageous (attending a Black Mass, fishing bodies out of San Francisco Bay, making fake snuff films) to the more "mundane" (visiting a torture museum, tracking real vampires through San Francisco), this curiously enjoyable collection of stories, complete with illustrations and informative asides, will entertain and haunt readers long after the final page is turned.

     At the same time THE JEWEL GARDEN is the story of a creative partnership that has weathered the greatest storm, and a testament to the healing powers of the soil. In his weekly column for the Observer, Monty Don has always been candid about the garden's role in helping him to pull back from the abyss of depression; THE JEWEL GARDEN elaborates on this much further. Written in an optimistic, autobiographical vein, Monty and Sarah's story is truly an exploration of what it means to be a gardener.

    

    For thirteen months the town of Point Pleasant is gripped by a real-life nightmare that culminates in a tragedy that makes headlines around the world. Strange occurrences and sightings, including a bizarre winged apparition that becomes known as the Mothman, trouble this ordinary American community. Mysterious lights are seen moving across the sky. Domestic animals are found slaughtered and mutilated. And journalist John Keel, arriving to investigate the freakish events, soon finds himself an integral part of an eerie and unfathomable mystery...

    Margot Adler attended ritual gatherings and interviewed a diverse, colorful gallery of people across the United States, people who find inspiration in ancient deities, nature, myth, even science fiction. In this new edition featuring an updated resource guide of newsletters, journals, books, groups, and festivals, Margot Adler takes a fascinating and honest look at the religious experiences, beliefs, and lifestyles of modern America's Pagan groups.

    Hall's legendary The Secret Teachings of All Ages is a codex to the ancient occult and esoteric traditions of the world. Students of hidden wisdom, ancient symbols, and arcane practices treasure Hall's magnum opus above all other works.While many thousands of copies have sold since its initial publication in 1928, The Secret Teachings of All Ages has previously been available only in oversized, expensive editions. For the first time, Hall's celebrated classic is now published in an affordable trade paperback volume. Literally hundreds of entries shine a rare light on some of the most fascinating and closely held aspects of myth, religion, and philosophy from throughout the centuries.More than one hundred line drawings and a sixteen-page color insert reproduce some of the finest illustrations of the original book, while reset and reformatted text makes this edition of The Secret Teachings of All Ages newly accessible to readers everywhere.

    The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character.

    The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the character in her most famous novel, written 20 years earlier. Seeking distraction, she begins to research a biography of Branwell Bronte.