Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer.In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, her startling decision to ask a famous editor for advice, her anguished letters to an unidentified “Master,” her exhilarating frenzy of composition, and her terror in confronting possible blindness. Together, these ten days provide new insights into Dickinson’s wildly original poetry and render a concise and vivid portrait of American literature’s most enigmatic figure.

    He became the savior of his country, as prime minister during the most perilous period in British history, World War II, and is now perhaps even more beloved in America than in England.And yet Churchill was also very often in the wrong: he brazenly contradicted his own previous political stances, was a disastrous military strategist, and inspired dislike and distrust through much of his life. Before 1939 he doubted the efficacy of tank and submarine warfare, opposed the bombing of cities only to reverse his position, shamelessly exploited the researchers and ghostwriters who wrote much of the journalism and the books published so lucratively under his name, and had an inordinate fondness for alcohol that once found him drinking whisky before breakfast. When he was appointed to the cabinet for the first time in 1908, a perceptive journalist called him “the most interesting problem of personal speculation in English politics.” More than a hundred years later, he remains a source of adulation, as well as misunderstanding.This revelatory new book takes on Churchill in his entirety, separating the man from the myth that he so carefully cultivated, and scrutinizing his legacy on both sides of the Atlantic. In effervescent prose, shot through with sly wit, Geoffrey Wheatcroft illuminates key moments and controversies in Churchill’s career—from the tragedy of Gallipoli, to his shocking imperialist and racist attitudes, dealings with Ireland, support for Zionism, and complicated engagement with European integration.Charting the evolution and appropriation of Churchill’s reputation through to the present day, Churchill’s Shadow colorfully renders the nuance and complexity of this giant of modern politics.

    Just as they were overlooked, so have their individual stories been -- until now." - Linda Greenhouse, New York Times contributing columnist"[Shortlisted] tells the political and personal sagas of women publicly considered for appointment to the Supreme Court but never actually nominated by a president... With fresh research, the authors effectively humanize the women who never received the nominations they deserved." - Kirkus ReviewsIn 1981, Sandra Day O’Connor became the first female justice on the United States Supreme Court after centuries of male appointments, a watershed moment in the long struggle for gender equality. Yet few know about the remarkable women considered in the decades before her triumph.Shortlisted tells the overlooked stories of nine extraordinary women—a cohort large enough to seat the entire Supreme Court—who appeared on presidential lists dating back to the 1930s. Florence Allen, the first female judge on the highest court in Ohio, was named repeatedly in those early years. Eight more followed, including Amalya Kearse, a federal appellate judge who was the first African American woman viewed as a potential Supreme Court nominee. Award-winning scholars Renee Knake Jefferson and Hannah Brenner Johnson cleverly weave together long-forgotten materials from presidential libraries and private archives to reveal the professional and personal lives of these accomplished women.In addition to filling a notable historical gap, the book exposes the harms of shortlisting―it reveals how adding qualified female candidates to a list but passing over them ultimately creates the appearance of diversity while preserving the status quo. This phenomenon often occurs with any pursuit of professional advancement, whether the judge in the courtroom, the CEO in the corner office, or the coach on the playing field. Women, and especially female minorities, while as qualified as others on the shortlist (if not more so), find themselves far less likely to be chosen. With the stories of these nine exemplary women as a framework, Shortlisted offers all women a valuable set of strategies for upending the injustices that still endure. It is a must-read for those seeking positions of power as well as for the powerful who select them in the legal profession and beyond.

    The title story takes us on board a small gunboat with a distinguished WW II record; the shame is that it is being used as a smuggler.Other stories include "Oh To Be In England," "The Reconciliation," "The List," "The Thousand Islands Snatch," "Up the Garden Path," "The Man Who Wanted a Mark IX," "I Was There," "The Dinner Party," "Licensed to Kill" and "Postscript."

    Max is as fond of gambling and brothels as Wolfgang is of making a profit and berating his spendthrift brother, but Max is given a chance to prove his worth by visiting the Sibyl and her not-quite-husband Lewes, to finalize the publishing rights to her new novel. The Sibyl proves to be as enthralling and intelligent as her books, bewitching Max and all of those around her.But Wolfgang has an ulterior motive for Max’s visit; he wants his brother to consider the beautiful eighteen-year-old Countess Sophie von Hahn as a potential wife. An acquaintance from Max’s childhood, she comes from a German family of great wealth. However, Sophie proves to be nothing like the angelic vision of domesticity Max envisaged; wild and willful, she gambles recklessly yet always wins, rides horses fiercely, and is happy to disobey authority, especially when it comes to her idol, George Eliot. Enchanted by this whirlwind of a woman, Max nevertheless fears he will never be able to tame her.With its vivid portrayal of George Eliot and how she lived her life, and the turbulent love story of the countess and Max, Sophie and the Sibyl is both a compulsive read and a high literary achievement.

    Today, that city, Manono, sits beyond the infamous “Triangle of Death,” in an area rarely reached by outsiders since war turned the country’s rivers to blood.In this compelling debut, Rawlence sets out to gather the news from this ghost town in one of the most dangerous places in the world. Ignoring the advice of locals, reporters, and mercenaries, he travels by foot, motorbike, and canoe, taking his time and meeting the people who are rebuilding their homes with hope, faith, and nervous instinct. We meet Benjamin, the kindly father of the most terrifying Mai Mai warlord; Leya, who happily gives up a good job in Zambia to return to her razed town; Colonel Ibrahim, a guerrilla turned army officer; the Lebanese cousins Mohammed and Mohammed, who oversee the remains of Manono’s great mine; the priest Jean-Baptiste, who explains the conjoined prices of beer and normality; and the talk-show host Mama Christine, who dispenses counsel and courage in equal measure.From the “blood cheese” of Goma to the decaying city of Manono, Rawlence shares the real story of Congo during and after the war, and finds not just a lost city but the seeds of a peaceful future.

    Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect-–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

    What is it that can turn law-abiding family men into thieves and worse -- taking pride in being members of the elite criminal cops gang The Buddy Boys? Could he redeem himself or was his treasured police career over for good?

    The Victorian Era draws to a close and the twentieth century approaches. It is a time of great change and an age of stagnation, a period of chaste order and ignoble chaos. It is an era in need of champions.In this amazingly imaginative tale, literary figures from throughout time and various bodies of work are brought together to face any and all threats to Britain. Allan Quatermain, Mina Murray, Captain Nemo, Dr. Henry Jekyll and Edward Hyde and Hawley Griffin, the Invisible Man, form a remarkable legion of intellectual aptitude and physical prowess: The League of Extraordinary Gentlemen.

    When asked by a young priest to repeat the sacred ceremonial phrase "to honor and obey," Lupe surprises herself and says. "No, I will not say 'obey'. How dare you! You don't talk to me like this after fifty years of marriage and I now knowing what I know!" After the hilarious shock of Lupe's rejection of the ceremony, the Villaseñor family is forced to examine the love that Lupe and Salvador have shared for so many years -- a universal, gut-honest love that will eventually energize and inspire the couple into old age.

    Did Charlotte Brontë take opium? Did the Reverend Brontë carry a loaded pistol? What, precisely, does ‘wuthering’ mean?  Distinguished literary critic John Sutherland takes an idiosyncratic look at the world of the Brontës, from the bumps on Charlotte’s head to the nefarious origins of Mr Rochester’s fortune, by way of astral telephony, letter-writing dogs, an exploding peat bog, and much, much more.  Also features ‘Jane Eyre abbreviated’ by John Crace, author of the Guardian’s ‘Digested Reads’ column – read Charlotte Brontë’s masterpiece in five minutes!

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Author Daniel Pool provides countless intriguing details (did you know that the "plums" in Christmas plum pudding were actually raisins?) on the Church of England, sex, Parliament, dinner parties, country house visiting, and a host of other aspects of nineteenth-century English life—both "upstairs" and "downstairs."An illuminating glossary gives at a glance the meaning and significance of terms ranging from "ague" to "wainscoting," the specifics of the currency system, and a lively host of other details and curiosities of the day.

    Now, in Literary Rogues, he turns his unflinching eye and wit to explore our love-hate relationship with literature's most contrarian, drunken, vulgar, and just plain rude bad boys (and girls) in this very funny and shockingly true compendium of literary misbehavior.Vice wasn't always the domain of rock stars, rappers, and actors. There was a time when writers fought both with words and fists, a time when writing was synonymous with drinking and early mortality. The very mad geniuses whose books are studied in schools around the world are the very ones who fell in love repeatedly, and either outright killed themselves or drank or drugged themselves as close to death's door as they could possibly get. Literary Rogues turns back the clock to celebrate historical and living legends of Western literature, such as: Edgar Allan Poe, Oscar Wilde, Zelda and F. Scott Fitzgerald, Ernest Hemingway, Dorothy Parker, Hunter S. Thompson, and Bret Easton Ellis.Part nostalgia, part serious history of Western literary movements, and Literary Rogues is a wholly raucous celebration of oft-vilified writers and their work, brimming with interviews, research, and personality.

    They chart her transformation from a young girl with a love of animals and fairy tales into a bestselling author and canny businesswoman, so deeply unusual for the Victorian era in which she grew up. Embellished with photographs of Potter's life and her own illustrations, this biography will delight anyone who has been touched by Beatrix Potter's work.For the fans of her children’s literature who want to know the real-life animals behind Mrs. Tiggy Winkle, Jemima Puddle duck, and of course, Peter Rabbit.