Ghostly parties at 2:00 a.m., spirits calling family members and houseguests by name, dolls that talk even after the batteries have been removed...The Back family has been subjected to impossibly bright lights, loud crashing noises, weird shrieks--even ominous odors such as decaying matter.Each ghost in the McBride House has a personality of its own, including one entity whose antics are downright terrifying. But instead of fleeing, the Back family remained and gradually got to know their spirited residents.This is their story.

    Or as one gentleman whom had has picture taken at an infamous Old West Cemetery, only to have it developed and discover someone else was in the picture, too—holding a knife. Envision yourself walking along in a cemetery when a tall, handsome young man approaches asking for the location of a crypt. When you politely respond in the negative, he politely thanks you, turns, and disappears. Be cautious visiting a cemetery at dusk for a pack of large, dark-colored hellhounds with fiery red eyes might pass right through the trees as they are running toward you, barking and baying in a terrifying fashion. These stories and more fill the pages of this book. Included are cemetery hauntings from all over the world, including the United States, Ireland, Scotland, Canada, Egypt, Argentina, Mexico, and Czechoslovakia. Infamous hauntings from Greyfriars Kirkyard and Stull Cemetery, as well as countless lesser-known hauntings are guaranteed to unnerve even the bravest of readers. Ghosts of criminals, police chiefs, murder victims, innocent young children, distraught mothers, lonely bachelors, forlorn lovers, a cursed pharaoh and many more are described in this book. All sorts of manifestations are also integrated including ghostly animals, shadows cast by a hangman’s tree no longer there, a screaming skull encased in concrete…these are just a few of the ghostly manifestations you will learn of within these pages. Be prepared to view cemeteries in a whole new light. Don’t read this without all the lights on and think twice before visiting any of these cemeteries without showing the proper respect—you may not come out with your sanity intact. Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.   Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

    One of the chapters in each trivia book was “Disturbing Facts about Our World”. I decided to fill an entire volume with facts about upsetting crimes and mayhem, combined with unbelievable yet real instances of misfortune and misery. This is a book where grim examples of bigotry and hypocrisy are intertwined with amusing stories of bad luck. In the spirit of the times we live in, I dedicated a whole chapter to COVID-19 trivia and weird medical conditions. I am well aware that many potential readers might be overwhelmed by the condensed negativity, but hey… a fact is a fact! Continue to read if you are curious to learn:- Why were the trousers of New Zealand’s farmers exploding?- What is the depressing origin of the phrase “Hip Hip, Hooray”?- Why did the Spanish Habsburgs royal family sleep with human mummies?- Why was it legal in Iceland until 2015 to kill Basque people?- Who was the “Deep Throat” informer from the Watergate scandal?- How many people were killed trying to cross the notorious Berlin Wall?- Why do snakes make a better pet than cats or dogs?- How can millipedes cause a train crash?- What is the etymology of “thug”?- What are the chances of getting killed by rubbish falling from space?- How did polygamist men in Kuwait manage to visit all their wives during the coronavirus lockdown?However incredible these pieces of trivia might sound, all entries have been verified and fact-checked.

    In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified?

    We have a postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodern fiction?In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Doležel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fictin’s ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Far from being, as unsympathetic critics have sometimes complained, about nothing but itself — or even about nothing at all — postmodernist fiction in McHale’s construction of it proves to be about (among other things) those handy literary perennials, Love and Death.

    Compiled by Joanne M. Austin, editor of the hugely successful Weird Hauntings, this chilling anthology tells of “Historic Haunts,” and “Hostel Environments” and conjures up a host of phantasms, paranormal pranksters, and devilishly destructive spirits-like the deceased owner of an Illinois inn whose ghost gets fresh with his female patrons and the bridge in Mississippi that's haunted by a serial murderer and his victims.

    One of the most progressive and imaginative people in British education today he has hitherto kept a low profile. This book accompanies a three part television series to be screened on BBC 2 but differs from it significantly.There is a crisis in the British education system. Year on year GCSE and A Level pupils post better exam results, with more students achieving top grades. Yet business leaders and employers complain bitterly that our schools are not producing people fit for purpose. What we have become is a nation 'Over schooled and under educated'. Far from being locked in an ivory tower, a bastion of privilege, Mr Little has used his time as a teacher and headmaster to get to grips with fundamental questions concerning education. He wants to produce people fit to work in the modern world. How do children absorb information? What kind of people does society need? What is education for? Not only is the author one of the great reforming headmasters of our time but he has planted Academies in the East end of London, founded a state boarding school near Windsor and yet is a passionate advocate of single sex schools.This book is not a text book for colleges of education- it is a book to enlighten the teaching profession and just as much for anxious parents. The book is simply arranged under topics such as authority, expectations, progress, self-confidence, sex, crises and creativity.Tony Little thinks it is time to ask some fundamental questions, and to make brave decisions about how we make our schools and our schoolchildren fit for purpose.

    A seductive spirit tugs on the sheets at the Copper Queen. Ghost children whisper and giggle at the Kehoe House. Journey into the mysterious world of haunted hotels, where uninvited guests roam the halls, supernatural sounds ring throughout the rooms, and chills run along the spines of those who dare to check in for the night.Join Jamie Davis Whitmer, author of Haunted Asylums, Prisons, and Sanatoriums, as she explores some of the most haunted hotels across the United States. From the Jerome Grand Hotel in Arizona to the Palmer House in Minnesota, each hotel is discussed in great detail, covering everything from the building's history and legends to first-hand accounts of spooky sounds and smells, ghost sightings, EVP sessions, and more. You'll also find photos, travel information, and everything else you need to plan your own visit to these iconic hotels.

    The stories vary in time, dating back to the 16th century to the present day, but each story has a way of getting under your skin. You will be thinking about these stories long after you have put the book down.Most of the stories are set in Okinawa, Japan's southern tropical islands, where the bloodiest battles of World War II were fought. As you might imagine, several stories focus on the war, the soldiers who fought and the civilians who endured.Some of the stories included are:The Grim ReaperThe truth behind the train responsible for the most suicides in Japan.The Nago NightwalkerSomething dark is lurking along highway 505.Haunting at Bise.What did Company H of the 6th Marines find on their recon mission in 1945? The Wreck of the Indian OakWhat really came ashore during that 1840 Typhoon?And nine more chilling stories."A very good read." Anne Poe Lehr, late cousin of Edgar Allen Poe

    Reynolds provides a general overview of the history of the subject as it has developed in English, at the same time introducing key debates, developments, and figures in the field. Reynolds demonstrates how writing for children--whether on page or screen--has helped in shaping ideas about culture, society and childhood. She also raises questions about the future of children's literature generally and discusses the shape that it might take.

    Frankenstein: Or, Modern Prometheus by Mary Shelley had a huge impact on gothic horror and science fiction genres. The name Frankenstein has become part of our everyday language, often used in derogatory terms to describe scientists who have overstepped a perceived moral line. But how did a 19-year-old woman with no formal education come up with the idea for an extraordinary novel such as Frankenstein? The period of 1790-1820 saw huge advances in our understanding of electricity and physiology. Sensational science demonstrations caught the imagination of the general public, and newspapers were full of tales of murderers and resurrectionists.It is unlikely that Frankenstein would have been successful in his attempts to create life back in 1818. However, advances in medical science mean we have overcome many of the stumbling blocks that would have thwarted his ambition. We can resuscitate people using defibrillators, save lives using blood transfusions, and prolong life through organ transplants--these procedures are nowadays considered almost routine. Many of these modern achievements are a direct result of 19th century scientists conducting their gruesome experiments on the dead.Making the Monster explores the science behind Shelley's book. From tales of reanimated zombie kittens to electrical experiments on human cadavers, Kathryn Harkup examines the science and scientists that influenced Mary Shelley and inspired her most famous creation, Victor Frankenstein. While, thankfully, we are still far from being able to recreate Victor's "creature," scientists have tried to create the building blocks of life, and the dream of creating life-forms from scratch is now tantalizingly close.

    One boy ends up dead, two others psychotic, and another comatose. The house is not just haunted, it is somehow alive. And extremely dangerous.

    In addition to explaining the basic moves, this book provides writing templates that show students explicitly how to make these moves in their own writing.

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.