Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft. 9 • Introduction (Lovecraft Unbound) • essay by Ellen Datlow 11 • The Crevasse • short story by Dale Bailey and Nathan Ballingrud 31 • The Office of Doom • [Dust Devil] • short story by Richard Bowes 43 • Sincerely, Petrified • short fiction by Anna Tambour 73 • The Din of Celestial Birds • (1997) • short story by Brian Evenson 85 • The Tenderness of Jackals • short fiction by Amanda Downum 99 • Sight Unseen • short fiction by Joel Lane 113 • Cold Water Survival • short story by Holly Phillips 139 • Come Lurk With Me and Be My Love • short fiction by William Browning Spencer 161 • Houses Under the Sea • (2006) • novelette by Caitlín R. Kiernan 195 • Machines of Concrete Light and Dark • short story by Michael Cisco 213 • Leng • short fiction by Marc Laidlaw 239 • In the Black Mill • (1997) • short story by Michael Chabon 267 • One Day, Soon • short fiction by Lavie Tidhar 277 • Commencement • (2001) • novelette by Joyce Carol Oates 305 • Vernon, Driving • short fiction by Simon Kurt Unsworth 315 • The Recruiter • short fiction by Michael Shea 331 • Marya Nox • short fiction by Gemma Files 347 • Mongoose • [Boojum] • novelette by Elizabeth Bear and Sarah Monette 375 • Catch Hell • short fiction by Laird Barron 413 • That of Which We Speak When We Speak of the Unspeakable • short fiction by Nick Mamatas

    Compiled by multi-award winning editor, Ellen Datlow, it presents some of the foremost talents of the genre, who have come together to reimagine tales inspired by Poe. Sharyn McCrumb, Lucius Shepard, Pat Cadigan, M. Rickert, and more, have lent their craft to this anthology, retelling such classics as "The Fall of the House of Usher," "The Tell-Tale Heart" and "The Masque of the Red Death," exploring the very fringes of the genre.

    Over 40 tales of visitation by the undead--from vengeful and violent spirits, set on causing harm to innocent people tucked up in their homes, to rarer and more kindly ghosts, returning from the grave to reach out across the other side. Yet others entertain desires of a more sinister bent, including the erotic. This new edition includes a selection of favorite haunted house tales chosen by famous screen stars such as Boris Karloff, Peter Cushing and Christopher Lee. In addition, a top ranking list of contributors includes Stephen King, Bram Stoker, Ruth Rendell, and James Herbert--all brought together by an anthologist who himself lives in a haunted house.Contents1 • The Haunted House • (2000) • short fiction by Elizabeth Albright and Ray Bradbury3 • Foreword: I Live In A Haunted House • (2000) • essay by Peter Haining9 • The Haunted and the Haunters • (1919) • novelette by Edward Bulwer-Lytton (variant of The Haunted and the Haunters; or, The House and the Brain 1859)39 • Authentic Narrative of a Haunted House • (2000) • short story by Joseph Sheridan Le Fanu (variant of An Authentic Narrative of a Haunted House 1862)53 • A Case of Eavesdropping • [Jim Shorthouse] • (1900) • short story by Algernon Blackwood69 • A Haunted House • (1921) • short story by Virginia Woolf73 • Ghost Hunt • (1948) • short story by H. Russell Wakefield81 • Dark Winner • (1976) • short story by William F. Nolan89 • The Old House in Vauxhall Walk • (1882) • novelette by Mrs. J. H. Riddell [as by Charlotte Riddell]109 • No. 252 Rue M. Le Prince • (1895) • short story by Ralph Adams Cram125 • The Southwest Chamber • (1903) • novelette by Mary E. Wilkins Freeman [as by Mary Eleanor Freeman]145 • The Toll-House • (1907) • short story by W. W. Jacobs157 • Feet Foremost • (1932) • novelette by L. P. Hartley191 • Happy Hour • (1990) • novelette by Ian Watson217 • The Ankardyne Pew • (1979) • short story by William Fryer Harvey [as by W. F. Harvey]231 • The Real and the Counterfeit • (1988) • short story by Mrs. Alfred Baldwin [as by Louisa Baldwin]249 • A Night at a Cottage ... • (1926) • short story by Richard Hughes253 • The Considerate Hosts • (1939) • short story by Thorp McClusky265 • The Grey House • (1967) • short story by Basil Copper309 • Watching Me, Watching You • (1981) • short story by Fay Weldon329 • A Spirit Elopement • (1915) • short story by Richard Dehan339 • The House of Dust • (1920) • short story by Herbert de Hamel357 • The Kisstruck Bogie • (1946) • short story by A. E. Coppard367 • Mr Edward • (2000) • short story by Norah Lofts (variant of Mr. Edward 1947)385 • House of the Hatchet • (1941) • short story by Robert Bloch403 • Napier Court • (1971) • short story by Ramsey Campbell423 • Lost Hearts • (1895) • short story by M. R. James435 • The Shadowy Third • (1916) • novelette by Ellen Glasgow461 • A Little Ghost • (1922) • short story by Hugh Walpole477 • The Patter of Tiny Feet • (1950) • short story by Nigel Kneale489 • Uninvited Ghosts • (1981) • short story by Penelope Lively497 • Playing with Fire • (1900) • short story by Arthur Conan Doyle [as by Sir Arthur Conan Doyle]513 • The Whistling Room • [Carnacki (Hodgson)] • (1910) • short story by William Hope Hodgson533 • Bagnell Terrace • (1925) • short story by E. F. Benson547 • The Companion • (1978) • short story by Joan Aiken557 • The Ghost Hunter • (2000) • short fiction by James Herbert563 • Computer Séance • (1997) • short story by Ruth Rendell573 • In Letters of Fire • [L'homme qui a vu le diable] • (1908) • novelette by Gaston Leroux (trans. of L'homme qui a vu le diable)593 • The Judge's House • (1891) • short story by Bram Stoker613 • The Storm • (1944) • short story by McKnight Malmar627 • The Waxwork • (1931) • short story by A. M. Burrage [as by Ex-Private X]641 • The Inexperienced Ghost • (1902) • short story by H. G. Wells655 • Sophy Mason Comes Back • (1930) • short story by E. M. Delafield669 • The Boogeyman • (1973) • short story by Stephen King683 • Appendix: Haunted House Novels: A Listing • (2000) • essay by Peter Haining

    A collection of truly gripping stories, with contributions from leading horror writers dedicated to the popular contemporary sub-genre of "body horror," which revolves around disease and mutation, whether self-inflicted or otherwise.

    From Brian James Freeman and Richard Chizmar of the acclaimed Cemetery Dance Publications, Dark Screams: Volume One reaches across genres to take readers beyond the precipice of mortal toil and into the glimmering void of irreality and beyond.  WEEDS by Stephen King When a meteorite lands on his property, Jordy Verrill envisions an easy payday. Unfortunately for Jordy, this is no ordinary rock—and the uncompromising force inside has found its first target.  THE PRICE YOU PAY by Kelley ArmstrongNever pay more than you owe. Sounds like easy advice to follow. But for Kara and her childhood friend Ingrid, some debts can never be repaid . . . especially those tendered in blood.  MAGIC EYES by Bill Pronzini Edward James Tolliver has found a weary sort of asylum among the insane. He knows he’s not one of them—but how can he tell anyone about the invaders without sounding that way?  MURDER IN CHAINS by Simon Clark Imagine awaking to find yourself in an underground vault, chained by the neck to a murderous lunatic, a grunting goliath who seems more animal than man. What would you do to save yourself?  THE WATCHED by Ramsey Campbell Little Jimmy gets a glimpse of the cold truth when he finds out that it’s not always what you see that can get you into trouble; it’s who knows what you see.

    They symbolize freedom, eternal life, the soul.There’s definitely a dark side to the avian. Birds of prey sometimes kill other birds (the shrike), destroy other birds’ eggs (blue jays), and even have been known to kill small animals (the kea sometimes eats live lambs). And who isn’t disgusted by birds that eat the dead—vultures awaiting their next meal as the life blood flows from the dying. One of our greatest fears is of being eaten by vultures before we’re quite dead.Is it any wonder that with so many interpretations of the avian, that the contributors herein are eager to be transformed or influenced by them? Included in Black Feathers are those obsessed by birds of one type or another. Do they want to become birds or just take on some of the “power” of birds? The presence or absence of birds portends the future. A grieving widow takes comfort in her majestic winged neighbors, who enable her to cope with a predatory relative. An isolated society of women relies on a bird to tell their fortunes. A silent young girl and her pet bird might be the only hope a detective has of tracking down a serial killer in a tourist town. A chatty parrot makes illegal deals with the dying. A troubled man lives in isolation with only one friend for company—a jackdaw.In each of these fictions, you will encounter the dark resonance between the human and avian. You see in yourself the savagery of a predator, the shrewd stalking of a hunter, and you are lured by birds that speak human language, that make beautiful music, that cypher numbers, and seem to have a moral center. You wade into this feathered nightmare, and brave the horror of death, trading your safety and sanity for that which we all seek—the promise of flight.

    The experience of this collection may be likened to getting run over by a 666-car locomotive engineered by Lucifer. This is the cream of grotesquerie's crop, a Whitman's Sampler of the heinous, and an absolutely gut-wrenching celebration of the furthest extremities of the scatological, the taboo, the unconscionable, and the blasphemous." -Edward Lee, author of THE HAUNTER OF THE THRESHOLD and THE DUNWICH ROMANCE If you thought Volume One was intense, you ain't seen nothing yet! Twenty-eight masters of the extreme contribute their most hardcore tales to the anthology that only Blood Bound Books could publish: D.O.A. II. Wrath James White, Jack Ketchum, Robert Devereaux, J.F. Gonzalez, David Quinn, Shane McKenzie, John McNee and many more. Pull back the coroner's sheet, hold your breath, and enjoy the ride. THIS IS NOT FOR THE SQUEAMISH.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    In addition to stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick or treating in the future, Haunted Nights also offers terrifying and mind-bending explorations of related holidays like All Souls' Day, Dia de los Muertos, and Devil's Night. -With Graveyard Weeds and Wolfbane Seeds- by Seanan McGuire -Dirtmouth- by Stephen Graham Jones--A Small Taste of the Old Countr- by Jonathan Maberry-Wick's End- by Joanna Parypinski -The Seventeen Year Itch- by Garth Nix-A Flicker of Light on Devil's Night- by Kate Jonez-Witch-Hazel- by Jeffrey Ford-Nos Galen Gaeaf- by Kelley Armstrong -We're Never Inviting Amber Again- by S. P. Miskowski-Sisters- by Brian Evenson-All Through the Night- by Elise Forier Edie -A Kingdom of Sugar Skulls and Marigolds- by Eric J. Guignard-The Turn- by Paul Kane-Jack- by Pat Cadigan-Lost in the Dark- by John Langan-The First Lunar Halloween- by John R. Little

    These 17 stories portray predators who feed not only on the blood of their victims but on their emotions, youth and souls as well!

    There are children—those who victimize, and those who are victims. There are supernatural horrors, psychological terrors, nourish dark fantasies, and downright weird fictions.   Featuring Nathan Ballingrud, Laird Barron, Pat Cadigan, Siobhan Carroll, Terry Dowling, Brian Evenson, Gemma Files, Jeffrey Ford, Carole Johnstone, Stephen Graham Jones, Caitlín R Kiernan, John Langan, Catherine MacLeod, Helen Marshall, Bruce McAllister, Gary McMahon, Garth Nix, Robert Shearman, Michael Marshall Smith, and Kaaron Warren.   Come on in, and make yourself a cozy little nook in the dark, and enjoy.

    Bounds, and a reclusive islander shares his world with shape-changing selkies in Robert Holdstock's haunting tale The Silvering.Late-night office workers are menaced by hungry horrors in Ramsey Cambell's claustrophobic Down There, while the monsters of both Brian Lumley's The Thin People and Basil Copper's The Flabby Men share only a semblance of humanity. The King of the Monsters himself turns up in Godzilla's Twelve Step Program by Joe R. Lansdale, R. Chetwynd-Hayes' The Shadmock and Clive Barker's Rawhead Rex are genuinely new monsters, and the last monster-fighter and the last classic monster confront each other in Kim Newman's The Chill Clutch of the Unseen.If you like monsters, then there are plenty to choose from in this creature-filled collection boasting some of the biggest names in horror, fantasy and science fiction.Contents:Introduction: How to Make a Monster by Stephen JonesVisitation by David J. SchowDown There by Ramsey CampbellThe Man He Had Been Before by Scott EdelmanCalling All Monsters by Dennis EtchisonThe Shadmock by R. Chetwynd-HayesThe Spider Kiss by Christopher FowlerCafé Endless: Spring Rain by Nancy HolderThe Medusa by Thomas LigottiIn the Poor Girl Taken by Surprise by Gemma Files Downmarket by Sydney J. BoundsFat Man by Jay LakeThe Thin People by Brian LumleyThe Hill by Tanith LeeGodzilla's Twelve Step Program by Joe R. Lansdale.220 Swift by Karl Edward WagnerOur Lady of the Sauropods by Robert SilverbergThe Flabby Man by Basil CopperThe Silvering by Robert HoldstockSomeone Else's Problem by Michael Marshall SmithRawhead Rex by Clive BarkerThe Chill Clutch of the Unseen by Kim Newman

    An outstanding array—52 pieces in all—of selected fiction from the multiple-award-winning, #1 New York Times bestselling author Neil Gaiman, curated by his readers around the world, and introduced with a foreword by Booker Prize-winning author Marlon JamesSpanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers, chosen by those who know his work best: his devoted readers. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults —Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories. Impressive in its depth and range, The Neil Gaiman Reader: Selected Fiction is both an entryway to Gaiman’s oeuvre and a literary trove Gaiman fans old and new will return to many times over.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.