Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles a part. Venus in Furs, the most famous of all of Masoch's novels was written in 1870 and belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here - fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness - these do not eclipse the singular power of Masoch's eroticism.

    It is also a novel about equality and what happens when the hierarchical structures by which we arrange our daily lives disappear.

    + XXXVIII) ranges from Gorgias and Plato to Sigmund Freud and Mikhail Bakhtin. Each of the 147 contributions has a headnote introducing the writer and making connections to other critics, theorists and movements. An introduction surveys the history of theory and criticism.

    Riley, a veteran of interstellar war,  however, is not journeying to achieve transcendence, a vague mystical concept that has drawn everyone else on the ship to this journey into the unknown at the far edge of the galaxy. His mission is to find and kill the prophet who is reputed to help others transcend. As the ship speeds through space, the voyage is marred by violence and betrayal, making it clear that Riley is not the only one of the ship’s passengers who is not the spiritual seeker they all claim to be.As tensions rise, Riley realizes that the ship’s journey is less like the Canterbury Tales and more like a harrowing, deadly voyage on a ship of fools. Looking for allies, he becomes friendly with a mysterious passenger named Asha, who, like so many others on the ship, is more than she appears. But while she professes to be just another pilgrim, he comes to realize that like him, she is keeping secrets could be the key to Riley’s assignment, or might make him question everything he thought he knew about Transcendentalism and his mission to stop it.This long-awaited novel is a grand space adventure of exploration, intrigue, redemption, and the universal spirit that unites all beings.  This is a real departure for Gunn, a novel of grand scope and high concept, a capstone to the career of this Grand Master of science fiction.

    It includes a full account of Tolkien the linguist, as well as telling how to write all the languages, with guides to grammar and pronunciation, and a complete dictionary of the fourteen languages.Here is a book to deepen and enhance our enjoyment of those classics of Middle-earth, The Hobbit, The Lord of the Rings, and The Silmarillion.Ruth Noel teaches remedial and developmental reading in Riverside, California. She is the author of The Mythology of Middle-earth, on the relation between The Lord of the Rings and European myth in general. "The author is convincing and fascinating as she connects Tolkien's fantasies with the hallowed myths of other cultures." - Publishers Weekly

    Drawing from his unique cultural vision, Žižek brings new light to the Paris riots of 2005; he questions the permissiveness of violence in philanthropy; in daring terms, he reflects on the powerful image and determination of contemporary terrorists.Violence, Žižek states, takes three forms--subjective (crime, terror), objective (racism, hate-speech, discrimination), and systemic (the catastrophic effects of economic and political systems)--and often one form of violence blunts our ability to see the others, raising complicated questions.Does the advent of capitalism and, indeed, civilization cause more violence than it prevents? Is there violence in the simple idea of "the neighbour"? And could the appropriate form of action against violence today simply be to contemplate, to think?Beginning with these and other equally contemplative questions, Žižek discusses the inherent violence of globalization, capitalism, fundamentalism, and language, in a work that will confirm his standing as one of our most erudite and incendiary modern thinkers.

    In Four Futures, Frase imagines how this post-capitalist world might look, deploying the tools of both social science and speculative fiction to explore what communism, rentism, socialism and exterminism might actually entail.Could the current rise of real-life robocops usher in a world that resembles Ender’s Game? And sure, communism will bring an end to material scarcities and inequalities of wealth—but there’s no guarantee that social hierarchies, governed by an economy of “likes,” wouldn’t rise to take their place. A whirlwind tour through science fiction, social theory and the new technologies already shaping our lives, Four Futures is a balance sheet of the socialisms we may reach if a resurgent Left is successful, and the barbarisms we may be consigned to if those movements fail.

    Dick's Do Androids Dream of Electric Sheep? Essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, importance political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.

    Beginning with: "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her. What does the word mean?", Carson examines her subject from numerous points of view and styles, transcending the constraints of the scholarly exercise for an evocative and lyrical meditation in the tradition of William Carlos William's Spring and All and William H. Gass's On Being Blue.

    But when Tornor is overrun by raiders, a young prince is the tower's last hope-in an enchanting story of a time far removed from ours, and a land alive with warriors, lovers, war and honor. The Watchtower is the first in the memorable Chronicles of Tornor Trilogy by one of speculative fiction's most honored and exciting voices.

    It contains concise essays on a wide variety of literary concepts among the 50 entries, and everything you need to know about literary techniques and genres.

    Wolfe's brilliant first book -- a collection of essays that introduced us to the Sixties, to extravagant new styles of life that had nothing to do with the "elite" culture of the past.

    Violent crime is a rarity.Hyper-intelligent Jayna is a star performer at top predictive agency Mayhew McCline, where she forecasts economic and social trends. A brilliant mathematical modeler, she far outshines her co-workers, often correcting their work on the quiet. Her latest coup: finding a link between northeasterly winds and violent crime.When a string of events contradicts her forecasts, Jayna suspects she needs more data and better intuition. She needs direct interactions with the rest of society. Bravely—and naively—she sets out to disrupt her strict routine and stumbles unwittingly into a world where her IQ is increasingly irrelevant…a place where human relationships and the complexity of life are difficult for her to decode. And as she experiments with taking risks, she crosses the line into corporate intrigue and disloyalty.Can Jayna confront the question of what it means to live a “normal” life? Or has the possibility of a “normal” life already been eclipsed for everyone?

    Now Dorsey returns with a literary SF parable about a woman named Morgan and her offbeat household. In the near future, when political and social conservatism dominate society, Morgan inherits a big, century-old mansion in a prairie city and moves there to rebuild her life. She fills the house with sexual misfits and political outcasts, in a sense, orphans like herself. But the final tenant is one she never could have imagined: an alien child.

    Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, "Michael Schmidt does full justice to its complexity.Like his hero Ford Madox Ford in The March of Literature," Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English.Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliche--some irreducible quality that keeps readers coming back to its pages."