Here are nineteen stories that explore her signature themes: wounded adolescence, loneliness in marriage, and the tragicomedy of life in the South. Here too are "The Member of the Wedding" and "The Ballad of the Sad Cafe," novellas that Tennessee Williams judged to be "assuredly among the masterpieces of our language." (A Mariner Reissue)

    Megan Mayhew Bergman's twelve stories capture the surprising moments when the pull of our biology becomes evident, when love or fear collide with good sense, or when our attachment to an animal or wild place can't be denied. In "Housewifely Arts," a single mother and her son drive hours to track down an African Gray Parrot that can mimic her deceased mother's voice. A population control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in "Yesterday's Whales." And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker. As intelligent as they are moving, the stories in Birds of a Lesser Paradise are alive with emotion, wit, and insight into the impressive power that nature has over all of us.

    Whether he writes a gothic morality tale in which a male exotic dancer is haunted by his maiden aunt from beyond the grave, or about a self-help guru who tells his followers his mission is to discover who's been "crapping in your oatmeal," Saunders's stories are both indelibly strange and vividly real.

    Kenan speaks eloquently and with a great deal of courage."--Gloria NaylorRandall Kenan's daring and innovative first novel weaves a vivid and horrific tale through the generations of a black Southern family.Sixteen-year old Horace Cross is plagued by issues that hover in his impressionable spirit and take shape in his mind as loathsome demons, culminating in one night of horrible and tragic transformation. In the face of Horace's fate, his cousin Reverend James "Jimmy" Green questions the values of a community that nourishes a boy, places their hopes for salvation on him, only to deny him his destiny. Told in a montage of voices and memories, A Visitation of the Spirits just how richly populated a family's present is with the spirits of the past and the future.

    Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praise Song for the Widow was a recipient of the Before Columbus Foundation American Book Award. "Astonishingly moving." --Anne Tyler, The New York Times Book Review

    Valente. A collection of some of Catherynne Valente's most admired stories, including the Hugo Award-nominated novella "Silently and Very Fast" and the Locus Award finalist "13 Ways of Looking at Space/Time," with a brand-new long story to anchor the collection.Contents:The Melancholy of Mechagirl (2011) poemInk, Water, Milk (2013)Fifteen Panels Depicting the Sadness of the Baku and the Jotai (2010)Ghosts of Gunkanjima (2005)Thirteen Ways of Looking at Space/Time (2010)One Breath, One Stroke (2012)Story No. 6 (2013)Fade to White (2012)The Emperor of Tsukayama Park (2005) poemKillswitch (2007)Memoirs of a Girl Who Failed to Be Born from a Peach (2005) poemThe Girl with Two Skins (2008) poemSilently and Very Fast (2011)

    Taken as a whole, their stories form an enlightening, disturbing view of life in the South.

    Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    In the title story, a man and a woman travel across an eerily frozen lake—under the ice. “The Distance” casts a skeptical eye on Thomas Jefferson through the lens of a Montana man’s visit to Monticello. “Eating” begins with an owl being sucked into a canoe and ends with a man eating a town out of house and home, and “The Cave” is a stunning story of a man and woman lost in an abandoned mine. Other stories include “The Fireman,” “Swans,” “The Prisoners,” “Presidents’ Day,” “Real Town,” and “Two Deer.” Some of these stories have appeared in The Best American Short Stories, but for many readers, they won’t even be the best in this collection. Every story in this book is remarkable in its own way, sure to please both new readers and avid fans of Rick Bass’s passionate, unmistakable voice.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.

    Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

    Over the course of the last half century, the Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of our time. This anthology---the first of its kind---is more than a treasury: it is an indispensable resource for writers, students, and anyone else who wants to understand fiction from a writer’s point of view. "Some chose classics. Some chose stories that were new even to us. Our hope is that this collection will be useful to young writers, and to others interested in literary technique. Most of all, it is intended for readers who are not (or are no longer) in the habit of reading short stories. We hope these object lessons will remind them how varied the form can be, how vital it remains, and how much pleasure it can give."---from the Editors’ Note WITH SELECTIONS BYDaniel Alarcón · Donald Barthelme · Ann Beattie · David Bezmozgis · Jorge Luis Borges · Jane Bowles · Ethan Canin · Raymond Carver · Evan S. Connell · Bernard Cooper · Guy Davenport · Lydia Davis · Dave Eggers · Jeffrey Eugenides · Mary Gaitskill · Thomas Glynn · Aleksandar Hemon · Amy Hempel · Mary-Beth Hughes · Denis Johnson · Jonathan Lethem · Sam Lipsyte · Ben Marcus · David Means · Leonard Michaels · Steven Millhauser · Lorrie Moore · Craig Nova · Daniel Orozco · Mary Robison · Norman Rush · James Salter · Mona Simpson · Ali Smith · Wells Tower · Dallas Wiebe · Joy Williams

    Seventeen stories written over the past fifteen years reveal the author's vision of human love and tragedy.Wants --Debts --Distance --Faith in the afternoon --Gloomy tune --Living --Come on, ye sons of art --Faith in a tree --Samuel --The burdened man --Enormous changes at the last minute --Politics --Northeast playground --The little girl --A conversation with my father --The immigrant story --The long-distance runner

    In Only Once, a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. Collins’s work seamlessly integrates the African-American experience in her characters’ lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader’s head and heart.Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.