In this extraordinary collection of hundreds of internal government and Communist Party documents, secretly smuggled out of China, we learn how these events came to pass from behind the scenes. The material reveals how the most important decisions were made; and how the turmoil split the ruling elite into radically opposed factions. The book includes the minutes of the crucial meetings at which the Elders decided to cashier the pro-reform Party secretary Zhao Ziyang and to replace him with Jiang Zemin, to declare martial law, and finally to send the troops to drive the students from the Square. Just as the Pentagon Papers laid bare the secret American decision making behind the Vietnam War and changed forever our view of the nation's political leaders, so too has The Tiananmen Papers altered our perception of how and why the events of June 4 took the shape they did. Its publication has proven to be a landmark event in Chinese and world history.

    Enlivened at unexpected moments by sexual exploration, mysticism, and flashes of wit alternately dry and hilarious, her prose is spare and honed, her stories filled with subtly sly characterizations of men and, mostly, women, dissatisfied not so much with the downward spiral of their fortunes as with the hollowness of their neat little lives. Whether focused on the separate emergences of Miss Goering and Mrs. Copperfield from their affluent, airless lives in New York and Panama into a less defined but intense sexual and social maelstrom in the novella Two Serious Ladies, or on the doomed efforts of the neighbors Mr. Drake and Mrs. Perry to form a connection out of their very different loneliness in "Plain Pleasures," or on the bittersweet cultural collision of an American wife and a peasant woman in Morocco in "Everything Is Nice," Jane Bowles creates whole worlds out of the unexpressed longings of individuals, adrift in their own lives, whether residing in their childhood homes or in faraway lands that are somehow both stranger and more familiar than what they left behind.

    Family, one of the most popular Chinese novels of that time, vividly reflects that turmoil and serves as a basis for understanding what followed. Written in 1931, Family has been compared to Dream of the Red Chamber for its superb portrayal of the family life and society of its time. Drawn largely from Pa Chin's own experience, Family is the story of the Kao family compound, consisting of four generations plus servants. It is essentially a picture of the conflict between old China and the new tide rising to destroy it, as manifested in the daily lives of the Kao family, and particularly the three young Kao brothers. Here we see situations that, unique as they are to the time and place of this novel, recall many circumstances of today's world: the conflict between generations and classes, ill-fated love affairs, students' political activities, and the struggle for the liberation of women. The complex passions aroused in Family and in the reader are an indication of the universality of human experience. This novel illustrates the effectiveness of fiction as a vehicle for translating the experience of one culture to another very different one.

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    A passionate love story set against the ugly political backdrop of repression, torture, and murder, "The Noli," as it is called in the Philippines, was the first major artistic manifestation of Asian resistance to European colonialism, and Rizal became a guiding conscience—and martyr—for the revolution that would subsequently rise up in the Spanish province.

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    in an ancient land of breathtaking beauty and exotic surprise ... a courageous woman triumphs over her world's ultimate tragedy.Behind the garden walls of the House of Chang, pampered daughter Spring Moon is born into luxury and privilege. But the tempests of change sweep her into a new world -- one of hardship, turmoil, and heartbreak, one that threatens to destroy her husband, her family, and her darkest secret love. Through a tumultuous lifetime, Spring Moon must cling to her honor, to the memory of a time gone by, and to a destiny, foretold at her birth, that has yet to be fulfilled.

    Comfort Woman is the story of Akiko, a Korean refugee of World War II, and Beccah, her daughter by an American missionary. The two women are living on the edge of society--and sanity--in Honolulu, plagued by Akiko's periodic encounters with the spirits of the dead, and by Beccah's struggles to reclaim her mother from her past. Slowly and painfully Akiko reveals her tragic story and the horrifying years she was forced to serve as a comfort woman to Japanese soldiers. As Beccah uncovers these truths, she discovers her own strength and the secret of the powers she herself possessed--the precious gifts her mother has given her.A San Francisco Chronicle bestseller In 1995, Nora Okja Keller received the Pushcart Prize for Mother Tongue, a piece that is part of Comfort Woman.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    This novel gives, as no fiction account about Thailand has yet done, insights into Thai life, particularly that of rural Thailand. Foreign writers writing about the Thai people look at Thailand from the - outside", but Pira Sudham writes about his people and country as seen from the - inside," thus giving us a fascinating work.

    She seeks clues in Ma’s cooking when she’s not fighting other battles—being a bursary girl at an elite school and facing racial taunts from the bus uncle. Then her meddlesome grandmother moves in, installing a portrait of a watchful Sikh guru and a new set of house rules. Old secrets begin to surface but can Pin handle learning the truth?

    Set in alluring Shanghai at the turn of the century, The Binding Chair intertwines the destinies of a Chinese woman determined to forget her past and a Western girl focused on the promises of the future.Beautiful, charismatic, destructive, May escapes an arranged marriage in rural nineteenth-century China for life in a Shanghai brothel, where she meets Arthur, an Australian whose philanthropic pursuits lead him into one scrape after another. As a member of the Foot Emancipation Society, Arthur calls on May not for his pleasure but for her rehabilitation, only to find himself immediately and helplessly seduced by the sight of her bound feet. Reforming May is out of the question, so love-struck Arthur marries her instead and brings her home to live with him, his sister and brother-in-law, and their two girls, Alice and Cecily. In Alice, May sees the possibility of redemption: a surrogate for a child she has lost. And it is to May that Alice turns for the love her own mother withholds. But when the twelve-year-old is caught preparing her aunt's opium pipe, she is shipped off to a London boarding school, far from the dangerous influence of the woman who will come to reclaim her and to control the whole family.The Binding Chair unfolds among scenes of astonishing beauty and cruelty, in a lawless place where traditions and cultures clash, and where tragedy threatens a world built on the banks of unsettled waters--from the bustling Whangpoo River to the lake of blood in the Chinese afterworld. By turns shocking, exquisite, and hilarious, The Binding Chair is another spellbinding literary triumph by the writer whose work Michiko Kakutani of The New York Times has called "powerful and hypnotic."

    Unlike Japan with its long tradition of women writers, poetry by women did not become fashionable in China until the Ch'ing dynasty (1644-1911), although poems from earlier centuries that do in fact survive will quickly dispel any stereotyped views. Included here are samplings from the legendary earliest poetry of courtesans, palace women, and Tao priestesses to works by contemporary Chinese women living in both the East and West. Appendixes include notes on the poems, an introductory essay on Chinese women and literature, a table of historical periods, and a bibliography.

    In 1978 six refugees—a girl, her father, and four “uncles”—are pulled from the sea to begin a new life in San Diego. In the child’s imagination, the world is transmuted into an unearthly realm: she sees everything intensely, hears the distress calls of inanimate objects, and waits for her mother to join her. But life loses none of its strangeness when the family is reunited. As the girl grows, her matter-of-fact innocence eddies increasingly around opaque and ghostly traumas: the cataclysm that engulfed her homeland, the memory of a brother who drowned and, most inescapable, her father’s hopeless rage.

    The rain and snow have weathered me, and I too have weathered them’.At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.An idyllic childhood playing by the river ends with her father’s death and the growing realisation that her mother’s and uncle’s relationship is not as simple as she thought. Then, in the 1930s, the intimate, secluded world of the tribe is shattered when the Japanese army invades China. The Evenki cannot avoid being pulled into the brutal conflict which marks the first step towards the end of their isolation…In The Last Quarter of the Moon, prize-winning novelist Chi Zijian, creates a dazzling epic about an extraordinary woman bearing witness not just to the stories of her tribe but also to the transformation of China.