of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false.”In True History of the Kelly Gang, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semiliterate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.

    Aged just sixteen, she fell in love and married US soldier Bob Irvine. And soon after she set sail for a new life in America.It was the 1950s, the land of hope, dreams and Doris Day movies. But Iris ended up in a cramped Chicago bungalow, shared with Bob's parents. With a baby on the way and a husband turning daily into a stranger, Iris was wracked by homesickness. Trapped and desperately lonely, she had to make a fresh start, in a country where hope and opportunity thrived.In this dramatic sequel to the Sunday Times bestseller, Far From the East End, we follow young Iris Jones Simantel from London to New York, Chicago and Las Vegas in her struggle to find work, love and a sense of belonging in a foreign land.

    His firsthand account of his wartime service gives a graphic insight into his lethal skill with a rifle and into the desperate fight put up by Soviet forces to defend Leningrad. He also records how, during the three-year siege, close members of this family died, including his wife and two sons, as well as many of his comrades in arms. He describes these often-terrible events with such honesty and clarity that his memoir is remarkable.Piluyshin, who lived in Leningrad with his family, was already 35 years old when the war broke out and he was drafted. He started in the Red Army as a scout, but once he had demonstrated his marksmanship and steady nerve, he became a sniper. He served throughout the Leningrad siege, from the late 1941 when the Wehrmachts advance was halted just short of the city to its liberation during the Soviet offensive of 1944. His descriptions of grueling front-line life, of his fellow soldiers and of his sniping missions are balanced by his vivid recollections of the protracted suffering of Leningrads imprisoned population and of the grief that was visited upon him and his family.His gripping narrative will be fascinating reading for any one who is keen to learn about the role and technique of the sniper during the Second World War. It is also a memorable eyewitness account of one mans experience on the Eastern Front.

    Big is the shocking true story of a murder investigation in Newfoundland and Labrador that forever changed the face of the Canadian justice system.On August 4, 2002, three-year-old twin girls Karen and Krista Hart drowned in Gander Lake. They had gone there with their father. He said it was an accident, but the police were convinced Nelson Hart had killed his daughters that day.With not enough evidence to make an arrest, the RCMP launched a $500,000 “Mr. Big” sting operation to try to get a confession. This book examines the dramatic events that unfolded over the four-month period when Nelson was flying back and forth across the country working in what he believed to be an organized crime syndicate.Central to this story is Jennifer Hicks, who reveals for the first time her life with her now ex-husband, Nelson Hart, and the events surrounding the deaths of her daughters. Together with television journalist Colleen Lewis, who closely followed Hart’s murder trial, Jennifer has reconstructed the tragic story of an abusive relationship and a mother’s worst nightmare.Finalist for the 2016 Arthur Ellis Awards, Best Nonfiction Book Category#10 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 10, 2015)#6 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 17, 2015)#6 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 24, 2015)#10 on the Globe and Mail (Canadian Non-Fiction) Bestseller List (October 31, 2015)

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

     But what did the German people think of the war? And what had they actually thought about the rise of the Nazi party? William Russell, a young US diplomat who worked in the American Embassy in Berlin, explains in detail his experiences of Germany in the early phases of the war from August 1939 through to April 1940. By asking questions to his friends, colleagues and people who he passed on the streets, Russell uncovered the state of minds of normal Germans, what they were thinking, doing and saying through the course of 1939 and 1940. Drawing evidence from a variety of sources, including newspapers, the radio, recently published books, as well as the jokes and gossip that circulated on the streets of the German capital, Russell is able to demonstrate how not all Germans were card-waving Nazis, but how the vast majority were politically apathetic, nervous of the future and often outwardly critical of the Nazi regime. Russell explains how many Germans laughed at figures such as Joseph Goebbels and Herman Goering when they were in privacy of their own houses. Although written in only second year of the war it is clear that Russell and many of his friends are aware of the impending horrors that the war will cause and he tries desperately throughout the book to do his best for those who would suffer the most at the hands of the Nazi regime. Berlin Embassy is the classic account of Germany and its people in the first year of the Second World War. “The small things that happen to the small people- as reported by a man in a small job in the American embassy in Berlin, who managed to get the man in the street to talk frankly.” Kirkus Reviews “Exciting reading … A very fine book.” William L. Shirer, author of The Rise and Fall of the Third Reich: A History of Nazi Germany William Russell was an author and journalist who after completing his education had worked in the Berlin Embassy during 1939 and 1940. After he left Germany he joined the U.S. Army and served two years as an Order of Battle Specialist in the Intelligence Branch in England. He passed away in 2000. His book Berlin Embassy was first published in 1941.

    Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

    The victims were five children aged between 10 and 17—Pauline Reade, John Kilbride, Keith Bennett, Lesley Ann Downey and Edward Evans—at least four of whom were sexually assaulted. The murders are so named because two of the victims were discovered in graves dug on Saddleworth Moor, with a third grave also being discovered there in 1987, over 20 years after Brady and Hindley's trial in 1966. The body of a fourth victim, Keith Bennett, is also suspected to be buried there, but despite repeated searches it remains undiscovered.The police were initially aware of only three killings, those of Edward Evans, Lesley Ann Downey and John Kilbride. The investigation was reopened in 1985, after Brady was reported in the press as having confessed to the murders of Pauline Reade and Keith Bennett. Brady and Hindley were taken separately to Saddleworth Moor to assist the police in their search for the graves, both by then having confessed to the additional murders.

    Petersburg for accompanying her husband Alexander on shooting and riding trips and for being outstandingly accurate with her gun. She was the daughter of a high-ranking Russian diplomat, and the mother of three young sons, destined to join the social and intellectual elite of imperial Russia. The Revolution of 1917 changed the course of these lives. By December 1918 her husband was dead, her children separated from her by the closing of the frontiers, and her own life was in danger. This is her account of how she faced these traumatic events, revealing the courage and determination she had shown in earlier times that helped her endure hunger, imprisonment, and loneliness. Her reunion with her sons in 1921 makes the months of danger and deprivation worthwhile. Illustrated with original family photographs this account will interest the serious academic and general reader alike.

    A year later, he heard that the man had been murdered – and what was more, the killer was black.At first the murder seemed a twist on the old Deep South race crimes. But then more news rolled in. Maybe it was a dispute over money, or most intriguingly, over sex. Could the infamous racist actually have been secretly gay, with a thing for black men? Did Safran have the last footage of him alive? Could this be the story of a lifetime? Seizing his Truman Capote moment, he jumped on a plane to cover the trial.Over six months, Safran got deeper and deeper into the South, becoming entwined in the lives of those connected with the murder – white separatists, black campaigners, lawyers, investigators, neighbours, even the killer himself. And the more he talked with them, the less simple the crime, and the world, seemed.Murder in Mississippi is a brilliantly innovative true-crime story. Taking us places only he can, Safran paints an engrossing, revealing portrait of a dead man, his murderer, the place they lived and the process of trying to find out the truth about anything.

    Her loved ones were cruelly forced from her arms in the Warsaw Ghetto in Poland and perished in Treblinka Death Camp. This is a true story of Holocaust survival. In ww2 books, it is a searing story of human rights abuses and genocide.The story of Nazi Germany and the Jews is a story of anti-Semitism, Nazi concentration camps, gas chambers and World War 11 (wwii). The Warsaw ghetto where the Nazis had imprisoned the Jews was being emptied as Hitler’s Final Solution to murder all of European Jewry was put into action. Lena kept thinking, “It’s my turn next.” As some Jews escaped Treblinka and exposed it as being a death camp not a labour camp, young men and women in the ghetto decided to make a stand.Lena helped in the resistance which became the Warsaw Ghetto Uprising by gathering light bulbs from empty houses which could be used for Molotov cocktails. By a miracle, she escaped the ghetto before it became an inferno. But where could she hide? When it was over and she could walk free, the tears she had held back flooded out because she was all alone and there was no one to care that she had survived and no one to go to.Author Barbara Miller adds to Holocaust history and ww2 German history by skilfully weaving her research with Lena’s diary and interviews to bring her ww2 biography to life. Lena helped her companions in hiding to survive with her humour and compassion. She turned 100 in January 2019 and her miraculous story of survival against the odds will inspire you to not give up no matter how dark the time or difficult the situation or cruel the people around you. Download or order now! What are others saying about this remarkable book? This is a compelling, indeed exemplary work, that merges the history of the Holocaust with the live story of one survivor: Lena Goldstein, aged 100, one of the last living witnesses to the horrors of the Holocaust. Konrad Kwiet, Emeritus Professor and Resident Historian Sydney Jewish Museum This is a truly beautiful collaboration between the author and her subject, who have together produced an invaluable documentation of a unique, moving, life story set against the backdrop of one of the darkest moments in human history.  To read "If I Survive" is to meet a remarkable person and to be touched by her intense humanity in an inhuman world. Jeremy Jones AM, former President of the Executive Council of Australian Jewry and Director, Australia/Israel & Jewish Affairs Council In this book Barbara Miller tells a powerful, must read story of survival - the story of Lena Goldstein, an elegant, articulate centenarian, a victim of one of the most horrific periods in human history, the Holocaust. Josie Lacey OAM, Author of An Inevitable Path, A Memoir, Life Member Executive Council of Australian Jewry, WIZO, and ECC Barbara Miller has given Lena Goldstein’s personal Holocaust journey the validation it so richly deserves; an eye witness account of a truly inspiring and heroic survivor. Viv Parry, Chairperson, Child Survivors of the Holocaust, Melbourne Another important book from the celebrated writer Barbara Miller. Expertly researched and skillfully written. Irene Shaland, author of The Dao of Being Jewish and Other Stories: Seeking Jewish narrative all over the World.” It is not often that you commence a book and feel compelled to continue reading until it is finished.

    Her Great-Aunt Resi had been married to a Jew in Czechoslovakia before World War II--a marriage that, while happy, created tremendous difficulties for the extended family once the Nazis took over their hometown in 1938, and ultimately did not survive the pressures of the time. Annette and Harry's love, meanwhile, was the ultimate nightmare for Harry's family of Holocaust survivors. Weighed down by the burdens of their family histories, Annette and Harry kept their relationship secret for three years, until they could forge a path into the future and create a new life in Chicago. As time went on, however, Annette found a spiritual home in Judaism--a choice that paved the way toward acceptance by Harry's family, and redemption for some of the wounds of her own family's past.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    What ensued was a media firestorm and a whodunit that transfixed the nation, providing daily debates—and cruel, dinner table entertainment. Now, forty years after Michael Skakel’s conviction, his cousin, acclaimed activist and writer Robert Kennedy, Jr., has taken matters into his own hands to get the charges dropped and clear his cousin’s name.This startling expose—a page-turning, true story of murder, romance, and fame—is the story of Skakel’s conviction that the public has never before been prevue to. It is the product of hundreds of interviews with Skakel and those who knew him, Martha Moxley, and what may have happened the night of the crime, Halloween eve. It also explores why Kennedy believes Skakel has yet to receive a fair trial, and why he demands the original verdict be overturned.This is a heart-wrenching story with a powerful cast of characters. It opens the doors for the public into what was once a “perfect” Greenwich community and how a crime shook an elite family. Kennedy presents the evidence through enlightening text, photographs, and new interviews, and allows readers to decide, given the facts, what they believe really happened to Martha and if, forty years after his crucifixion, Michael Skakel should finally walk free.

    Strangled with a nylon stocking in the mangroves on the banks of the river in wartime Brisbane, the case soon became known as the river girl murder. Olivia’s detective work exposes the sinister side of that city in 1943, flush with greenbacks and nylons, jealousy and violence brewing between the Australian and US soldiers, which eventually boiled over into the infamous Battle of Brisbane. Olivia soon discovers that the diggers didn’t just reserve their anger for the US forces – they also took it out on the women they perceived as traitors, the ones who dared to consort with US soldiers.Can Olivia rewrite history to bring justice to the river girl whose life was so brutally taken? Even if the past can’t be changed, is it possible to undo history’s erasure?