With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    Her first, "Make Someone Happy," did indeed make many people happy, and so, due to popular demand, she has put together a second volume, which includes “The Book of Homer,” a tribute to her beloved dog who recently died. "Still Happy," like "Make Someone Happy," exemplifies Berg’s gift, as the Boston Globe said, “in her ability to find the extraordinary in the ordinary, the remarkable in the everyday.”

    Her street has been invaded by young, confident, upwardly-mobile people without, it seems, a care in the world. She keeps herself to herself, and only her husband Stan is aware of her bubbling anger, her terrible prickliness and her ability to take offence. But when Alice and Tony move in next door with their enchanting toddler Amy, Mrs Pendlebury begins to come out of her shell, as gradually her new neighbours undermine her traditional, cautious privacy. Mrs Pendlebury may not be ripe for transformation, or even happiness, but she is not too old to change.

    You passed her on the street with a surreptitious glance, though she was well worth looking at-in her furs and laces and plumes. She had the only full-length mink coat in our town, and Ganz's shoe store sent to Chicago for her shoes. Hers were the miraculously small feet you frequently see in stout women. Usually she walked alone; but on rare occasions, especially round Christmastime, she might have been seen accompanied by some silent, dull-eyed, stupid-looking girl, who would follow her dumbly in and out of stores, stopping now and then to admire a cheap comb or a chain set with flashy imitation stones-or, queerly enough, a doll with yellow hair and blue eyes and very pink cheeks. But, alone or in company, her appearance in the stores of our town was the signal for a sudden jump in the cost of living. The storekeepers mulcted her; and she knew it and paid in silence, for she was of the class that has no redress. She owned the House with the Closed Shutters, near the freight depot-did Blanche Devine.

    Brimming with humor, irony, and insights about the unpredictable nature of life, the unbearable beauty of fate, and the power that one moment, or one decision, can have to transform us, I Knew You'd Be Lovely delivers that rare thing—stories with both an edge and a heart.

    Along the way she meets Cassady, an Elvis impersonator with his own, mysterious gripe with the Dark Lord.Short, one-page anecdotes, poems, reflections, and imagery are also included.Strange, heartfelt, and wonderful, Oh the Moon shows you love in the way that only Charlyne Yi’s brilliant, witty mind can.

    When she was ten years old her parents died in a car crash. Now nine years later her Aunt Caroline is the only family she has left. And Caroline is dying. So when Death comes knocking (quite literally) in the form of the damaged and dangerous, Brennus, Avery makes a deal with the reaper in order to save Caroline.Brennus is an Ankou.One of the many, once mortal men and women, who were given the choice to become an immortal in exchange for ferrying the dead over into their afterlife. Nine years ago Brennus took Avery’s parents and tried to take Avery, but she fought him and won. Amazed by her strength Brennus followed Avery and has watched over her. Now he knows Avery is the one to offer him freedom from his obligation to the dead. And he’ll stop at nothing to have her.A YA Paranormal Romance for older readers.

    Before he met Lexi... Before they faced the witch... Who was the boy named Cole? Follow us to Dale, a city on a hill, where in a matter of days fire will devour everything. Meet the Lord and Lady, and their son, the boy destined to inherit all...until everything turns to ash. It's time to learn the truth behind the stranger's story.

    Culling over 300 pages of some of today's most thrilling writers, The Best of 2.13.61 Publications hallmarks our company's ten year existence. Excerpts include new material from Henry Rollins and Hubert Selby, Jr, as well as excerpts from Henry Miller's love letters, Nick Zedd's hilarious nihilistic New York urban spelunkings, Ian Shoales' undeniably witty social commentaries and so much more.

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    They're an endangered species living in a sanctuary, and she's guarded them for two peaceful years.The peace is shattered when somebody sends Rylie a threatening silver bullet. A new member of the pack goes missing. And to make things worse, her inner beast is strangely attracted to her boyfriend's brother, leaving her torn between the love of two men--one of them a werewolf, and the other a former hunter.

    In “Long Distance,” a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned, while maintaining the secret of his own complicated sorrow. Beautifully written, with a wry intelligence and a lively comic touch, The Age of Grief captures moments of great intimacy with grace, clarity, and indelible emotional power.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

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