D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.

    The trouble starts when George Paxton ingenuously signs an admission of complicity in starting World War III.

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    He contained it and buried it in cold storage deep beneath a little-used military repository.Now, after decades of festering in a forgotten sub-basement, the specimen has found its way out and is on a lethal feeding frenzy. Only Diaz knows how to stop it.He races across the country to help two unwitting security guards—one an ex-con, the other a single mother. Over one harrowing night, the unlikely trio must figure out how to quarantine this horror again. All they have is luck, fearlessness, and a mordant sense of humor. Will that be enough to save all of humanity?

    There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined. Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods....

    It got in usAfter receiving an urgent SOS from a work detail on a distant planet, a skeleton crew is dispatched to perform a standard search-and-rescue mission.Most are dead.But when the crew arrives, they find an abandoned site, littered with rotten food, discarded weapons...and dead bodies.Don't set foot here again.As they try to piece together who—or what—could have decimated an entire operation, they discover that some things are best left buried—and some monsters are only too ready to awaken.

    As Riddley steps outside the confines of his small world, he finds himself caught up in intrigue and a frantic quest for power, desperately trying to make sense of things.

    The world as she once knew it is gone, ravaged by a nuclear war that has taken everyone from her. For the past year, she has lived in a remote valley with no evidence of any other survivors. But the smoke from a distant campfire shatters Ann's solitude. Someone else is still alive and making his way toward the valley. Who is this man? What does he want? Can he be trusted? Both excited and terrified, Ann soon realizes there may be worse things than being the last person on Earth.

    They won't stop barking. . . . And then the earth shrugs—8.9 on the Richter scale in the world's biggest earthquake since 1755. It hits New Madrid, Missouri, a sleepy town on the Mississippi. Seismologists had predicted the disaster . . . but no one listened. Within minutes, there is nothing but chaos and ruin as America's heartland falls into the nightmare known as the Rift—a fault line in the earth that wrenchingly exposes the fractures in American society itself. As a strange white mist smelling of sulfur rises from the crevassed ground, the real terror begins for the survivors, including a teenager separated from his mother, an African-American engineer searching for his daughter, a TV preacher whose visions of hell have become all too real, and a sheriff cum Ku Klux Klansman who seeks racial vengeance in the midst of disaster.It can happen. And sooner or later, it will.

    Then she found her limits tested by a crisis no one could prevent. Now, as her neighborhood descends into panic, she must make tough choices to protect everyone she loves from a threat she cannot even see. In this chillingly urgent novel, Carla Buckley confronts us with the terrifying decisions we are forced to make when ordinary life changes overnight.A year ago, Ann and Peter Brooks were just another unhappily married couple trying–and failing–to keep their relationship together while they raised two young daughters. Now the world around them is about to be shaken as Peter, a university researcher, comes to a startling realization: A virulent pandemic has made the terrible leap across the ocean to America’s heartland.And it is killing fifty out of every hundred people it touches.As their town goes into lockdown, Peter is forced to return home–with his beautiful graduate assistant. But the Brookses’ safe suburban world is no longer the refuge it once was. Food grows scarce, and neighbor turns against neighbor in grocery stores and at gas pumps. And then a winter storm strikes, and the community is left huddling in the dark.Trapped inside the house she once called home, Ann Brooks must make life-or-death decisions in an environment where opening a door to a neighbor could threaten all the things she holds dear.Carla Buckley’s poignant debut raises important questions to which there are no easy answers, in an emotionally riveting tale of one family facing unimaginable stress.

    Every Winter, the human population hibernates.During those bitterly cold four months, the nation is a snow-draped landscape of desolate loneliness, and devoid of human activity.Well, not quite.Your name is Charlie Worthing and it's your first season with the Winter Consuls, the committed but mildly unhinged group of misfits who are responsible for ensuring the hibernatory safe passage of the sleeping masses.You are investigating an outbreak of viral dreams which you dismiss as nonsense; nothing more than a quirky artefact borne of the sleeping mind.When the dreams start to kill people, it's unsettling.When you get the dreams too, it's weird.When they start to come true, you begin to doubt your sanity.But teasing truth from Winter is never easy: You have to avoid the Villains and their penchant for murder, kidnapping and stamp collecting, ensure you aren't eaten by Nightwalkers whose thirst for human flesh can only be satisfied by comfort food, and sidestep the increasingly less-than-mythical WinterVolk.But so long as you remember to wrap up warmly, you'll be fine.

    He has no memories, no identity, and no pulse, but he is a little different from his fellow Dead. He may occasionally eat people, but he’d rather be riding abandoned airport escalators, listening to Sinatra in the cozy 747 he calls home, or collecting souvenirs from the ruins of civilization.And then he meets a girl.First as his captive, then his reluctant guest, Julie is a blast of living color in R’s gray landscape, and something inside him begins to bloom. He doesn't want to eat this girl—although she looks delicious—he wants to protect her. But their unlikely bond will cause ripples they can’t imagine, and their hopeless world won’t change without a fight.

    As the aliens traverse the country in huge three-legged machines, incinerating all in their path with a heat ray and spreading noxious toxic gases, the people of the Earth must come to terms with the prospect of the end of human civilization and the beginning of Martian rule.Inspiring films, radio dramas, comic-book adaptations, television series and sequels,The War of the Worlds is a prototypical work of science fiction which has influenced every alien story that has come since, and is unsurpassed in its ability to thrill, well over a century since it was first published.

    Crowded in Zach's kitchen, Ruby and the rest of the partygoers laugh at Zach's parents' frenzied push to get them all inside as it starts to drizzle. But then the radio comes on with the warning, "It's in the rain! It's fatal, it's contagious, and there's no cure."Two weeks later, Ruby is alone. Anyone who's been touched by rain or washed their hands with tap water is dead. The only drinkable water is quickly running out. Ruby's only chance for survival is a treacherous hike across the country to find her father-if he's even still alive.

    The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.