Part pattern collection, part resource book Ysolda shares all of her tips for successful sweaters that perfectly fit your body. Each of the seven inspiring designs is modelled by Ysolda herself and by her friend Amanda Allen, showing the garment in two different sizes and helping you envision how each design will look on your own shape. 15-17 sizes are included in each pattern, ranging from a 28-60 finished bust. With so many sizes to pick from, and guidance within each pattern on how to customise the fit, it should be easy to get a great result. The extensive reference section will equip you with all of the tools you need to achieve a perfect one.

    This is the definitive book on knitting techniques, with valuable information for everyone from beginners to experienced knitters. June Hiatt presents not only a thorough, thoughtful approach to the craft, but also a passion for carrying on the art of knitting to future generations. She has repeatedly tested the various techniques and presents them with clear, easy-to-follow instructions—as well as an explanation of what each one can contribute to your knitting. Informed by decades of experience and thousands of hours of practice, this comprehensive resource offers a variety of ways to approach every skill and technique and offers solutions that can help solve the most challenging aspects of any knitting project. The Principles of Knitting has been totally rewritten—new instructions, new illustrations, and new information. While the basics of knitting have not changed much, June’s understanding of the material has deepened over the last twenty-five years, and she’s eager to share what she has learned with the knitting world. In addition, the book has been reorganized to make it easier to use and has a gorgeous new design. Reading The Principles of Knitting is like having a knitting mentor by your side who can answer any knitting question you have in an honest, intelligent, informed manner.

    For the social knitter who likes to have one drink (or a few!), there are a variety of portable projects such as drink cozies and soft scarves that feature simple-to-follow patterns, plus tips and tricks for fixing mistakes should you have a bit too much while knitting. The pocket-size and quick-to-knit projects are perfect for the knitter on the go.

    With step-by-step instructions, this essential manual details the basic steps of spinning and then advances to the more complicated spinning wheel, showing how to use the spindle to make specific types of yarn, explaining traditional spindle spinning techniques, and detailing five simple projects designed to instill confidence in creating a variety of yarns with this simple tool. Combining fascinating historical narratives, traditions, and cultures from around the globe with vivid photography, this all-encompassing tour of the spindle also boasts easy-to-follow, contemporary techniques and styles that affirm the tool's enduring legacy.

    Using ten chic garments and more than 150 stunning sample swatches as examples, she covers the top techniques for turning wool yarn into vibrant and dense textures. Before and after shots show how different fabrics react to the process, and there are patterns, stitches, and techniques for lace, mosaics, cables, plaids, checks, and quilting. Create bobbles, appliqués, and ruffles; combine yarns; and use clamps, marbles, cords, braids, and more to form three-dimensional shapes in the felt. Epstein also presents her unique ideas for transforming old clothes and accessories, using one sweater to demonstrate many design possibilities. An array of attractive home décor projects completes the collection beautifully.A Selection of the Crafter's Choice Book Club.

    It features a comprehensive section covering the skills necessary to create a well-fitted garment, removing the guesswork from customising patterns.

    Herein lies the beauty of Custom Knits, which teaches knitters how to use improvisational techniques to achieve spectacular results—and to unleash their inner designers. Wendy Bernard, creator of the popular blog Knit and Tonic, provides 25 original designs for sweaters of nearly every type, plus variations, most knitted in one piece starting at the top, a method that allows you to try on as you go, alter as desired, and essentially design on the fly. “Make It Your Own” prompts in each pattern suggest easy alterations to suit your style and body type. And an in-depth reference section teaches how to alter key sweater elements, for example, change a crewneck to a V-neck, add sleeves to a vest, and much more. For the truly adventurous, the book concludes with guidelines for knitting sweaters with no pattern at all. Bernard’s friendly writing style and photographer Kimball Hall’s lively images create an inviting book of beautiful designs and key techniques that a knitter can use to customize nearly every garment she knits from now on.

    Focusing at first on the spinning wheel, emphasis is placed on the importance of adjusting and customizing the wheel for best results. Instructions on core spinning and less traditional techniques lead off the beaten path to novelty yarns. Each type of yarn is explored in detail with instructions on how to make them.

    While there are literally dozens of ways to get yarn on and off the needles, most knitters stick with the methods they learned as beginners, missing out on the opportunity to create edges that are more functional and long-lasting as well as decorative, adding distinctiveness to their finished knits.In Cast On, Bind Off, master knitter Leslie Ann Bestor offers a one-of-a-kind reference to more than 50 different ways to begin and end a knitting project - from the charming bobbles of the picot approach to the tidy, refined edges of the tubular method. For each method, she provides detailed instructions with step-by-step color photography, advice about best uses, and tips for making the most of the technique's strengths and appropriateness. At-a-glance charts pinpoint the right cast on or bind off for various types of knitting and cast on/bind off pairs that work especially well together.Today's knitters are branching out and exploring new knitting styles - from chunky cables to delicate lace - and all they are missing is the perfect cast on or bind off technique to create edges as beautiful, professional, and functional as the stitches that come between. Cast On, Bind Off is an indispensable tool for every knitting bag - a trusted reference that will ensure each project is polished and pleasing .... from start to finish.

    A perfect blend of ease and functionality, the small, portable rigid heddle loom can be used to easily produce loose, drape-friendly fabric as well as dense, sturdy material. Eighteen projects—for scarves, bags, belts, tops, and a bevy of household goodies such as pillows, rugs, and blankets—explore how to combine colors and create textured fabrics using a variety of techniques. Additional tips on adding crocheted edges, beaded fringe, and needle-felted flowers are also included.

    Among landlubbers as well, these sweaters are perennially popular, but, especially in this country, it is often hard to find practical instructions for the patterns that are traditional in Britain. Here is a book that presents fully 82 different genuine folk patterns for both the lighter weight Jerseys and the heavier Guernseys, and diagrams many more patterns that you can use in your knitting. The author gives the names of the stitches and patterns traditionally used in making Jerseys and Guernseys, and she tells you exactly how to knit every sweater in this book using those patterns and stitches. Here you will find patterns taken from sweaters found in Yorkshire, Norfolk, the west coast of Ireland, the Scottish Hebrides, and the Aran Islands. These are sweaters that have often been handed down from father to son for several generations, they wear so well. Instructions for these sturdy sweaters are given row by row for knitting fronts, backs, sleeves, and necks, in the traditional fashion. Each set of instructions is accompanied by a diagram of the pattern and, often, by a photograph of the finished sweater. All of these sweaters can be worn by either men or women, but the author has also provided full directions for making two sets of sweaters and cardigans expressly adapted for ladies' wear. Mrs. Thompson also includes interesting information about the people who gave her the patterns for this book.

    The book features detailed knitting patterns, schematics, and basic animal hat-making techniques—plus how-to instruction for adding a fleecy hat-lining for extra coziness. There are patterns for every animal-lover. Animals included are cat, dog, chicken, rabbit, pig, frog, penguin, cow, elephant, fox, koala, monkey, panda, lion, and mouse. Patterns offer both child and adult sizes, so family members can each have their own hat.

    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

    Beginning with Cat's unique Moebius Cast-On, which is so easy that she usually demonstrates it in workshops behind her back while twirling slowly around on one foot, the reader first learns to knit a Moebius band, or scarf. This is the magic key that opens the way to all the other designs. The Second Treasury includes felted baskets (with no inside or outside!), felted fringed bowls, felted and unfelted sling bags, six different felted cat beds (one with paws and a tail!), and the trifold designs, including a knitter's bowl with pockets for tools and a place to keep working yarn away from playful felines. The Felted Needle Cozies, colorful, highly textured sheaths to hold straight needles, and the felted wallets are both excellent patterns for beginners and first-time felters. The book includes detailed information on felting, designing, and yarn substitutions.

    Now this self-described “mitten and glove aficionado” shares her enthusiasm for these ordinary items by presenting 28 extraordinary ways to make them for year-round style.Featuring gloves, mittens, arm warmers, mitts, and fingerless gloves, this is the second book in a new SCT Craft series that introduces innovative approaches to creating popular knitted items. Knitting New Mittens and Gloves combines traditional and untraditional techniques—as well as influences as far-flung as Gothic architecture, Estonian lace, and Wagnerian opera—in a winning collection of patterns for adults and children. From wool mittens filled with unspun fleece and arm warmers with leather laces, to cotton-mesh fingerless gloves and silk-beaded mitts to be worn as adornments, each design has an unexpected twist.Because they are small, quick to make, and don’t require a lot of yarn, mittens and gloves are perfect projects for knitting throughout the year, and they also offer an ideal opportunity for beginning and more seasoned knitters to experiment with new techniques, yarns, and styles. With its fresh, original sensibility, Knitting New Mittens and Gloves will captivate knitters of every level.