and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Holly saw it all. In one violent moment, a hit-and-run accident turns Holly’s life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house—all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren’t the only ones in the neighborhood with something to hide.Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?

    Her husband works hard, too... but why does it seem like she is always working so much harder?When the Spanglers go house hunting in Dynasty Ranch, an exclusive suburban neighborhood, Nora meets a group of high-powered women--a tech CEO, a neurosurgeon, an award-winning therapist, a bestselling author--with enviably supportive husbands. When she agrees to help with a resident's wrongful death case, she is pulled into the lives of the women there. She finds the air is different in Dynasty Ranch. The women aren't hanging on by a thread.But as the case unravels, Nora uncovers a plot that may explain the secret to having-it-all. One that's worth killing for. Calling to mind a Stepford Wives gender-swap, The Husbands imagines a world where the burden of the "second shift" is equally shared--and what it may take to get there.

    Ev invites Mabel to spend the summer at Bittersweet, her cottage on the Vermont estate where her family has been holding court for more than a century; it’s the kind of place where children twirl sparklers across the lawn during cocktail hour. Mabel falls in love with midnight skinny-dipping, the wet dog smell that lingers near the yachts, and the moneyed laughter that carries across the still lake while fireworks burst overhead. Before she knows it, she has everything she’s ever wanted: friendship, a boyfriend, access to wealth, and, most of all, for the first time in her life, the sense that she belongs.But as Mabel becomes an insider, a terrible discovery leads to shocking violence and reveals what the Winslows may have done to keep their power intact - and what they might do to anyone who threatens them. Mabel must choose: either expose the ugliness surrounding her and face expulsion from paradise, or keep the family’s dark secrets and make Ev’s world her own.

    They had sold their home and business in London, and said "farewell to England" with a cheerful party where all their friends had gathered to wish them well on their great adventure: setting off to begin life anew on a remote, bucolic farm in rural Sweden.But with that phone call, everything changes. Your mother's not well, his father tells him. She's been imagining things--terrible, terrible things. She's had a psychotic breakdown, and has been committed to a mental hospital.Daniel prepares to rush to Sweden, on the first available flight the next day. Before he can board the plane, his father contacts him again with even more frightening news: his mother has been released from the hospital, and he doesn't know where she is.Then, he hears from his mother:I'm sure your father has spoken to you. Everything that man has told you is a lie. I'm not mad. I don't need a doctor. I need the police. I'm about to board a flight to London. Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a horrible crime and a conspiracy that implicates his own father.

    She finds more comfort playing make-believe in the woods near her house in Roma, Kentucky, than with her classmates, who find her strange and awkward. When she happens upon a dead body hidden in the woods one day, she decides not to tell anyone about her discovery—a choice that begins to haunt her.Susanna Mitchell has always been a good girl, the dutiful daughter and wife. While her older sister Ronnie trolled bars for men and often drove home at sunrise, Susanna kept a neat house, a respectable job, a young daughter. But when Ronnie goes missing, and Susanna realizes that she’s the only person in Roma who truly cares about her sister’s fate, she starts to question her quiet life and its value.The Next Time You See Me is the story of how one woman’s disappearance exposes the ambitions, prejudices, and anxieties of a small southern town and its residents, who are all connected, sometimes in unexpected ways. Emily; Susannah; Tony, a failed baseball star-turned-detective, aspiring to be the county’s first black sheriff; and Wyatt, a fifty-five-year-old factory worker tormented by a past he can’t change and by a love he doesn’t think he deserves. Their stories converge in a violent climax that reveals not just the mystery of what happened to Ronnie but all of their secret selves.

    It was during one of those games that she disappeared.Despite her glamorous background, Cate was a shrewd, scrappy survivor, and she managed to escape her abductors. Callan Cooper was shocked to find the bruised and terrified girl huddled in his ranch house kitchen—but when the teenager and his family heard her story they provided refuge and comfort, reuniting her with her loved ones.Cate’s ordeal, though, was far from over. First came the discovery of a betrayal that would send someone she’d trusted to prison. Then there were years away in Ireland, sheltered and protected but with restlessness growing in her soul. Then, finally, she returned to Los Angeles, hoping to act again and get past the trauma that had derailed her life. What she didn’t yet know was that two seeds had been planted that long-ago night—one of a great love, and one of a terrible vengeance…

    Once Tilly--whose condition is deemed undiagnosable--is kicked out of the last school in the area, her mother Alexandra is out of ideas. The family turns to Camp Harmony and the wisdom of child behavior guru Scott Bean for a solution. But what they discover in the woods of New Hampshire will push them to the very limit. Told from the alternating perspectives of both Alexandra and her younger daughter Iris (the book's Nick Carraway), this is a unputdownable story about the strength of love, the bonds of family, and how you survive the unthinkable.

    Marvellous Ways is a ninety-year-old woman who's lived alone in a remote creek for nearly all her life. Recently she's taken to spending her days sitting on the steps of her caravan with a pair of binoculars. She's waiting for something - she's not sure what, but she'll know it when she sees it. Freddy Drake is a young soldier left reeling by the war. He's agreed to fulfil a dying friend's last wish and hand-deliver a letter to the boy's father in Cornwall. But Freddy's journey doesn't go to plan, and sees him literally wash up in Marvellous' creek, broken in body and spirit. When Marvellous comes to his aid, an unlikely friendship grows between the two. Can Freddy give Marvellous what she needs to say goodbye to the world, and can she give him what he needs to go on?

    As she discovers remarkable parallels between this woman’s life and her own, it causes her to question the foundation of her own relationship with her husband–and what it means to be a wife fighting for her place in a patriarchal society.When Alice Hale leaves a career in publicity to become a writer and follows her husband to the New York suburbs, she is unaccustomed to filling her days alone in a big, empty house. But when she finds a vintage cookbook buried in a box in the old home’s basement, she becomes captivated by the cookbook’s previous owner–1950s housewife Nellie Murdoch. As Alice cooks her way through the past, she realizes that within the cookbook’s pages Nellie left clues about her life–including a mysterious series of unsent letters penned to her mother.Soon Alice learns that while baked Alaska and meatloaf five ways may seem harmless, Nellie’s secrets may have been anything but. When Alice uncovers a more sinister–even dangerous–side to Nellie’s marriage, and has become increasingly dissatisfied with the mounting pressures in her own relationship, she begins to take control of her life and protect herself with a few secrets of her own.

    Steve’s nightmare goes from bad to worse when he learns that the mysterious death was no accident but the act of a sociopath.  A sociopath he knows and who has information that could destroy Steve’s career and marriage.  A sociopath for whom killing is more than a means to an end: it’s a game.  Because he is under a cloud of suspicion and has no evidence, he knows that any accusations he makes won’t be believed. So he must struggle to turn the tables, even as the killer skillfully blocks his every move. Detailing the politics of hospitals, the hierarchy among doctors and the life and death decisions that are made by flawed human beings, Doing Harm marks the debut of a major fiction career.

    When she stumbles into the opportunity to become the assistant to "Maud Dixon," a celebrated-but anonymous-novelist (think: Elena Ferrante), she believes that the universe is finally providing her big chance. The arrangement feels idyllic; Helen can be prickly, but she is full of pointed wisdom on both writing and living. She even invites Florence along on a research trip to Morocco, where her new novel is set. Florence has never been out of the country before; maybe, she imagines, she'll finally have something exciting to write about herself.But when Florence wakes up in the hospital after a terrible car crash, and Helen is dead, she begins to imagine what it might be like to 'upgrade' into not only Helen's life, but also that of Helen's bestselling pseudonym, Maud Dixon...

    A year has passed since Lucy Darby's unexpected death, leaving her husband David and son Whitley to mend the gaping hole in their lives. David, a trauma-site cleanup technician, spends his nights expunging the violent remains of strangers, helping their families to move on, though he is unable to do the same. Whitley--an 11-year-old social pariah known simply as The Kid--hasn't spoken since his mother's death. Instead, he communicates through a growing collection of notebooks, living in a safer world of his own silent imagining.As the impending arrival of Y2K casts a shadow of uncertainty around them, their own precarious reality begins to implode. Questions pertaining to the events of Lucy's death begin to haunt David, while The Kid, who still believes his mother is alive, enlists the help of his small group of misfit friends to bring her back. As David continues to lose his grip on reality and The Kid's sense of urgency grows, they begin to uncover truths that will force them to confront their deepest fears about each other and the wounded family they are trying desperately to save.

    Ever since she and her family moved in, she's felt like an outsider amongst the Stepford-like wives and their obnoxiously spoiled children. Still, she's determined to make it work—if not for herself, then for her husband, Phil, who landed them this lavish home in the first place, and for her daughter, Danielle, who's about to enter high school. Yet underneath the glossy veneer of The Palms, life is far from idyllic. In a place where reputation is everything, Liz soon discovers that even the friendliest residents can't be trusted—and almost everyone has secrets they'd do anything to protect. So when the gorgeous girl next door befriends Danielle, Liz can't help but find sophisticated Kelsey's interest in her shy and slightly nerdy daughter a bit suspicious. But while Kelsey quickly becomes a fixture in the McGinnis home, Liz's relationships with both Danielle and Phil grow strained. Now even her own family seems to be hiding things, and it's not long before their dream of living the high life quickly spirals out of control…

    In this stylish, haunting novel, journalist and novelist Lawrence Osborne explores the reverberations of a random accident on the lives of Moroccan Muslims and Western visitors who converge on a luxurious desert villa for a decadent weekend-long party.   David and Jo Henniger, a doctor and children's book author, in search of an escape from their less than happy lives in London, accept the invitation of their old friends Richard and Dally to attend their annual bacchanal at their home deep in the Moroccan desert – a ksar they have acquired and renovated into a luxurious retreat.  On the way, the Hennigers stop for lunch, and the bad-tempered David can't resist consuming most of a bottle of wine.  Back on the road, darkness has descended, David is groggy, and the directions to the ksar are vague.  Suddenly, two young men spring from the roadside, apparently attempting to interest passing drivers in the fossils they have for sale.  Panicked, David swerves toward the two, leaving one dead on the road and the other running into the hills. At the ksar, the festivities have begun: Richard and Dally’s international friends sit down to a lavish dinner prepared and served by a large staff of Moroccans.  As the night progresses and the debauchery escalates, the Moroccans increasingly view the revelers as the godless "infidels" they are.  When David and Jo show up late with the dead body of the young man in their car, word spreads among the locals that David has committed an unforgivable act. Thus the stage is set for a weekend during which David and Jo must come to terms with David's misdeed, Jo's longings, and their own deteriorating relationship, and the flamboyant Richard and Dally must attempt to keep their revelers entertained despite growing tension from their staff and the Moroccan Berber father who comes to claim his son's body. With spare, evocative prose, searing eroticism, and a gift for the unexpected, Osborne memorably portrays the privileged guests wrestling with their secrets amidst the remoteness and beauty of the desert landscape.  He also gradually reveals the jolting back-story of the young man who was killed and leaves David’s fate in the balance as the novel builds to a shattering conclusion.