But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Employing a range of literary styles and a variety of voices, Leopoldo Marechal parodies and celebrates Argentina's most brilliant literary and artistic generation, the martinfierristas of the 1920s, among them Jorge Luis Borges. First published in 1948 during the polarizing reign of Juan Perón, the novel was hailed by Julio Cortázar as an extraordinary event in twentieth-century Argentine literature. Set over the course of three break-neck days, Adam Buenosayres follows the protagonist through an apparent metaphysical awakening, a battle for his soul fought by angels and demons, and a descent through a place resembling a comic version of Dante's hell. Presenting both a breathtaking translation and thorough explanatory notes, Norman Cheadle captures the limitless language of Marechal's original and guides the reader along an unmatched journey through the culture of Buenos Aires. This first-ever English translation brings to light Marechal's masterwork with an introduction outlining the novel's importance in various contexts - Argentine, Latin American, and world literature - and with notes illuminating its literary, cultural, and historical references. A salient feature of the Argentine canon, Adam Buenosayres is both a path-breaking novel and a key text for understanding Argentina's cultural and political history.

    Written shortly after a decade of civil conflict, it is an indispensable source for understanding politics and society in nineteenth-century Chile.The hero of the story is Martin Rivas, an impoverished but ambitious youngster from the northern mining region of Chile, who is entrusted by his late father to the household of a wealthy and influential member of the Santiago elite. While living there, he falls in love with his guardian's daughter. The tale of their tortuous but ultimately successful love affair represents the author's desire for reconciliation between Chile's antagonistic regional and class interests. Indeed, many critics have interpreted Martin Rivas as a blueprint for national unity that emphasizes consensus over conflict. In addition to providing commentary about the mores of Chilean society, Blest Gana documents the enormous gap that existed between the rich and poor classes. An invaluable text for its portrayal of contemporary social, political, and class conditions, Martin Rivas illustrates the enriching influence that romanticism had on nineteenth-century Chilean literature.

    Alone, except for harried undertakers, she buries her mother–the only family Adelaida has ever known.Numb with grief, Adelaida returns to the apartment they shared. Outside the window that she tapes shut every night—to prevent the tear gas raining down on protesters in the streets from seeping in. When looters masquerading as revolutionaries take over her apartment, Adelaida resists and is beaten up. It is the beginning of a fight for survival in a country that has disintegrated into violence and anarchy, where citizens are increasingly pitted against each other. But as fate would have it, Adelaida is given a gruesome choice that could secure her escape.Filled with riveting twists and turns, and told in a powerful, urgent voice, It Would Be Night in Caracas is a chilling reminder of how quickly the world we know can crumble.

    The problem is that Gauna can only dimly remember what happened: he was out on the town with his raucous, reckless friends when a masked woman appeared. Several hours later, gasping and horrified, Gauna awoke at the edge of a lake. Three years later, he tries to solve the mystery the only way he knows: by re-creating the same situation and reliving it- despite the warnings of his secret protector, the Sorcerer.In The Dreams of Heroes, Adolfo Bioy Casares assembles magicians, prophetic and brave women, shamefully self-conscious men and Buenos Aires under the rubric of a sinister and mocking fate, and thrusts them forward into the dizzying realm of memory, doom and cyclical time. Written in 1954 and never before published in America, The Dream of Heroes stands as a predecessor of and model for a whole school of European and American novels that followed but never quite matched it.

    When this woman is murdered and Camilo is accused of the homicide, the mystery takes on bizarre proportions. The gradual un­folding of the mystery involves the reader intellectually, but also holds him captive to the special interests of several narrators. And the unravel­ling and ultimate resolution of the mystery permit the reader to be gratified that his efforts at following the narrative carefully have finally been rewarded.

    The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

    Two love stories. Three voices.Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son's lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn't know that this might be their last trip: Mario is gravely ill. Together, father and son embark on a journey takes them through strange geographies that seem to meld the different parts of the Spanish-speaking world. In the meantime, Lito's mother, Elena, restlessly seeks support in books, and soon undertakes an adventure of her own that will challenge her moral limits. Each narrative--of father, son, and mother--embodies one of the different ways that we talk to ourselves: through speech, through thought, and through writing. While neither of them dares to tell the complete truth to the other two, their individual voices nonetheless form a poignant conversation.Sooner or later, we all face loss. Andrés Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance. Talking to Ourselves presents a tender yet unsentimental portrait of the workings of love and family; a reflection both on grief and on the consolation of words. Neuman, the author of the award-winning Traveler of the Century, displays his characteristic warmth, bittersweet humor, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have ever had to care for a loved one.

    And survive she did, but not unscathed. This intimate narrative echoes the voice of the narrator's younger self, a sharp, sensitive girl keen to life's hardships.With bare language and smart humor, both delicate and unafraid, the narrator strings a strand of touching moments together to create a portrait of an unconventional childhood that crushed her, scarred her, mended her, tore her apart and ultimately made her whole.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    With the panoramic sweep of a Diego Rivera mural, the novel weaves together dozens of plot lines, perspectives, and characters. Blending a wealth of historical information and local detail with a profound understanding of the complex relationship between victim and tormentor, Castellanos captures the ambiguities that underlie all struggles for power.A masterpiece of contemporary Latin American fiction from Mexico's greatest twentieth-century woman writer, The Book of Lamentations was translated with an afterword by Ester Allen and introduction by Alma Guillermoprieto.

    Accompanied by eleven soldiers and their families, the captain is under orders to defend the isolated but strategically well situated island against an improbable French invasion. With its treacherous coral reef and stagnant lagoon, Clipperton is a dire, forbidding place for the new inhabitants. Rigid military order soon gives way to more informal island living, but under Ramón's guidance and inspired by Alicia's determination the group manages to create a viable community. There are a food store, pharmacy, lighthouse, even dinner parties. But then, amid political upheaval at home and the first rumblings of World War I, the Clipperton residents are forgotten. The supply ship slated to come every two months comes every third, then sixth, then not at all. Left to the mercies of nature and each other, they fall victim one by one to scurvy, hunger, despair, rivalry, lust and, ultimately, violence.Alicia, steadfast and resourceful, becomes a beacon of strength for the remaining castaways, whose collective survival will depend upon her courage and cunning. Drawing on historical records, archives and interviews, prize-winning novelist Laura Restrepo has reimagined the incredible true story of love and war, hardship and endurance, adventure and hope on the Isle of Passion. In prose that is lush, evocative and utterly beguiling, she brings to life a bizarre, moving episode in Mexican history and its extraordinary, unforgettable heroine.

    As he journeys from the Hispanic barrio in Los Angeles to the killing fields of Vietnam to the frenetic life of a lawyer in San Francisco, Gregory Reeves loses himself in an illusory and wrongheaded quest. Only when he circles back to his roots does he find the love and acceptance he has been searching for.