But the truth is, those aspects of ourselves that make us individuals are actually the source of our own beauty, our super power. The Beauty of Different explores beauty in nine fresh ways and challenges the reader to revel in her own uniqueness. Combining beautiful imagery, portraiture, insightful commentary, essays, and interviews, this multisensory exploration of what is really beautiful provokes deeper self-discovery. Designed to connect and inspire, The Beauty of Different encourages the reader to reframe her differences, not as shortcomings, but as characteristics of distinction—maybe even superpowers.

     Leighlin Plantation offers Edward Ketch a new life, an opportunity to forsake his violent, troubled past and become a man worthy of respect and trust. But when a slave named Isabelle arrives, Ketch is drawn into a turbulent relationship that threatens the very peace he has struggled to attain. Isabelle has her own desires for a fresh start, but scurrilous gossip about her past undermines those hopes. She struggles to be accepted by Leighlin’s other slaves and hopes marriage to a popular man will aid her cause. But her situation worsens when her husband becomes abusive. She discovers, however, one unlikely ally—Ketch, who is as much an outcast among Leighlin’s white population as she is among her people. A stranger to love, Ketch cannot recognize the true feelings that draw him to Isabelle. To rescue her from the dangers of her marriage, he risks losing not only his position at Leighlin but the affections of the woman he strives to save. Set against the backdrop of 17th century Carolina, The Driver’s Wife explores the lives and relationships, from Big House to slave settlement, of those who labored upon the wilderness plantations near Charles Town. Rice cultivation and the task system of slavery provide a much different landscape from the aristocratic Old South of cotton plantations and gang labor familiar to most modern-day readers. The Driver’s Wife is a tale of the transcendent power of love.

    Fast-paced and suspenseful, the book is a gripping mix of eyewitness reports of Klan activities, accounts of Kennedy’s clandestine information-gathering, and his efforts to report his findings to the media and to any law enforcement agencies that would listen. As a result, for a time in the 1940s, Washington news commentator Drew Pearson was reading Klan meeting minutes on national radio, and radio’s Superman had America’s kids sharing the most current Klan passwords as fast as the Dragon could think up new ones.

    She is miraculously rescued by the Ambassador of Cameroon, a member of the club who had fallen in love with her. He takes her as his fourth wife and they return to Cameroon where he is the newly appointed Minister of Foreign Affairs.Tammy is a strong person and has survived her harrowing years in slavery with most of her sanity and her sense of humor intact, but she is facing major adjustments: her recently restored freedom to a confusing and intimidating world, living in a polygamous household, the very public life as wife of a highly prominent personality, and living in Africa, where she has never been before.It's a struggle. She thought she could press a button and be herself again, but it's a lot harder than she figured. Managing money is especially challenging. She keeps going over budget, incurring the wrath of her co-wives. "Try going five years without a penny to your name, surrounded by people who own 747s and yachts and huge estates," she says. "You lose perspective, and what's worse, you don't even realize that you've lost perspective."Readers will cheer her on as she gradually reclaims her rightful place among free people. There are setbacks: she suffers two devastating miscarriages, and the press has a heyday with the fact that the Minister of Foreign Affairs met his most recent wife in a brothel. Further, wife number three, another American, refuses to recognize any difference between being a whore and a slave in a brothel, is horrified to be Tammy's co-wife.Then it develops that Prince Ibrahim, her owner for three years, decides that he wants her back, and tension builds...

    Lives were mangled. Fortunes were made. All for your pleasure. Follow writer and narrator Jon Ronson as he uncovers our web of desire.

    Bali: Heaven and Hellis a tale begging to be told - a story of survival in the face of genocide, natural disaster, terrorism, cultural imperialism and corruption on a grand scale. Go behind the smiling face presented to generations of tourists and expats with Phil Jarratt, the award-winning author of over 20 books including Surfing Australia: A Complete History of Surfboard Riding in Australia and That Summer at Boomerang. Phil has first-hand experience of the glorious island at the morning of the world, having spent the past 40 years falling in and out of love with our favourite holiday destination.Jarratt weaves a page-turning story of treachery, deceit, debauchery and wholesale slaughter, set against the idyllic backdrop of a paradise on Earth, then cleverly segues into a modern-day tale of jaw-dropping surf, karma, sexual abandon, and a fusion of East and West that created the modern tourist hot spot.David Hill, Chairman, National Geographic Channels US

    This title will greatly appeal to graphic designers, typographers, the tattoo community, and a hip, pop-culturally savvy audience. The book has the written messages divided up into the following categories: Literature, poetry, lyrics; Typography; self-expression; self love; love; politics; religion; belief systems; and homage. This book captures the trend of message tattoos and explores the idealogy behind the letters involved in this indelible committment.

    Owens launched the Blexit movement to encourage black voters to leave the Democrat plantation.Today, the mainstream media calls her a white nationalist, even though she is the black granddaughter of a Southern sharecropper. Some conservatives, on the other hand, believe she will one day be President.In this biography, Richard West provides Candace Owens’ life story, showing how she evolved from a victim-mentality liberal to a victor-mentality conservative. She went from being “a girl who started with nothing” to a true American success.

    Academic competition is so intense that students say they can have only two of these three things: good grades, a social life, or sleep. About one in four Stuyvesant students gains admission to the Ivy League. And the school's alumni include several Nobel laureates, Academy Award winners, and luminaries in the arts, business, and public service."A Class Apart" follows the lives of Stuyvesant's remarkable students, such asRomeo, the football team captain who teaches himself calculus and strives to make it into Harvard; Jane, a world-weary poet at seventeen, battling the demon of drug addiction; Milo, a ten-year-old prodigy trying to fit in among high-school students who are literally twice his size; Mariya, a first-generation American beginning to resist parental pressure for ever-higher grades so that she can enjoy her sophomore year. And then there is the faculty, such as math chairman Mr. Jaye, who is determined not to let bureaucratic red tape stop him from helping his teachers. He even finds a job for a depressed math genius who lacks a college degree but possesses the gift of teaching.This is the story of the American dream, a New York City school that inspires immigrants to come to these shores so that their children can attend Stuyvesant in the first step to a better life. It's also the controversial story of elitism in education. Stuyvesant is a public school, but children must pass a rigorous entrance exam to get in. Only about 3 percent do so, which, Stuyvesant students and faculty pointout, makes admission to their high school tougher than to Harvard.On the eve of the hundredth anniversary of Stuyvesant's first graduating class, reporter Alec Klein, an alumnus, was given unfettered access to the school and the students and faculty who inhabit it. What emerges is a book filled with stunning, raw, and heartrending personalities, whose stories are hilarious, sad, and powerfully moving.

    Setting these historical documents against Walvin's own incisive historical narrative, the two layers of this extraordinary, definitive account of the Atlantic slave trade enable us to understand the rise and fall of one of the most shameful chapters in British history, the repercussions of which the modern world is still living with.

    The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

    At age twenty-two, writer Chris Urquhart left a life of middle-class comfort to document the lives of these young nomads for a magazine feature. Captivated, she followed them for three more years. In honest prose interspersed with photographs portraying the grimy beauty of nomadic life, Dirty Kids tells the story of how Urquhart lived alongside runaways, crust-punks, and dropouts, hippies, Deadheads, and Rainbows in an attempt to belong in their world. But the road took its toll, and along the way, Urquhart found suffering alongside the freedom--mental health issues, substance abuse, and fears of violence marred her journey. Despite all that, the warm, welcoming family of travelers and their radically alternative culture of sharing, generosity, and non-capitalistic collaboration forever changed her outlook on life and her understanding of freedom.

     It is a remarkable portrait, too, of the life of a psychiatric asylum--the sort of community in which, for better and for worse, hundreds of thousands of people lived out their lives.More than four hundred abandoned suitcases filled with patients’ belongings were found when Willard Psychiatric Center closed in 1995 after 125 years of operation. They are skillfully examined here and compared to the written record to create a moving—and devastating—group portrait of twentieth-century American psychiatric care.

    Bayles now turns that same attention to his native West.When European Americans “discovered” the American West, they fell in love with the resplendent landscape. The love affair and its congenital flaws persists to this day.Bayles writes: “. . . the question is why my people bungled our occupation of the West so badly when no one really wanted to, when there was every chance to get it right, when voices of caution were constantly raised, when what needed to be done was frequently obvious, and when, occasionally, we did get it right (think: National Parks).”Notes on a Shared Landscape engages the issues that make the West the West—widely ranging over the autobiographical and the cultural, the ecological and the epistemological, the cow and the potato. This is an intensely personal book, and though the Western library is huge, there is not another book like it. Much of the text unfolds in Yellowstone, where Bayles writes:In the Lamar valley of the Yellowstone, beaver gnaw the trunks of cottonwoods, elk browse their leaves. The shadows are long, even in summer. Even so, it is just another place. In it, just as elsewhere, we see the marks of our own hands faintly because we don’t have to know very much about the land we live in, because we are equally a part of and apart from nature, and because there is hardly any moment when humans are more delusional than when self recognition is required.

    Choosing 100 key photographs with particular emphasis on the last twenty years she examines what inspired each photographer in the first place, and traces how the piece was executed. In doing so, she brings to light the layers of meaning and artifice behind these singular works, some of which were initially dismissed out of hand for being blurred, overexposed or badly composed. The often controversial works discussed in this book play with our expectations of a photograph, our ingrained tendency to believe that it is telling us the unadorned truth. Jackie Higginss book proves once and for all that theres much more to the art of photography than just pointing and clicking.