A concise main text highlights how feathers are not just for flying. More curious readers are invited to explore informative sidebars, which underscore specific ways each bird uses its feathers for a variety of practical purposes. A scrapbook design showcases life-size feather illustrations.

    She goes on to explain that even one tree is nice, if it is the only one you happen to have.Some of the reasons why trees are so good to have around are funny. Some are indisputable facts. But in all of them there is a sense of poetic simplicity and beauty which will be sure to entrance any young child. Whether he knows one tree or many, he will relish the descriptions of the delights to be had in, with, or under a tree.Marc Simont's joyous pictures, half of them in full color, accentuate the child-like charm of the words. And each painting of a tree or trees shows just how very nice they can be.

    And yet, disturbingly, in today's so-called information age, pseudoscience is burgeoning with stories of alien abduction, channeling past lives, and communal hallucinations commanding growing attention and respect. As Sagan demonstrates with lucid eloquence, the siren song of unreason is not just a cultural wrong turn but a dangerous plunge into darkness that threatens our most basic freedoms.

    But what really terrified those bad men was that peculiar gun of his. It didn't shoot bullets. It shot light. And Larry always aimed for the heart. Can Larry save the town of Brimstone from Evil-Eye McNeevil's outlaw gang? Find out in this rip-roaring original tale of a gunfighter with a huge smile and a hankering for lemonade. TEACHERS AND LIBRARIANS -- A READER'S THEATER SCRIPT OF THIS BOOK IS AVAILABLE IN AARON'S BOOK -STORIES ON STAGE, - OR FREE ON AARON'S WEB SITE. ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of -The Baker's Dozen, - -The Sea King's Daughter, - -The Monkey King, - and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Toni Goffe is the British illustrator of numerous well-loved children's books and is a winner of the 1993 Gold Medallion Book Award. He is also illustrator of Aaron's -The Legend of Slappy Hooper.- ///////////////////////////////////////////////// -One of the books every boy should have on his bookshelf; girls will probably like the story too . . . The language is perfect, [with] the right dose of silliness to make both parents and children chuckle . . . The illustrations are ideal.- -- Cindi Rose, San Francisco Examiner, Aug. 20, 2012 -A tall-tale superhero for our time. . . . A readaloud that could lighten up classes well up in the elementary grades.- -- Kirkus Reviews, Mar. 1, 1993 -Pass out the bandanas and dig out the spittoon. Read this story in an old-timer's voice, and everyone will have a good time.- -- Chris Sherman, American Library Association Booklist, Mar. 1, 1993 -Move over Wyatt Earp. Make room for a cowboy of a different caliber. A wide age range of listeners will request this one again and again.- -- School Library Journal, Nov. 1993 -A rib-tickler. . . . Kids will enjoy acting this out as readers theatre.- -- Jan Lieberman, TNT, Spring 1993 -Lovely. . . . Should reach the tickly bone of youngsters.- -- Storyline, June 1993 -Perfect for telling or reading out loud.- -- Katy Rydell, Stories, Spring 1993 -My class loved this story. Great to use when introducing tall tales.- -- D. Peccianti, Reviews of All Resources (Monterey Peninsula United School District) -Introduces one amazing cowpoke. . . . Will have young listeners laughing out loud and asking you to 'read it again.'- -- Smithsonian, Nov. 1993 -Told in the spirited language of a true yarn-spinner, this is a rollicking picture book to warm the heart of just about everyone.- -- Kids' Line, Summer 1993

    Because she was going to study him, she decided to call him Alex--short for Avian Learning EXperiment. At that time, most scientists thought that the bigger the brain, the smarter the creature; they studied great apes and dolphins. African greys, with their walnut-sized "birdbrains," were pretty much ignored--until Alex. His intelligence surprised everyone, including Irene. He learned to count, add, and subtract; to recognize shapes, sizes, and colors; and to speak, and understand, hundreds of words. These were things no other animal could do. Alex wasn't supposed to have the brainpower to do them, either. But he did them anyway.Accompanied by Meilo So's stunning illustrations, Alex and Irene's story is one of groundbreaking discoveries about animal intelligence, hard work, and the loving bonds of a unique friendship.

    In captivity, octopuses have been known to identify individual human keepers, raid neighboring tanks for food, turn off lightbulbs by spouting jets of water, plug drains, and make daring escapes. How is it that a creature with such gifts evolved through an evolutionary lineage so radically distant from our own? What does it mean that evolution built minds not once but at least twice? The octopus is the closest we will come to meeting an intelligent alien. What can we learn from the encounter?In Other Minds, Peter Godfrey-Smith, a distinguished philosopher of science and a skilled scuba diver, tells a bold new story of how subjective experience crept into being—how nature became aware of itself. As Godfrey-Smith stresses, it is a story that largely occurs in the ocean, where animals first appeared. Tracking the mind’s fitful development, Godfrey-Smith shows how unruly clumps of seaborne cells began living together and became capable of sensing, acting, and signaling. As these primitive organisms became more entangled with others, they grew more complicated. The first nervous systems evolved, probably in ancient relatives of jellyfish; later on, the cephalopods, which began as inconspicuous mollusks, abandoned their shells and rose above the ocean floor, searching for prey and acquiring the greater intelligence needed to do so. Taking an independent route, mammals and birds later began their own evolutionary journeys.But what kind of intelligence do cephalopods possess? Drawing on the latest scientific research and his own scuba-diving adventures, Godfrey-Smith probes the many mysteries that surround the lineage. How did the octopus, a solitary creature with little social life, become so smart? What is it like to have eight tentacles that are so packed with neurons that they virtually “think for themselves”? What happens when some octopuses abandon their hermit-like ways and congregate, as they do in a unique location off the coast of Australia?By tracing the question of inner life back to its roots and comparing human beings with our most remarkable animal relatives, Godfrey-Smith casts crucial new light on the octopus mind—and on our own.

    Volume Two dramatizes the lives of Omar Khayyam, Albert Einstein, Ada Lovelace, and others.

    Once again, the Bird and Bee are up to their antics, but this time they're younger. In It's So Amazing!, these reassuring characters reflect the many moods of children age 7 and up: silly, serious, curious, embarrassed. Their voices echo the thoughts, questions, and concerns of a younger audience.

    Brian Karas present the extraordinary real story of a special gorilla.Captured as a baby, Ivan was brought to a Tacoma, Washington, mall to attract shoppers. Gradually, public pressure built until a better way of life for Ivan was found at Zoo Atlanta. From the Congo to America, and from a local business attraction to a national symbol of animal welfare, Ivan the Shopping Mall Gorilla traveled an astonishing distance in miles and in impact.This is his true story and includes photographs of Ivan in the back matter.

    side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...

    This compelling blend of clear writing plus dramatic images offers an appeal that crosses all age boundaries. Brazilian artist Sergio Cariello has created attention-holding illustrations marked by rich coloring, dramatic shading and lighting, bold and energetic designs, and emotionally charged figures. Let this epic rendition draw you into all the excitement of the world’s most awesome story.

    You can study the different functions, areas, and states of the brain, and at each stage, there are cool games, quizzes, puzzles, brain teasers, and more! The activities show readers how their brains can work even better, making this a challenging, informative, and practical book; the only one of its kind on the market.

    Learn how in The Unofficial LEGO Builder's Guide. Includes the Brickopedia, a visual dictionary of nearly 300 of the most commonly used LEGO elements!

    Though also a bestseller at the time, Just David has rarely been reprinted since its release in 1916. We felt a story this good shouldn’t be so hard to find, so we decided to put it back in print last year. Now it’s in a longer-lasting hardcover.It is the story of David, a charming little boy of 10 who is suddenly transplanted from a world of music (he plays the violin) in the mountains with his father, to the provincialism of a workaday small town. But even more, it is the story of how David transplants his own character, courage and happiness into the lives of the people he meets, and wins their love and respect. Here’s what we say in the preface to the new edition:Just David is a quiet, unassuming children’s novel about an orphaned young boy with a mysterious past. David, not the typical boy found in most stories of his day, is a mixture of simplicity and complexity whose disarming innocence has a profound effect on the people he encounters. Unlike the “good bad boy” often encountered in children’s literature, David is a “good good” boy. He is not in any way “goody-goody” in the moralistic sense, but simply and purely good. David’s goodness is not a mysterious quality that defies logic and imagination, but rather a quality cultivated in him by the intentional efforts of a wise and loving father. During David’s formative years, his father secluded him from the influences of the outside world, creating a private world in the mountains filled with simple pleasures, purposeful study, and beautiful music. David’s touching story is well within the scope of the imagination, and David’s endearing innocence, engaging personality, and natural character are unforgettable.Just David struck a resonant chord in our family for several reasons. First, David’s life affirms the biblical principle expressed in the proverb, “He who walks with the wise grows wise, but a companion of fools suffers harm”. David walked with his father and became wise. Also, his story reminds us of the importance of creating the right “appetite” early in our children’s lives. David’s love of music, nature and beauty were intentionally cultivated in him by his father. Finally, there is a refreshing balance in David’s life and character that provides a literary model to emulate, especially for the more artistically-inclined boy often overlooked in literature. David is artistic, yet he knows when to be realistic. He is slight of stature, yet able to handily defend himself when necessary. He is trained and mannerly, yet he is also manly. He is sensitive, yet sensible. Whatever limitations he discovers, he meets them with strength of character.This is truly one of those books that everyone in your family will like, and will likely want to hear or read more than once. We’re on our fourth reading! It has even inspired us to have Just David days for our children when we focus on the beautiful and lovely things God has given us to enjoy. Just David is just great. Includes family discussion questions at the end of the book.--Whole Heart Ministries

    In all the current highly publicized debates about creationism and its descendant "intelligent design," there is an element of the controversy that is rarely mentioned—the "evidence," the empirical truth of evolution by natural selection. Even Richard Dawkins and Stephen Jay Gould, while extolling the beauty of evolution and examining case studies, have not focused on the evidence itself. Yet the proof is vast, varied, and magnificent, drawn from many different fields of science. Scientists are observing species splitting into two and are finding more and more fossils capturing change in the past—dinosaurs that have sprouted feathers, fish that have grown limbs. Why Evolution Is True weaves together the many threads of modern work in genetics, paleontology, geology, molecular biology, and anatomy that demonstrate the "indelible stamp" of the processes first proposed by Darwin. In crisp, lucid prose accessible to a wide audience, Why Evolution Is True dispels common misunderstandings and fears about evolution and clearly confirms that this amazing process of change has been firmly established as a scientific truth.