After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother’s revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra’s actions, Apollo calls on her son, Orestes, to avenge his father’s death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law.Carson’s accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson’s Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.

    A young woman with no delusions about her place in this world of privilege, she quickly adapts to her role as an obedient servant expected to remain silent and unobtrusive while catering to her employers' wishes. Surrounded by a wealth she never imagined, she strives to remain invisible, until she is assigned the task of caring for the family's tragically scarred, emotionally shattered young scion, Woody March.A veteran who lost a leg in the Pacific conflict, Woody is haunted by his injuries and battlefield experiences -- and by the loss of the older brother he emulated -- and now desires only relief from his twin agonies of pain and memory. He recognizes a kindred spirit in this gentle and mysterious child-woman who is so unlike anyone he has ever known yet who understands the depths of human suffering. In Rachel's eyes, Woody is a noble, tortured prince, and her fervent wish to help ease his torment soon metamorphoses into more intense and irrevocable feelings of love and need.But if Rachel is a young woman with no future, Woody's has already been mapped out in intricate detail: as the last surviving March son, he is to run a successful banking business, marry the well-bred Elizabeth, and raise a family who will carry on the March name with distinction. Yet the obligations he never questioned prior to the war are becoming increasingly odious to him -- especially now, as he feels himself becoming irresistibly drawn to Rachel in ways no one else in his world would understand or tolerate. As the relationship between two lost and damaged souls intensifies, they move toward the one pivotal event that will alter their lives in ways both heartbreaking and profound.An unsparing portrayal of the conflicts of race, culture, and class that lays bare the complex passions and deepest yearnings of the human heart, Terry Gamble's The Water Dancers possesses a lyrical, strong, and assured artistry and heralds the arrival of a major new American novelist.

    Abay's major work is The Book of Words (Kazakh: Қара Сөздер), a philosophic treatise and collection of poems where he encourages his fellow Kazakhs to embrace education, literacy, and good moral character in order to escape poverty, enslavement and corruption.

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through backyards, a bookish teenager memorizes the poetry of Rimbaud—with beauty and irony. These essays invite readers into sweeping landscapes, to join Dillard in exploring the complexities of time and death, often with wry humor. On one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar.Marking the vigor of this powerful writer, The Abundance highlights Annie Dillard’s elegance of mind.

    It’s harvest time and with two small children and a farm to manage on her own, this young mother is determined to keep her land and family intact. As she grows closer to the neighboring Hughes family, she realizes the tradeoff for some freedoms is more precious than she expected. In 1890, we see Hazel’s young mother, Louisa, recently married and relocated to Illinois to what will become her family’s farm. Life in the country is dictated by seasons, so too is Louisa ruled by her “weathers” of good and bad spells. What keeps her grounded is corresponding with her sister, Addie, a Christian missionary in China. The same adventurous spirit that brought Addie to China with her new husband now compels her to leave again. However, with the Boxer Rebellion underway, and violence erupting between Chinese and their unwelcome Christian intruders, Addie’s life takes a mysterious and haunting turn strongly felt by her sister, Louisa, back home. At the end of the twentieth century, Juanlan returns to her parents’ home in Heng’an after college. With her father falling ill, a new highway being built, and her sister-in-law soon to give birth, Juanlan feels frozen in place, though everyone and everything seems to be rapidly changing. In the search for an outlet for the live wire, a little burning blue coil she feels buried inside, she starts up a love affair with a high-ranking government official. From rural Illinois to the far reaches of China, these four women are interconnected by actions, consequence, and spirit, each brilliantly displaying the fleeting intensity of youth, the obligation of family, and the dramatic consequence of charting their own destiny. A vibrant story of compassion and discovery set against a century of complicated relations between China and America, Rebellion celebrates those who fight against expectation in pursuit of their own thrilling fate and introduces a rising literary star.

    By understanding the neurological and psychological effects of porn, you’ll be in a better position to confidently tackle and overcome your attraction and dependence on it.This book does not include hokey language, overly pat solutions, grandiose promises, or useless finger wagging. Instead, it's packed with accessible, easy to understand information and a practical, research-backed action plan, that, rather that magically "curing" you of your habit, will simply help you become the kind of guy who doesn’t need to look at porn anymore. If that's the guy you want to become, what are you waiting for? Pick up your copy of How to Quit Porn today.

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    Included are theoretical texts, aberrant journalism, and highly-wrought Symbolist poems; a practical guide to building a time machine; and the bizarre dramatic buffoonery that presaged Jarry's invention of his most famous character, Pere Ubu. Andre Breton had to devise his notion of "Black Humor" to adequately describe and account for the arcane absurdity of Jarry's work.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    Feel Free, his fourth collection, effortlessly spans the Atlantic, combining the acoustic expansiveness of Whitman or Ashbery with the lyricism of Laird's forebears Heaney, MacNeice and Yeats. With characteristic variety, invention and wit (here are elegies, monologues, formal poems and free verse) the poet explores the sundry patterns of freedom and constraint - the family, the impress of history, the body itself - and how we might transcend them.Feel Free is always daring, always renewing, and Laird's most remarkable work to date.

    Interwoven with his narrative are the tumultuous lives of the family who raised and then lost him: a famed hunting guide and his wife, who runs an animal orphanage (a conflict that in time upends their marriage); their son and daughter; and the young Kikuyu who finds the orphaned elephant and becomes part of the Hathaway family. This timeless story is alternately heartwarming and heartbreaking, spanning east Africa, Great Britain and New York from 1962 to 2015.

     - Why it is easy to be happy, and how you can miss happiness even if it stands before you. - How a bird can fill you with joy and how a stranger's smile can soothe you. - Why happiness may not even be the word for what we really need.India's beloved sage and writer brings together his own pithy observations and those by artists and thinkers he admires in this beautiful little anthology. A Little Book of Happiness is a miscellany for all seasons, one to cherish and to share.

    Maria teaches him how to make fast money by just flipping a few numbers. EJ quickly goes from a regular joe to a man of power. But he's forced to learn the hard way that with more money comes more problems and with more problem EJ is forced to keep flipping numbers.Step into EJ's world where money rules and one bad flip can end your life.

    Throughout, a compelling mix of 160 visual components accompanies the text: excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. Almost 50 percent of this volume has never been published before. Nearly 600 pages worth of writings here from the late rock legend and poet.