Told in English and Spanish.

    Playful illustrations bring over 70 Spanish words to life in ways sure to tickle a child's fancy, while introducing a new language and culture.

    A good way to learn about the healing power of plants."—Andrew Weil, MDAaron has asked his grandfather Tata to teach him about the healing remedies he uses. Tata is a neighbor and family elder. People come to him all the time for his soothing solutions and for his compassionate touch and gentle wisdom. Tata knows how to use herbs, teas, and plants to help each one. His wife, Grandmother Nana, is there too, bringing delicious food and humor to help Tata's patients heal. An herbal remedies glossary at the end of the book includes useful information about each plant, plus botanically correct drawings.Roni Capin Rivera-Ashford grew up in Nogales on the Arizona-Mexico border. Born into a pioneering Jewish family with roots in Eastern Europe, Roni embraced the languages, cultures, and people on both sides of the border. Now a retired bilingual educator, her first book, My Nana's Remedies / Los Remedios de mi Nana, is a classic, a parent's and teacher's friend for teaching children traditional values.Antonio Castro L. is nationally recognized for his illustrations of books by Joe Hayes. Teaming up with his son, book designer Antonio Castro H., he uses his exacting illustrative skills to bring to life this story of family and plants. Born in Zacatecas, Mexico, Antonio has lived in the Juarez–El Paso area for most of his life.

    Abuela laughs. “It is in my heart, Rosie. I use mis ojos, my eyes, to measure. Mis manos, my hands, to feel. Mi boca, my mouth, to taste. My abuela gave it to me, and I am giving it to you.” Each year on Christmas Eve, Rosie’s abuela, mamá, tía, sister, and cousins all gather together in Abuela’s kitchen to make tamales—cleaning corn husks, chopping onions and garlic, roasting chilis, kneading cornmeal dough, seasoning the filling, and folding it all—and tell stories. Rosie learns from her abuela not only how to make a delicious tamale, but how to make a delicious life, one filled with love, plenty of spice, and family.

    . .As she strolls through her barrio, a young girl introduces readers to the frozen, fruit-flavored treat that thrills Mexican and Mexican-American children. Create a masterpiece, make tough choices (strawberry or coconut?), or cool off on a warm summer's day--there's so much to do with a paleta.

    While riding on a bus with her grandmother, a little girl imagines that they are carried up into the sky and fly over the sights of New York City.

    Mother's Day is coming soon, and Antonio searches for the words to express his love for his mother and her partner, Leslie. But he's not sure what to do when his classmates make fun of Leslie, an artist, who towers over everyone and wears paint-splattered overalls. As Mother's Day approaches, Antonio must choose whether — or how — to express his connection to both of the special women in his life.Rigoberto González's bilingual story resonates with all children who have been faced with speaking up for themselves or for the people they love. Cecilia Concepción Álvarez's paintings bring the tale to life in tender, richly hued detail.

    Her face is as crinkled as a dried chile. She booms out words as wild as blossoms blooming. She stuffs her carcacha—her jalopy—with all the things she needs: a plumed snake, a castle, a skeleton, and more. Her grandson knows he has the most amazing grandmother ever—with a very important job. What does Abuelita do? With her booming voice and wonderful props, Abuelita is a storyteller. Next to being a grandmother, that may be the most important job of all. Sprinkled with Spanish and infused with love, My Abuelita is a glorious celebration of family, imagination, and the power of story.

    In which a girl who is asked where she's really from turns to her abuelo for the answer.

    And as Nina grows up, she and Abuela spend plenty of time together. Abuela can't help thinking how much she'd like to give Nina a very special treat, so she saves a little bit of her money every week -- a few pesos here, a few pesos there. When the world turns upside down, Abuela's dream of a surprise for Nina seems impossible. Luckily, time spent together -- and the love Abuela and Nina have for each other -- could turn out to be the very best gift of all. With a soft and subtle hand, author-illustrator Cecilia Ruiz draws from her own history to share a deeply personal tale about remembering what's most important when life starts to get in the way.

    It tells about Carlitos, whose mother is a janitor. Every night, he sleeps while his mother cleans in one of the skyscrapers in downtown L.A. When she comes home, she waves Carlitos off to school before she goes to sleep. One night, his mamá explains that she can’t make enough money to support him and his abuelita the way they need unless she makes more money as a janitor. She and the other janitors have decided to go on strike.How will Carlitos support his mother? Carlitos wants to help but he cannot think of a way until his teacher, Miss Lopez, explains in class how her own grandfather had fought for better wages for farmworkers when he first came to the United States. He and the other children in his class join the marchers with a very special sign for his mom!¡Sí, Se Puede! is a Jane Addams Peace Award Honor Book, a Skipping Stones Honor Book, as well as a selection for The Best of Beyond Difference, a recommended list of the top 10 diversity books published in 2002.Diana Cohn, the author, is a social activist. As an elementary teacher, she discovered there were few books for children that discussed social issues, so she began to write as an avocation. She now works as Program Director for the Solidago Foundation, a foundation that supports communities working for economic and environmental justice. She lives on a houseboat in Sausalito, California.Francisco Delgado, the illustrator, grew up in Juárez, Chihuahua, but completed high school in El Paso, Texas. He will -receive his MFA at Yale in Painting, Drawing, and Printmaking in May 2002. Francisco is becoming known nationally for his political paintings that satirize U.S. icons blind to the mestizo and immigrant communities of Mexico. He lives in New Haven, Connecticut. Luis J. Rodriguez (Always Running) adds the afterword and a poem.

    But when Juan's gift is too big to fit through the slats in the fence, Maria has a brilliant idea. She makes it into a kite that soars over the top of the iron bars.Here is a heartwarming tale of multi-cultural families, and the miracle of love.

    In this lively picture book, children discover a world of shapes all around them: Rectangles are ice-cream carts and stone metates, triangles are slices of watermelon and quesadillas. Many of the featured objects are Latino in origin, but all are universal in appeal. With rich, boisterous illustrations, a fun-to-read rhyming text, and an informative glossary, this playful concept book will reinforce the shapes found in every child's day!

    Iris, her family, the neighbors, and dog take a road trip to the lake. But first, the cars break down. Then they get lost. And when they finally arrive at the lake, they see a NO DOGS ALLOWED sign. What to do? Iris's family's make-do attitude saves the day, for as they go about their beach activities while trying to figure out what to do with the dog, each takes a turn taking care of the dog. Soon the day is over, and the dog has had the best time of all -- the beach had been brought to him. Sesame Street's Sonia Manzano's first picturebook provides an ocean of humor, a warm, close-knit Puerto Rican community, and a take-charge family who refuses to let things get in their way!

    Together, they travel through their neighborhood, past the crowded bus stop, the fenced-off repair shop, and the panaderia, until they arrive at the Laundromat, where Carmela finds a lone dandelion growing in the pavement. But before she can blow its white fluff away, her brother tells her she has to make a wish. If only she can think of just the right wish to make . . .