Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

    This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

    A novel of suffering, sorrow, and redemption, "Ransom "tells the story of the relationship between two grieving men at war: fierce Achilles, who has lost his beloved Patroclus in the siege of Troy; and Priam, king of Troy, whose son Hector killed Patroclus and was in turn savaged by Achilles. Each man's grief demands a confrontation with the other's if it is to be resolved: a resolution more compelling to both than the demands of war. And when the aged father and the murderer of his son meet, "the past and present blend, enemies exchange places, hatred turns to understanding, youth pities age mourning youth."

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

    Felix Latimer, a recently orphaned teenager, arrives in Jerusalem from Baghdad, biding time until he can secure passage to England. Adrift and deeply lonely, Felix has no choice but to room in a boardinghouse run by Miss Bohun, a relative he has never met. Miss Bohun is a holy terror, a cheerless miser who proclaims the ideals of a fundamentalist group known as the Ever-Readies—joy, charity, and love—even as she makes life a misery for her boarders. Then Mrs. Ellis, a fascinating young widow, moves into the house and disrupts its dreary routine for good.Olivia Manning’s great subject is the lives of ordinary people caught up in history. Here, as in her panoramic depiction of World War II, The Balkan Trilogy, she offers a rich and psychologically nuanced story of life on the precipice, and she tells it with equal parts compassion, skepticism, and humor.

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    And there she stayed for eighty-one years while the century raged around her, while lamplight and Victorian order became chaos and nuclear dread. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

    Probably best known as the author of "The Yellow Wallpaper," in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by the noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's novel of a feminist utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production.Content:The yellow wallpaperIf I were a manTurnedThe cottagetteAn honest womanMaking a changeMr. Peebles' heartThe widow's mightSelections from HerlandSelections from Women and economics : a study of the economic relation between men and womenSelections from The man-made world : our androcentric culture.

    Stranded on a desert island, his wife and son kidnapped, Tarzan's plight seemed helpless. But with the help of Sheeta, the ferocious panther, and the great ape Akut, Tarzan crafted his escape with the giant Mugambi. Yet the trail of the kidnappers led deep into the interior--and it would take all of Tarzan's skills to reach his family in time.THE SON OF TARZAN Tarzan's young son narrowly escaped the wrath of his father's nemesis Paulvitch, and he was forced to flee into the savage African jungles where Tarzan himself had been reared. There the civilized boy would have to learn to face the great beasts and exotic dangers only his father had ever conquered. And as he became known as Korak the Killer--whose legend would rival that of Tarzan--he would learn that the dangers of the jungle were nothing compared to those devised by men . . .

    Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

    Eighteen-year-old Ruby leaves behind the family farm, her serious mother and roguish father, and heads for Adelaide. After a brief courtship, she enters into a hasty marriage with a soldier about to go to war – who returns a changed man.In this absorbing novel, Anna Goldsworthy recreates the world of Adelaide half a century ago, and portrays the phases of a woman’s life with intimacy and sly humour. We follow Ruby as she contends with her damaged husband and eccentric in-laws. We see her experience motherhood and changing social circumstances, until, in a moving twist, a figure from the past reappears, to kindle a late-life romance.In her captivating fiction debut, Goldsworthy evokes a woman’s life in a pre-feminist world. In this tender, funny book, she combines an Austenesque wit with Alice Munro’s feeling for human complexity.