Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    It is the story of a cross-racial romance between a Samoan student at Auckland University, the son of migrant parents, and the daughter of a wealthy palagi family. It was an instant bestseller and was later made into a successful movie.

    The problems of everyday living accumulate and begin to torture Joy, who blames her problems not on her work or on the accidental drowning of her illicit lover, but on herself. While painful and deeply serious, this is a novel of great warmth and energy: it's the wit and irony found in moments of despair that prove to be Joy's salvation. First published by Polygon in 1989 and Dalkey Archive Press in 1994, now available again.

    The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    Nixon is about to be impeached, his wife is leaving him, and his worldview is rapidly becoming outdated. His daughter, Daley, has spent the first eleven years of her life carefully negotiating her parents’ conflicting worlds: the liberal, socially committed realm of her mother, and the conservative, liquor-soaked life of her father. But when they divorce, and Gardiner’s basest impulses are unleashed, the chasm quickly widens and Daley feels herself stretched thinly across it.As she grows into adulthood, Daley rejects the narrow world that nourished her father’s fears and prejudices, and embarks on her own separate life—until he hits rock bottom. Lured back home by the dream of getting her father sober and rebuilding a trust that was broken years ago, Daley risks losing everything she has found beyond him, including her new love, Jonathan, who represents so much of what Daley’s father claims to hate, and who has given her so much of what he could never provide.Intimate in its detail yet epic in range, Father of the Rain is a raw, compelling journey into the emotional complexities, mercurial contours, and magnetic pull of family. It is also the stunning portrait of a deeply complex man and his daughter’s fierce, primal attachment to him.

    Off the coast of Kapiti, English trader John Stewart seeks to trade with Te Rauparaha, setting off a train of events that forever change the course of New Zealand history.Narrated by two English sailors on board Stewart's ship, these events are also eerily resonant of a more distant memory, stretching back into mythology, of the charismatic leader Wulf and an ancient lament. History, it seems, may be repeating itself.Wulf, Hamish Clayton's inventive, brilliant first novel, explores a subject little covered in New Zealand fiction, and marks the emergence of a startlingly assured, exciting new voice.

    But when she falls in love with Bosinney, a penniless architect who utterly rejects the Forsyte values, their affair touches off a series of events which can only end in disgrace and disaster.John Galsworthy tackles his theme of the demise of the upper-middle classes with irony and compassion.

    Daphne du Maurier has instinct, with the result that every woman instinctively wants to read her." -New York Times Book ReviewMaria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' past affairs. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.

    The two beautiful daughters of a wealthy merchant of the Channel Islands fall in love with the same man, are very diferent. Marianne, the eldest sister is brilliant, passionate, and moody, by whom William was both fascinated and repelled... And Marguerite, the younger sister is pretty, dreamy and quietly, whom William adored.The sisters had both loved him for years. He has gone abroad to seek his fortune to New Zealand. Now they were waiting for him to return from his journeys and claim his bride. But drunkenly he addresses his proposal to the wrong sister.Though the book is fiction, and the characters not portraits, it is based on fact. A stunning tale of loss and self-sacrifice, it is truly one of the most memorable love stories of the last century.

    The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

    Annie Proulx) whose “melancholy beauty resonates with the deepest truths” (Boston Globe).

    . . The 'subject' was the world as it culminated in the war. Published in four parts between 1924 and 1928, his extraordinary novel centers on Christopher Tietjens, an officer and gentleman- the last English Tory-and follows him from the secure, orderly world of Edwardian England into the chaotic madness of the First World War. Against the backdrop of a world at war, Ford recounts the complex sexual warfare between Tietjens and his faithless wife Sylvia. A work of truly amazing subtlety and profundity, Parade's End affirms Graham Greene's prediction: There is no novelist of this century more likely to live than Ford Madox Ford.

    Xavier Bird, her sole living relation, is gravely wounded and addicted to morphine. As Niska slowly paddles her canoe on the three-day journey to bring Xavier home, travelling through the stark but stunning landscape of Northern Ontario, their respective stories emerge—stories of Niska’s life among her kin and of Xavier’s horrifying experiences in the killing fields of Ypres and the Somme.

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.