At the time of this novel - the 1880s - the only way to reach the makeshift collection of huts, tents and saloons is to climb aboard an empty coal-wagon to be hauled 2000 feet up the terrifyingly steep Incline - the cable-haulage system that brings the coal down to the railway line. All sorts arrive here to work the mines and bring out the coal: ex-goldminers down on their luck; others running from the law, or from a woman, or worse. They work alongside recruited English miners, solid and skilled, who scorn these disorganised misfits and want them off the Hill.Into this chaotic community come five-year-old Rose and her mother, riding up the Incline, at night, during a storm. No one knows what has driven them there, but most agree the mother must be desperate to choose Denniston; worse, to choose that drunkard Jimmy Cork as bedfellow. The mother has her reasons and her plans, which she tells no one. The indomitable Rose is left to fend for herself, struggling to secure a place in this tough and often aggressive community. The Denniston Rose is about isolation and survival. It is the story of a spirited child, who, in appalling conditions, remains a survivor.

    English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers.       In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear.      Written in what the author describes as “a shadow tongue”—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster’s world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.

     Every Eye concerns Hattie, a woman not really at home anywhere, least of all among her manipulative family, which has assigned her the role of shabby-genteel London spinster. She has understood little about her existence, and about her strange, aborted love affair with a much older man--the central mystery of her life. Now, while in Ibiza with her new young husband, the meaning of her past is becoming clear, its hidden patterns emerging from gray English shadows into the blazing Mediterranean sun."It is in Ibiza that the story breaks free from its resentments," said Anita Brookner in praise of this remarkable neglected novel, "a lucidly written account of various kinds of confusion ... and a valuable lesson in where to look for freedom."

    There is Victoria, a Pre-Raphaelite beauty intent on marriage; Maurice, shaking his fist at the injustices of the world; Stanley, a follower of Ruskin ad Morris, doing good as radical fashion dictates; Irving, a lusty young capitalist, and Una, born for happy marriage and maternity. All are watched from the sidelines by their sister Rome. Detached, intelligent, urbane, she observes three generations of her family strut and fret their hour upon the stage. To her their sound and fury signify nothing -- but to us the memory of Rome's one brief love affair strikes the final note of truth, defiantly affirming that it is better to have loved and lost...

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Set in an unnamed NZ city in 1953, Fire tells the story of four working class friends, all employed at Dawsons, one of the country's most glamorous and sophisticated department stores. The girls are Nancy, a salesgirl in the dress department, Kay who works in lingerie, Louise, a typist in Accounts and Judy, a milliner in the workroom out the back. The story takes place a week before Christmas, in the period leading up to Christmas as the country prepares for a Royal Visit by the young Queen Elizabeth. When the store is full of wealthy shoppers smoke is discovered drifting from the basement lift shaft. While the fire brigade is called, the store owners make a crucial error and decide not to raise a public alarm until it's too late - exits are cut off by the fire and the ground and first floors are ablaze, trapping staff and customers on the upper floors.

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    Summer has come, and those who can have left the bay for the allure of the far away city. Among them is Harry's mother, who has left behind a case of homemade ginger beer and a vague promise of return.Harry and Cal are too busy enjoying their holidays, playing in the caves and the old abandoned slaughterhouse, to be too concerned with her absence. When their older cousin-the beautiful, sophisticated Caroline-comes from the city to stay with the Bairds, Harry is besotted. With their friend Dibs Kelly, the boys and Caroline spend the long summer days exploring the bay and playing games.But Harry is very protective of Caroline and jealous of the attention she receives from other men. And what looked to be a pleasurable summer is overshadowed by certain 'accidents' in the old slaughterhouse and a general air of suspicion and distrust.There was a simple country boy who lived on the edge of the world, and his name was Harry Baird. That is not the whole story.First published in 1968, Sydney Bridge Upside Down has long been considered a New Zealand literary masterpiece. Published now for the first time in Australia, this brilliant tale, told in an entirely distinctive voice, deserves a place on the bookshelf alongside period classics like Wake in Fright and My Brother Jack.

    From the Booker Prizewinning author of ‘Offshore’ and ‘The Blue Flower’; a funny, touching, authentic story of life at Broadcasting House during the Blitz.The human voices of Penelope Fitzgerald’s novel are those of the BBC in the first years of the World War II, the time when the Concert Hall was turned into a dormitory for both sexes, the whole building became a target for enemy bombers, and in the BBC – as elsewhere – some had to fail and some had to die, but where the Nine O’Clock News was always delivered, in impeccable accents, to the waiting nation.

    Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island.G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.

    It is the haunting tale of a young boy growing up in a catholic household, seeing things he shouldn't and struggling to cope. The book appears to be domestic in scope and provincial in vision, but by the end of the novel, the reader has encountered murder, and witnessed the warping of a promising mind and the destruction of a family. In this deceptively modest masterpiece, the cruelty beneath society's surface is revealed, all the more devastingly so through the ordinariness of the location.

    Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.