Uwe Timm has heard claims that currywurst first appeared in Berlin in the 1950s, but he seems to recall having eaten it much earlier, as a boy in his native Hamburg, at a stand owned and operated by Lena Brücker. He decides to check it out. Although the discovery of curried sausage is eventually explained, it is its prehistory - about how Lena Brücker met, seduced and held captive a German deserter in Hamburg, in April, 1945, just before the war's end - that is the tastiest part. Timm draws gorgeous details from Lena's fine-grained recollections, and the pleasure these provide her and the reader supply the tale's real charm.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    Stone tries to adjust to her aimless new life in Rome. She is adjusting, too, to aging ("The knowledge that her beauty was lost had come upon her recently and it was still occasionally forgotten.") With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo: "As compelling, as fascinating, and as technically skilled as his plays." (Publishers Weekly)

    Here for the first time, the stories - including some only recently discovered - are collected in one volume. From the awkward passions of lonely holiday-makers to the fresh-faced anticipation of three school friends preparing for their first dance, from the minor jealousies and triumphs of marriage to tales of outsiders struggling to adapt to the genteel English countryside, with a delicate, witty touch Elizabeth Taylor illuminates the nuances of ordinary lives.This is the first time Elizabeth Taylor's short stories have been collected in one volume. This publication is to mark the centenary of Elizabeth Taylor's birth.

    Elena's father does deals. And it is while acting as his agent in one such deal—a deal that shortly goes spectacularly wrong—that she finds herself on an island where tourism has been superseded by arms dealing, covert action, and assassination. The Last Thing He Wanted is a tour de force—persuasive in its detail, dazzling in its ambiguities, enchanting in its style.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.

    Within a week, she has moved into the magnetic architect’s echoing loft in East London. But nothing could have prepared Lily for what she finds there. The distinct presence of another woman lingers in the loft, one who seems to have disappeared in a hurry, leaving behind a single party dress, a puzzling mark on the wall, and the suffocating scent of jasmine. Lily’s unsettling curiosity soon turns to obsession as the spirit of this mysterious woman increasingly haunts her. With a nod to Daphne du Maurier’s classic novel Rebecca, My Lover’s Lover is a sexy, modern gothic tale that will keep readers hooked until the very end.

    Groundbreaking physicist Dr. Hannah Weiss is on the verge of the greatest discovery of the 20th century: splitting the atom. She understands that the energy released by her discovery can power entire cities or destroy them. Hannah believes the weapon's creation will secure an end to future wars, but as a Jewish woman living under the harsh rule of the Third Reich, her research is belittled, overlooked, and eventually stolen by her German colleagues. Faced with an impossible choice, Hannah must decide what she is willing to sacrifice in pursuit of science's greatest achievement. New Mexico, 1945. Returning wounded and battered from the liberation of Paris, Major Jack Delaney arrives in the New Mexican desert with a mission: to catch a spy. Someone in the top-secret nuclear lab at Los Alamos has been leaking encoded equations to Hitler's scientists. Chief among Jack's suspects is the brilliant and mysterious Hannah Weiss, an exiled physicist lending her talent to J. Robert Oppenheimer's mission. All signs point to Hannah as the traitor, but over three days of interrogation that separate her lies from the truth, Jack will realize they have more in common than either one bargained for. Hannah's War is a thrilling wartime story of loyalty, truth, and the unforeseeable fallout of a single choice.

    For after winning acclaim with this novel—awarded the Robert Walser Prize in 1978—she embarked on a 10,000-page literary project called “The Fortress,” creating over her lifetime elaborate colorful diagrams and typescripts so complicated that her publisher had to print them straight from her original documents. A project as brilliant as it is ambitious and as bizarre as it is brilliant, it earned her cult status, comparisons to James Joyce no less than Henry Darger, and admirers including Elfriede Jelinek and W. G. Sebald.Yet in this, her first novel, we discover not an eccentric fluke of literary nature but rather a brilliant and masterful satirist, philosophically minded yet raging with anger and wit, who under the guise of a domestic horror story manages to expose the hypocrisy and deep abiding cruelties running parallel, over time, through the society and the individual minds of a century.

    Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate.The craziness is just getting started.Like Jean-Patrick Manchette’s celebrated Fatale, The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.

    Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a chance just as his own chances have dwindled to almost nothing. Together they follow a twisting map to redemption--or ruin.

    On the twenty-fourth morning after the decampment of his wife, Patty Lareine, he awakens with a hangover, considerable sexual excitement, and, on his upper arm, a red tattoo bearing a name from the past. Of the night before, he remembers practically nothing. What he soon learns is that the front passenger seat of his Porsche is soaked with blood and that in a secluded corner of his marijuana stash in a nearby woods rests a blonde head, severed at the throat.Is Madden therefore a murderer? He has no way of knowing. As in many novels of crime, the narrative centers on violence--physical, sexual, and emotional--but these elements move in their orbits through a rich constellation of character as Madden tries to reconstruct the missing hours of a terrible evening. In the course of this in-quiry a bizarre and vividly etched gallery of characters reappears to him as in a dream--ex-prizefighters, sexual junkies, mediums, former cons, a police chief, a world-weary former girl friend, and Mad-den's father, old now but still a Herculean figure, a practitioner of the sternest backroom ethics."Tough Guys Don't Dance" represents Mailer at the peak of his powers with a stunningly conceived novel that soon transcends its origins as a mystery to become a relentless search into the recesses and buried virtues of the modern American male. Rarely, as many readers will discern, have the paradoxes ofmachismo and homosexuality been so well explored.

    We first meet ex-policeman Bernie Gunther in 1936, in March Violets (a term of derision which original Nazis used to describe late converts.) The Olympic Games are about to start; some of Bernie's Jewish friends are beginning to realize that they should have left while they could; and Gunther himself has been hired to look into two murders that reach high into the Nazi Party. In The Pale Criminal, it's 1938, and Gunther has been blackmailed into rejoining the police by Heydrich himself. And in A German Requiem, the saddest and most disturbing of the three books, it's 1947 as Gunther stumbles across a nightmare landscape that conceals even more death than he imagines. (For a review of Kerr's latest novel, The Grid, see our Thrillers section.)

    Two brothers become entangled in a horrifying conspiracy in which the Vatican plans to 'convert' a whole country to Catholicism.