My every wish was a kingdom’s command, my displeasure every man’s worst fear. But then, at the whim of a merciless enchantress, all was stolen from me. My once lavish castle became my dungeon. My once-handsome form became that of a beast. There is no hope of release from the prison of my own body, for the only way to break this curse is to earn the love of another. I, who have never felt a drop of compassion, must hope to inspire devotion. I, who am hideous beyond compare, must hope to inspire passion. After hundreds of years, I have come to accept the truth: I will never know love. There is no escape for me.I am a prisoner.Born to two loving parents and a happy home, I was grateful for my good fortune. Though I was plain and prone to living in my head, forced to live in the shadow of my beautiful sisters, I had everything my heart desired. Then tragedy struck, and I lost my mother and my home. Papa was all I had left in the world, and I was utterly devoted to him. When his thoughtful gesture earned him the wrath of a horrible monster, I sacrificed myself for the sake of the one person I love. Now I am a prisoner in a decaying castle with only a terrifying beast for companionship. But I am determined not to give in to the beast’s wrath, to prove to him that he can never truly ensnare me.

    A retelling of the old Russian fairy tale in which beautiful Vasilissa uses the help of her doll to escape from the clutches of the witch Baba Yaga.

    Guided by the classic works of F. Isabel Campoy and Alma Flor Ada, Hernandez’s first book for young readers brings the sights and stories of Latin America to a new generation of graphic-novel fans around the world.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.