This installment is written in first person, sort of a diary format, as one man recounts his frantic, often hilarious and occasionally dangerous odyssey of preparing for the oncoming Zombie Apocalypse.

    Liz had lingered behind, savouring the last of the night air. She pushed at the stray blond lock with her fingers, willing it to stay in place. On letting go the hair slid back. She secured it with her ivory comb. She began to run, overcome by a desperate need to see her children. A sense of dread swept over her. An unaccountable ache lay in her belly. The twins were so vulnerable, what if she failed in her duty to protect them? Then she stopped. She stood very still. The ache and the cold were replaced by the warmth of a hug and a kiss on her cheek. She turned to say thank you, but she was alone. The others were already at the house.'Beckman's appeared to be Liz's dream house, the perfect home in which to raise her young family. She had an immediate inexplicable affinity with the property, and it welcomed her with open arms. Why then should just one of its many rooms, the fourth room, make her feel as if she was an intruder? What secret was it hiding? She knew it was connected to the burnt out boat house and that sunken old rowing boat. Something about it was linked to her: its presence haunted her. She knew she needed to unravel the mystery before some dreadful disaster overcame her family. Her daughter's elusive friend Harriet had the answers but would she reveal them? And then there was that horrid Tarot reading. The potent image of the Five of Cups would not leave her. What were the cards trying to tell her and more to the point, would she listen? After all they were just bits of paper.Cover: The Five of Cups from a set of Tarot cards designed by the author.

    They realize too late that this is no ordinary plague...and that the enemy they have to fight may not be the only thing they need to worry about.Book One of The Salvation Plague series.The Turning includes foul language, graphic violence, and some mature themes.

    This guidebook includes the island's history, culture and all of its significant archaeological sites. It also contains all of the practical information needed for your visit, including island activities and up-to-date restaurant and shopping recommendations. It will also tell you the best times to visit the sites in order to get the optimal light for photography and to avoid the crowds, as well as many other 'local' tips that no other guidebook will tell you. Contains over 100 color photos of Easter Island, as well as color maps of both the island and the one town, Hanga Roa. New, Updated edition (2014).

    

    Weirdsville U.S.A. charts Lynch’s work from his experimental art school years and the midnight movie hit Eraserhead, the mainstream success of The Elephant Man and the commercial failure of Dune, the birth of Weird Americana with Blue Velvet and Twin Peaks and the neo-noir mystery Lost Highway, to the present day and the film The Straight Story and TV series Mulholland Drive.

    Mysterious photographs, ghostly old houses, and all things supernatural await readers in these three frightful tales.

    Equal parts memoir/family saga/film book, Growing Up with Manos: The Hands of Fate shares the behind-the-scenes story of the making of Manos: from creator Hal Warren's alleged bet with TV producer Stirling Silliphant that "anyone could make a movie," to the tragic suicide of John Reynolds (Torgo), right up through the newest Manos-related projects that are carrying the film into the digital age. Jackey's stories dispel much of the Manos mythology while crystallizing a unique time and place in America, where a crew of actors with a bad script and a rented camera set out to make a bad movie-and succeeded beyond their wildest dreams. Jackey Neyman Jones is a professional artist living in the Great Northwest. Laura Mazzuca Toops is a writer/editor with more than 30 years' experience in business and fiction writing. She is the author of three historical novels.

    Lovecraft includes the following stories: The Call of Cthulhu, Dagon, Celephais, The Shadow Out of Time. These are the original texts without any change, additions, notes, prologue, or censorship. The official texts as they were published by the author.

    Cushing was widely known as ‘the gentleman of horror’, his kind and sensitive nature a sharp contrast with the Hammer Horror roles that dominated his work from the 1950s onwards. This is Cushing’s own account of his remarkable career, and the devastating sense of loss he suffered following the death of his wife. It offers unparalleled insight to the meticulous professionalism and private torment of a legendary film star.

    Smee is a crackling ghost story about a guest in a haunted house telling other visitors of the death of a young girl, years ago, playing a game of hide-and-seek.

    A deft, masterful mix of both bizarro and horror."--Brian Keene, author of The Rising and Ghoul"Dark and grim and surreal." --Electric LiteratureMondays suck. You get mugged, your car won't start, you miss the bus, and your stylist burns a bald spot into your head. Suddenly you're single and unemployed, and the only friend you have left is a cat. By Tuesday, you've been murdered. But death isn't the end. You find yourself on an odyssey between weird worlds, reborn each time you die, stalked obsessively by the man who killed you.Even in death, you just can't seem to catch a break. Call it Mercury in retrograde, call it Murphy's law, call it . . .SHIT LUCK

    After his grandmother dies and Freddie discovers his biological father might be alive and well in Wales, he decides to follow the facts. Together with his best friends Ben and Charlie, he sneaks off on the adventure of a lifetime (or at least, the summer holidays) to track down Freddie’s father.Freddie doesn’t expect any miracles—they’re not real, after all. But when the three unwittingly set off a chain of inexplicable events via an onion-eating competition, a couple of superhero costumes, and some very angry antique thieves, Freddie discovers that some things can’t always be explained—and sometimes what you’re looking for has been with you the whole time.Propulsive and hilarious, The Super Miraculous Journey of Freddie Yates is a heartwarming story about the true meaning of family.

    Under extreme pressure on a catastrophic location shoot, Universal's 27 year-old prodigy crafted a thriller so effective that for many years Jaws was the highest-grossing film of all time. It was also instrumental in establishing the concepts of the event movie and the summer blockbuster. Jaws exerts an extraordinary power over audiences. Apparently simplistic and manipulative, it is a film that has divided critics into two broad camps: those who dismiss it as infantile and sensational - and those who see the shark as freighted with complex political and psychosexual meaning. Antonia Quirke, in an impressionistic response, argues that both interpretations obscure the film's success simply as a work of art. In Jaws Spielberg's ability to blend genres combined with his precocious technical skill to create a genuine masterpiece, which is underrated by many, including its director. Indeed, Quirke claims, this may be Spielberg's finest work.

     Built on top of the old city cemetery, Denver Botanic Gardens sits upon thousands of unrecovered human remains. Small wonder, then, that visitors and staff alike have reported all manner of ghostly activity, ranging from disembodied voices, cold spots, and phantom footsteps, to shadow figures and full-bodied apparitions. Are the spirits of the restless dead making their presence known to the living? Join paranormal investigator Richard Estep, of TV's 'Haunted Case Files,' 'Haunted Hospitals,' and 'Paranormal 911,' as he and a small team of dedicated researchers are locked down inside Denver Botanic Gardens in an attempt to uncover the truth for themselves.