Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

    On the mound is 32-year-old Sam Ward--it's his last chance to justify all he has sacrificed for this ultimate start. Behind the plate is aging umpire Ernie Kolacka, who has reasons to use his position to fix the game.

    A nine-year-old boy meets an array of colorful characters when he leaves his home in San Diego and takes a bus trip to Washington, D.C., to patent his toy bubble gun invention.

    Admission. Aren't there two sides to the word? And two opposing sides...It's what we let in, but it's also what we let out." For years, 38-year-old Portia Nathan has avoided the past, hiding behind her busy (and sometimes punishing) career as a Princeton University admissions officer and her dependable domestic life. Her reluctance to confront the truth is suddenly overwhelmed by the resurfacing of a life-altering decision, and Portia is faced with an extraordinary test. Just as thousands of the nation's brightest students await her decision regarding their academic admission, so too must Portia decide whether to make her own ultimate admission. Admission is at once a fascinating look at the complex college admissions process and an emotional examination of what happens when the secrets of the past return and shake a woman's life to its core.

    . .   Toss, repair, sell, repeat. Most of the time, people are grateful for estate liquidator Jenna Matthews’ organizing services. Not Reece Porter, her new client’s handsome but grouchy grandson. As far as he’s concerned Jenna is a vulture, picking through his late grandfather’s treasures, during the holidays, no less. Personally, Jenna isn’t one for Christmas nostalgia, or any kind of nostalgia. Plus, she’s just doing her job. But when she and Reece are drawn together in an emergency, it becomes clear there’s a whole other kind of tension between them, one that’s pure electricity. And when Jenna discovers keepsakes that suggest an intriguing Porter family secret, unwrapping the mystery leads both Jenna and Reese to the greatest gifts of the holidays—and the truth in their hearts. . .   PRAISE FOR THE NOVELS OF KRISTINA McMORRIS   THE EDGE OF LOST   “Compelling, resonant and deeply moving, The Edge of Lost is an absorbing tale of deceit and self-deception, survival and second chances, the ties that bind and the lure of the unknown.”--Christina Baker Kline, # 1 New York Times bestselling author   “Will grab your heart on page one and won’t let go until the end.  I absolutely love this book, and so will you.” --Sara Gruen, #1 New York Times bestselling author of Water for Elephants   “Kristina McMorris takes us on a thrilling ride from the Emerald Isle, to the boroughs of New York, to the ‘Rock’ of Alcatraz. I found myself thoroughly immersed in her richly evocative settings, just as I was captivated by the pure humanity of her characters as they struggled for redemption. This book is a wonderful read!”--David R. Gillham, New York Times bestselling author of City of Women   “I adore everything that Kristina McMorris writes and this book is no exception.”--Jennifer Robson, author of Somewhere in France   “A beautifully told story about a young man’s journey through adversity and loss with an exhilarating ending that I couldn’t put down and stayed up well past my bedtime to finish.”--Charles Belfoure, New York Times bestselling author of The Paris Architect   “An absorbing, addictive read.”--Beatriz Williams   THE PIECES WE KEEP   “McMorris’s strong pacing keeps the two stories zipping along and all its many strings connected for a gratifying conclusion.”--Kirkus Reviews   BRIDGE OF SCARLET LEAVES   “Impeccably researched and beautifully written.” --Karen White   LETTERS FROM HOME   “An absolutely lovely debut novel filled with endearing chara

    When his plane goes down, the sisters must put aside their differences and pray he comes back in time for Christmas.The Ragged Heiress by Dilly CourtOn a bitter winter's day, an unnamed girl lies dangerously ill in hospital. When two coarse, rough-speaking individuals come to claim her, she can remember nothing. It's a Vet's Life by Cathy WoodmanAlex and Maz are due to get married at Christmas. But as busy country vets, there's little time for each other, let alone arranging a wedding. It's going to take a Christmas miracle to get these two down the aisle.

     Suzanne and Gertrude is a tale of intermittent griefs and wonderments. How do we live, not just with each other, but with memories, with impermanence, with the inevitable melancholy of being?   Suzanne and Gertrude is a spare novel with a profound impact.

    James Jarrett looked like what he was - a Highland aristocrat - the Laird of Clan Jarrett. Part devil, part angel, he came to Georgia to take the wife who would help him found a New World Clan Jarrett, a great southern dynasty. He knew what he wanted and he fought for it with a skill and daring and courage that was almost madness.Many women loved James Jarrett. There was Maebelle, a pretty Scottish girl of seventee whose love led her to disgrace. There was Sue Merrick, an English aristocrat, who thought James a monster, who hated and loathed him - and who was powerless for her love for him. And in Savannah, there was Mary Knox, fragile and fair, whose sweet face was like a cry in the bitter blackness of James' heart and whose brutish brothers swore eternal revenge on James. And there was Simone Duclos, whom James bought at a slave auction, who had the trimmed down fineness of a thoroughbred and suffered despair and social ostracism to be near him.Two sons bore James Jarrett's proud name, but it was the youngest, Jarl, whose life was influenced by the dark secrets hidden behind the silent facades of James Jarrett's Georgian mansion. It was Jarl who, as 1776 and the War for Independence drew near, at last learned to hate his own father. Once again, in Jarrett's Jad, Frank Yerby brings to life the color and atmosphere of the American South in the glorious days of its beginning. This is a story charged with blood and fire, with white hot passions and animosities, with strife and warfare and the clash of army against army, family against family, and father against son.

    This lenticular journal cover sets in motion images of slithering, shuffling zombies from the bestselling graphic novel The Zombie Survival Guide: Recorded Attacks. Filled with lined pages, this all-purpose journal is perfect for jotting down notes, making to-do lists, plotting your own survival strategy, and is just the creepy thing for zombie fans everywhere.

    In the pages of pulp magazines that were still flourishing in the 1950s—Argosy, Dime Western Magazine, Zane Grey’s Western, and others—he perfected his trademark style, a blend of wiry tautness, sharp characterizations, and jolts of unexpected humor. Now, writer and film critic Terrence Rafferty has gathered the best of Leonard’s Westerns in a single volume, four classic novels and eight outstanding short stories, including the tales that inspired such powerful films as Hombre, Valdez Is Coming, and 3:10 to Yuma.In Last Stand at Saber River (1959), Leonard spins a tight narrative in which a homecoming Confederate veteran must fight to regain the ranch that has been stolen from him. Set, like most of Leonard’s Westerns, against a stark Arizona landscape, the novel is a masterpiece of unbroken tension, as the hero confronts a violent new war for all he holds dear.Chosen as one of the twenty-five greatest Western novels by the Western Writers of America, and the basis for a classic film starring Paul Newman, Hombre (1961) is a stagecoach drama whose hero, a man raised by Apaches, is treated with contempt by the white settlers who will ultimately depend on him for their survival.Valdez Is Coming (1970), Leonard’s favorite among his Westerns, pits Mexican American town constable Bob Valdez against the entrenched power of frontier oligarch Frank Tanner. When Valdez is maneuvered by Tanner into shooting an innocent man, he launches a one-man war for justice for the man’s widow that culminates with a surprising twist.With Forty Lashes Less One (1972) Leonard explores the comic tone that would mark his later books. Set within the harsh confines of Yuma Territorial Prison, the novel recounts the unlikely friendship of two prisoners—one part Apache, the other African American—planning a near-impossible escape.Like the novels, the eight stories included here, are tough, suspenseful, convincing, and beautifully spare in style. They range from Leonard’s first published pulp story, “Trail of the Apache” (1951), to one of his last, the fascinating character study “The Tonto Woman” (1982). Among the others are the twice-filmed “Three-Ten to Yuma” (1953) and “The Captives” (1955), the novella that inspired the acclaimed film The Tall T.

    He spends most of his time with young cousins Lucy, “the girl detective,” and Edward, a prodigy undaunted by the disfiguring effects of Apert Syndrome. One day, an impulsive revelation by Lucy sets in motion a chain of events that changes Tull—and the Trotter family—forever.In this latter-day Thousand and One Nights, a boy seeks his lost father and a woman finds her long-lost love . . . while a family of unimaginable wealth learns that its fate is bound up with two fugitives: Amaryllis, a street orphan who aspires to be a saint, and her protector, a homeless schizophrenic, clad in Victorian rags, who is accused of a horrifying crime.

    Includes the stories "Where I Live," "Harrison Bergeron," "Who Am I This Time?," "Welcome to the Monkey House," "Long Walk to Forever," "The Foster Portfolio," "Miss Temptation," "All the King's Horses," "Tom Edison's Shaggy Dog," "New Dictionary," "Next Door," "More Stately Mansions," "The Hyannis Port Story," and "D.P."

    with a peculiar talent.After years of destitution, Adam Eden's life is finally on the up. But, whilst out celebrating his recent good fortune, Adam unwittingly chooses death over embarrassment.Awaking in a future of leisure, luxury, and immortality, Adam suffers serious shrinkage and is branded an 'undesirable'. Shunned by family and neighbours for his first-life sins, can he find respect and redemption in this tightly controlled world? Facing a grim eternity, Adam wants out.A randomly chosen day trip changes everything.Though cruel and heartless, they always let you choose your weapon.

    Hanya 1,500 unit.

    A fictional town full of very real people who survive the attack of Hurricane Hugo and then find their bearings in the aftermath—often in wild and hilarious ways. The days leading up to the impending disaster are not at all unusual—no portents of disaster, no signs of impending calamity. Bryce works his night shift at the hot dog factory, Isaac drives the bus to school, Evelyn attends a funeral. But when the electricity fails in the middle of the night on September 21, 1989, it marks the moment when everything will change: Hugo has arrived.The storm builds, the wind whips by faster and faster, and interpersonal dramas, grudges, and rivalries are dredged up along with the flotsam and debris. Meanwhile, flood markers, painted red, track the height of the water from past rainstorms, and as the creek level rises higher than ever before, so do the emotions of the townspeople.Alternating between weather forecasts and short stories, Floodmarkers is an exquisitely crafted day-in-the-life of a town. And as Nic Brown has us look bravely at the eye of the storm, he cleverly shows us that human nature can stir up a spectacular tempest all its own.