And it’s every parent’s worst nightmare.Investigative journalist Laura Chambers is back in her tiny hometown of Hillsborough, North Carolina, the one place she swore never to return. Fired from the Boston Globe, her career in shambles, she reluctantly takes a job with the local paper. The work is simple, unimportant, and worst of all, boring―at least until a missing girl turns up dead, the body impeccably clean, dressed to be the picture of innocence.Years earlier, ten-year-old Patty Finch left home and never made it back. But for the people of Hillsborough, Patty was just the beginning. Child after child disappeared, a reign of terror the town desperately wants to forget. Now that terror has returned to seize another girl. And another. And another.This is the story Laura’s been waiting for―her one last chance to get back onto the front page. She dives deeper into a case that runs colder by the second, only to discover the truth may be far closer to home than she could have ever imagined. Powerful, intricate, and tense, Last Girl Gone will have you looking over your shoulder long after the last page.

    . . Massachusetts State Trooper Bobby Dodge watches a tense hostage standoff unfold through the scope of his sniper rifle. Just across the street, in wealthy Back Bay, Boston, an armed man has barricaded himself with his wife and child. The man’s finger tightens on the trigger and Dodge has only a split second to react . . . and forever pay the consequences.Alone . . . that’s where the nightmare began for cool, beautiful, and dangerously sexy Catherine Rose Gagnon. Twenty-five years ago, she was buried underground during a month-long nightmare of abduction and abuse. Now her husband has just been killed. Her father-in-law, the powerful Judge Gagnon, blames Catherine for his son’s death . . . and for the series of unexplained illnesses that have sent her own young son repeatedly to the hospital. Alone . . . a madman survived solitary confinement in a maximum security prison where he’d done hard time for the most sadistic of crimes. Now he walks the streets a free man, invisible, anonymous . . . and filled with an unquenchable rage for vengeance. What brings them together is a moment of violence—but what connects them is a passion far deeper and much more dangerous. For a killer is loose who’s woven such an intricate web of evil that no one is above suspicion, no one is beyond harm, and no one will see death coming until it has them cornered, helpless, and alone.

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    Her younger sister, Madison, claims she was asleep in her room. Her older sister, Tara, claims she was out with friends. The tragedy drove their mother to suicide and Tara to leave town forever. The killer was caught. The case closed.Ever since, Emily and Madison have tried to forget what happened that night—until an eerily similar murder brings it all back. It also brings FBI special agent Zander Wells to the Oregon logging town. As eager as he is to solve the brutal double slaying, he is just as intrigued with the mystery of Emily’s and her sisters’ past.When more blood is shed, Zander suspects there’s a secret buried in this town no one wants unearthed. Is it something Emily and Madison don’t know? Or aren’t telling? And Tara? Maybe Emily can’t bear to find her. Because when Tara disappeared, she took a secret of her own with her.

    But as questions mount, Falk is forced to probe deeper into the deaths of the Hadler family. Because Falk and Luke Hadler shared a secret. A secret Falk thought was long buried. A secret Luke's death now threatens to bring to the surface in this small Australian town, as old wounds bleed into new ones.

    She’s found the perfect vessel: Revenge of the Tide. She already feels less lonely; as if the boat is looking after her.But the night of her boat-warming party, a body washes up, and to Genevieve’s horror, she recognizes the victim. She isn’t about to tell the police, though; hardly anyone knows about her past as a dancer at a private members’ club, The Barclay. The death can’t have anything to do with her. Or so she thinks...Soon, the lull of the waves against Revenge feels anything but soothing, as Genevieve begins to receive strange calls and can’t reach the one person who links the present danger with her history at the club. Fearing for her safety, Genevieve recalls the moment when it all started to go wrong: the night she saw her daytime boss in the crowd at The Barclay...Dark, sexy, and exquisitely chilling, Dark Tide is another superb mystery from acclaimed rising star Elizabeth Haynes.

    Stone finds himself caught in a perilous web of unspeakable crimes and dangerous friends that has throughout it one common thread: Sasha.Librarian's note: the first five books in the Stone Barrington series are #1, New York Dead, 1991; #2, Dirt, 1996; #3, Dead in the Water, 1997; #4, Swimming to Catalina, 1998; and #5, Worst Fears Realized, 1999.

    On a warm spring morning, Margot spots one of her clients on a busy train platform. He is looking down at his phone, with his duffel bag in hand as the train approaches. That’s when she slams into his back and he falls in front of the train. Suddenly, one tragedy leads to another leaving her, her family, and her patients in danger. As misfortune unfolds, listeners will soon question Margot’s true role in all of these unfortunate events.Tell Me Lies is a fast-paced, psychological, whodunit mystery that will leave listeners wondering if anyone can actually be trusted.

    After an unspeakable crime shatters her life, she changes her identity and moves to a small town in Illinois, hoping to spare her children from further trauma…or worse. But crime follows her everywhere.When the former mayor winds up dead, Rachel can’t help but get involved. Where local detectives see suicide, she sees murder. They resent her for butting in—especially since she’s always one step ahead. But her investigative genius may be her undoing: the deeper she digs, the harder it is to keep her own secrets buried.Her persistence makes her the target of both the cops and a killer. Meanwhile, the terrifying truth about her past threatens to come to light, and Rachel learns the hard way that she can’t trust anyone. Surrounded by danger, she must keep her steely resolve, protect her family, and stay one step ahead, or else she may become the next victim.

    Someone Knows is an emotional exploration of friendship and family, as well as a psychological exploration of guilt and memory.Twenty years ago, in an upscale suburb of Philadelphia, four teenagers spent a summer as closest friends: drinking, sharing secrets, testing boundaries. When a new boy looked to join them, they decided to pull a prank on him, convincing him to play Russian roulette as an initiation into their group. They secretly planned to leave the gun unloaded—but what happened next would change each of them forever.Now three of the four reunite for the first time since that horrible summer. The guilt—and the lingering question about who loaded the gun—drove them apart. But after one of the group apparently commits suicide with a gun, their old secrets come roaring back. One of them is going to figure out if the new suicide is what it seems, and if it connects to the events of that long-ago summer. Someone knows exactly what happened—but who? And how far will they go to keep their secrets buried?

    Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    A woman is murdered. Four people all have something to hide. Jim is a retired police officer, and worried father. His beloved daughter has disappeared and he knows something is wrong.Tom has woken up to the news that his wife was on the plane and must break the news to their only son.Cecilia had packed up and left her family. Now she has survived a tragedy, and sees no way out.Freya is struggling to cope with the loss of her father. But as she delves into his past, she may not like what she finds.'Before the plane crash, after the plane crash, such a short amount of time for the world to turn on its head. '

    And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constable Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.

    Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    But even as an adult with an accomplished professional life, Grace still has a dark, secret side. When her two worlds shockingly converge, Grace’s harrowing past returns with a vengeance. Both Grace and her newest patient are stunned when they recognize each other from a recent encounter. Haunted by his bleak past, mild-mannered Andrew Toner is desperate for Grace’s renowned therapeutic expertise and more than willing to ignore their connection. And while Grace is tempted to explore his case, which seems to eerily echo her grim early years, she refuses—a decision she regrets when a homicide detective appears on her doorstep. An evil she thought she’d outrun has reared its head again, but Grace fears that a police inquiry will expose her double life. Launching her own personal investigation leads her to a murderously manipulative foe, one whose warped craving for power forces Grace back into the chaos and madness she’d long ago fled.