They are as insistent as they are circumspect, drawing close to the reader’s ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity – ‘There was pain,’ the speaker allows, ‘but it was not new pain.’ Frears’s work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air – ‘Stormy, sticky with flies’ – and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a ‘glorious full-bodied’ debut collection with the draw of an adamant tide. ‘Uncompromising, intelligent, surprising, accessible and sharp … These lyric poems have a clarity and straightforwardness that only a special kind of attention, and a certain kind of fearlessness can achieve.’ – Mark Waldron

    When I read a poem by Heather Christle I’m awed. – Dara WierThis is serious. Heather Christle’s poems in The Difficult Farm are dancing with the mysteries surrounding our condition and enlivening our language in the process. Christle’s poems are magical but they’re too busy to tell you that. These poems run and jump and float over an ever-evolving landscape where what’s at work is the serious business of discovery. In this book you will make discoveries of all kinds. These poems will shoot you to the moon, but which moon? – James Tate

    Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken's life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads?Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak.

     Changing Trains is a fictionalised memoire that will transport you back to the glorious 1980s - that time just before mobile devices, the internet and social media changed the world - and one working class boy's journey of discovery and sexual self awareness.

    Whether she is writing about an enraged teenager gone "wilding" in Central Park, fifteen-year-old Latasha Harlins gunned down by a Korean grocer, or a brutalized child who grows up to escape her probable fate through the miracle of art, Sapphire's vision in this collection of poetry and prose is unswervingly honest."Stunning . . . . One of the strongest debut collections of the '90s."--Publishers Weekly

    By juxtaposing fragments of her poems with short pieces of prose, we begin to know her as poet, friend, enemy, woman, lover, and revolutionary.From "Poems for Moscow (2)":From my hands—take this city not made by hands,my strange, my beautiful brother.Take it, church by church—all forty times forty churches,and flying up over them, the small pigeons;And Spassky Gates—in their flower—where the Orthodox take off their hats;And the Chapel of Stars—refuge chapel—where the floor is—polished by tears;Take the circle of the five cathedrals,my soul, my holy friend.Marina Tsvetaeva was born in Moscow in 1892 and died in 1941. Her poetry stands among the greatest works of twentieth century Russian writers.Ilya Kaminsky is the author of Dancing in Odessa (Tupelo Press, 2004) which won the Whiting Writers' Award, the American Academy of Arts and Letters' Metcalf Award, the Dorset Prize, and the Ruth Lilly Poetry Fellowship awarded annually by Poetry magazine.Jean Valentine won the Yale Younger Poets award for Dream Barker in 1965. Her eleventh book of poetry is Break the Glass, from Copper Canyon Press. Door in the Mountain: New and Collected Poems 1965–2003 was the winner of the 2004 National Book Award for Poetry.

    Through the voices of undocumented immigrants, border patrol agents, and scorned lovers, award-winning poet Eduardo C. Corral writes dramatic portraits of contradiction, survival, and a deeply human, relentless interiority. With extraordinary lyric imagination, these poems wonder about being unwanted or renounced. What do we do with unrequited love? Is it with or without it that we would waste away?In the sequence “Testaments Scratched into Water Station Barrels,” with Corral’s seamless integration of Spanish and English, poems curve around the surfaces upon which they are written, overlapping like graffiti left by those who may or may not have survived crossing the border. A harrowing second collection, Guillotine solidifies Corral’s place in the expanding ecosystem of American poetry.

    As she and her boys begin to settle in to life in America, she continues to send letters and tapes back to Cong, hopeful that they will be reunited and her children will grow up with a father.But with time, Huong realizes she will never see her husband again. While she copes with this loss, her sons, Tuan and Binh grow up in their absent father's shadow, haunted by a man and a country trapped in their memory and imagination. As they push forward, the three adapt to life in America in different ways: Huong takes up with a Vietnamese car salesman who is also new in town; Tuan tries to connect with his heritage by joining a local Vietnamese gang; and Binh, now going by Ben, embraces his adopted homeland and his burgeoning sexuality. Their search for identity--as individuals and as a family--threatens to tear them apart. But then disaster strikes the city they now call home, and they must find a new way to come together and honor the ties that bind them. A stunning debut novel about an immigrant Vietnamese family who settles in New Orleans and struggles to remain connected to one another as their lives are inextricably reshaped.

    Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld:Dear black bayou, once, by a riverI bit a man's neck. His scent: the rawteak air husked inside stomachs of sixRussian nesting dolls--the ones in the attic I pulledapart and open. The ones Ipulled apart and open like Styrofoam cups.

    Under the cover of deepest night, sleeping men are run over by trucks. Navajo bodies are deserted in fields. Resources are extracted. Lines are crossed. Men communicate through beatings, and football, and sex. In this place, “the closest men become is when they are covered in blood / or nothing at all.”But if Jake Skeets’s collection is an unflinching portrait of the actual west, it is also a fierce reclamation of a living place―full of beauty as well as brutality, whose shadows are equally capable of protecting encounters between boys learning to become, and to love, men. Its landscapes are ravaged, but they are also startlingly lush with cacti, yarrow, larkspur, sagebrush. And even their scars are made newly tender when mapped onto the lover’s body: A spine becomes a railroad. “Veins burst oil, elk black.” And “becoming a man / means knowing how to become charcoal.”Selected by Kathy Fagan as a winner of the 2018 National Poetry Series, Eyes Bottle Dark with a Mouthful of Flowers is a debut collection of poems by a dazzling geologist of queer eros.

    June Jordan's many selves, as poet, essayist, feminist, and activist come together here in a collection of poetry that is alternately lyrical, magical, shockingly spare, pungently political, yet universally resonate. Beautiful love poems are interspersed with poems about Bosnia, Africa, urban America, Clarence Thomas, affirmative action, her mother's suicide, and Jordan's bout with breast cancer.This collection of poetry will be warmly welcomed by June Jordan loyalists and new readers who will thrill to discover a voice that has been described as one of the "most gifted poets of the late twentieth century."

    Cole's most recent poems have a daring sensitivity and imagistic beauty unlike anything on the American scene today. Whether they are exploring pleasure or pain, humor or sorrow, triumph or fear, they reach for an almost shocking intensity. Cole's fourth book, Middle Earth, awakened his audience to him as a poet now writing the poems of his career. Pierce the Skin brings together sixty-six poems from the past twenty-five years, including work from Cole's early, closely observed, virtuosic books, long out of print, as well as his important more recent books, The Visible Man (1998), Middle Earth (2003), and Blackbird and Wolf (2007). The result is a collection reconsecrating Cole's central themes: the desire for connection, the contingencies of selfhood and human love, the dissolution of the body, the sublime renewal found in nature, and the distance of language from experience. "I don't want words to sever me from reality," Cole says, striving in Pierce the Skin to break the barrier even between word and skin. Maureen N. McLane wrote in The New York Times Book Review that Cole is a poet of "self-overcoming, lusting, loathing and beautiful force." This book will have a permanent place with other essential poems of our moment.

    This is no ordinary hairdresser. Viv Fraser Ph.D and stylist to the Edinburgh establishment, has a double life as an investigative journalist and finds herself involved in some hair-raising, not to mention explosive scenes, as she trawls the seamier side of her city. In this fast-paced mystery Viv investigates the case of a missing teenage boy, but her efforts are hampered by people trying to save their own skin. Always top of his class, Andrew’s school blazer turns up on a river path without him. As she picks at the veneer of the Capital’s gay scene Viv discovers an unsavoury mix of lies, jealousy and sexual deceit. Determined to find Andrew, she ignores threats on her life and continues to dig in places that even Detective Marconi has yet to explore.

    These poems are honest, vulnerable, and unflinching in their ability to look into the speaker's complications. The poems trace the author's childhood, adulthood, and hopeful future, all of them asking the central question of how a person continues to love themselves, even as all they know evolves and vanishes.

    From this interaction, John meets a variety of characters, each with their own values and ideas of "self-actualization." However, Liz begins to fall in love with John's best friend, and John realizes his journey of self-discovery has only just begun.