The scene opens with several small vessels drifting about on the ocean. There had been a fire, followed by an explosion aboard a vessel carrying slaves. Most of the crew were pretty nasty people, but there were two pairs of people who become the heroes of this story. One of these is Ben Brace and a sixteen year old boy seaman, whom he had rescued from being eaten by the thirty or so crew members who had found enough spars, timber, sails, ropes and barrels to construct a large raft, though rather badly made, because these men were consoling themselves with a rum-barrel. At a distance floated the ship's gig, with the captain, the mate, the carpenter and three other men. Finally, there is a construction, hardly more than a large barrel, containing Snowball, an African ship's cook of the Coromantee tribe, together with a little girl of eight or ten. Luckily these get together with Ben Brace and the boy William, and it is their adventures that the story is mainly about. The author is a natural historian, and he tells us lots of interesting things about the fish and other denizens of the deep. Naturally the whole thing comes right in the end, with the wicked perishing, and the good being picked up by a whale-ship.

    It was first published in the Easter supplement of Prager Tagblatt on 20 April 1924. During his final illness Kafka corrected the proofs of the story for the inclusion into collection A Hunger Artist (Ein Hungerkünstler) published by Verlag Die Schmiede after his death.

    It also thwarted the young author's designs on the editorship of the Undergrad because of his clear moral unsuitability for such an august position. (This is doubtful, because the Undergrad eventually came to be edited, thirty years later, by PQL publisher Tim Inkster.) `The Box Social' is remarkable, not only that it introduced the theme of date rape to Canadian literature some thirty years before the phrase was coined, but also that it is told from Sylvia's point of view, and yet again that it ends with one of the quietest lines of literary vitriol imaginable ... ` ``I hated you so much, '' she said softly.'If Alice Munro has put the sexually awakening female under glass in Lives of Girls and Women, then The Box Social could just as easily have been titled Lives of Boys and Men.In `The Bully', the brutality of what passes for etiquette in secondary school is contrasted with the simpler life of the farm personified in Noreen who drops grain in the shape of letters to feed her chickens -- `so that when the hens ate the grain they were forced to spell out Noreen's initials or to form a cross and circle. There were just enough hens to make this rather an interesting game. Sometimes, I know, Noreen spelled out whole sentences in this way, a letter or two each night, and I often wondered to whom she was writing up in the sky.' `The Bully' was included in The New Oxford Book of Canadian Short Stories edited by Margaret Atwood and Robert Weaver.The young Margaret Atwood first encountered `The Bully' as an undergraduate. She read the story, oddly enough, in an anthology edited by Robert Weaver, and the experience was apparently seminal to her own development as a writer of fiction ...

    But she meets the Munchkins, and they tell her to follow the Yellow Brick Road to the Emerald City where the Wonderful Wizard of Oz will grant any wish. On the way, she meets the brainless Scarecrow, the Tin Woodman and the Cowardly Lion. The four friends set off to seek their heart's desires, and in a series of action packed adventures they encounter a deadly poppy field, fierce animals, flying monkeys, a wicked witch, a good witch, and the Mighty Oz himself. In Glinda of Oz, the last of the original 'Oz' books, Dorothy and Princess Ozma seek the help of Glinda, the Good Witch of the South, when they find themselves in peril on the Magic Isle of the Skeezers.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    Here in one monumental volume are all 21 of the stories, novellas and novels making up Heinlein's famous Future History—the rich, imaginative architecture of Man's destiny that many consider his greatest and most prophetic work.Contents:* Introduction - Damon Knight* Life-Line* The Roads Must Roll* Blowups Happen* The Man Who Sold the Moon* Delilah and the Space-Rigger* Space Jockey* Requiem* The Long Watch* Gentleman, Be Seated* The Black Pits of Luna* "It's Great to Be Back!"* "—We Also Walk Dogs"* Searchlight* Ordeal in Space* The Green Hills of Earth* Logic of Empire* The Menace from Earth* "If This Goes On—"* Coventry* Misfit* Methuselah's Children

    His assignment: to detect any signs of latent aggression in this planet’s population.To his astonishment, he finds that his own latent extrasensory powers have suddenly blossomed, and he is invited to join the company of “gods” on this planet.And people place certain expectations on their gods….

    Eleven Doctors, eleven stories, eleven unique interpretations of the Doctor, his terrifying alien enemies and his time-travelling adventures.

    He gives us a greater understanding of their lives on planet earth. Adventure, comedy and sadness all intertwine to make these stories hard to put down until the last word.Duration: 5 hours 22 minutesThe stories include:1. Lobo, the King of Carrumpaw2. Silverspot, The Story of a Crow3. Raggylug, the Story of a Cottontail Rabbit4. Bingo, The Story of My Dog5. The Springfield Fox6. The Pacing Mustang7. Wully, The Story of a Yaller Dog8. Redruff, The Story of the Don Valley PartridgeErnest Thompson Seton (1860–1946) was an influential writer, wildlife artist and one of the founders of the Boy Scouts of America.Born in England, raised in Canada, Seton eventually moved to New Mexico and became part of the arts community with Georgia O'Keefe.Always interested in nature, the environment and Indian lore, Seton's literary work was among the first in the genre of modern wild-animal fiction, depicting character with a sense of compassion.

    Smee is a crackling ghost story about a guest in a haunted house telling other visitors of the death of a young girl, years ago, playing a game of hide-and-seek.

    N. Murthy Rao, caused a sensation in the literary world of Kannada, and won A. N. Murthy Rao admirers, enemies and the Pampa Award from the Karnataka Government. The thought provoking book gives expression to A. N. Murthy Rao's opinions about God, customs, rituals, traditions and Indian culture.