An in-depth look at the things we know are bad for us but we love too much to stay away from, including tobacco, alcohol, promiscuous behavior, drugs, fatty foods, and more, along with the reasons we love them so much.

    Parties, excessive drinking, and financial instability add to the commotion. Drawn in a beautiful minimal style with delicate two-color printing.

    If that's not enough to make you scream with delight, we're also adding a special color section featuring the two Creepy stories that helped re-launch Dark Horse Presents on MySpace You'll get all of this tantalizing terror for under twenty bucks - it's a killer deal

    Described as a mix between Jeffrey Brown and James Kochalka, Liz's comic is made up of short vignettes that capture all the cute, gross, and endearing aspects of relationships.

    Contains annotations, plots, interviews, and scripts by many of comics' hottest writers, including Kurt Busiek, Neil Gaiman, Greg Rucka, Kevin Smith, Jeff Smith, Marv Wolfman, and more.

    met his inept and geeky roommate, Mike Doonesbury. Over the months that followed, they were joined by campus radical “Megaphone Mark,” Boopsie, Zonker, and on and on. Fourteen thousand strips later, the world of Doonesbury has become a unique and remarkable creation, sustained by a vast and intricately woven web of relationships among 40 major characters, spanning three generations. While chronicling his characters’ entanglements and intimacies, G. B. Trudeau developed a keen satirical commentary that has ambitiously and relentlessly carved out an indelible record of four decades of American social and political history. The comic strip, like jazz and rock and roll, is an American form, and Trudeau has expanded it boldly and fearlessly, taking it into new realms. An epic unfolding, the Doonesbury saga constantly entices readers to keep up with its ever-evolving cast and endlessly inventive story lines. Trudeau remains fully engaged in the creation of his far-from-complete magnum opus. This massive yet elegant anniversary volume marks the strip’s fourth decade by examining in depth the characters and relationships that have given Doonesbury such vitality and resilience, and allowed it to constantly reinvigorate itself. The book opens with an in-depth introductory essay by G. B. Trudeau in which he surveys his sprawling creation as only he could, followed by brief word-and-picture portraits of all the principle players. The collection’s core consists of more than 1,800 beautifully displayed strips—dailies and Sundays—that chart key adventures and cast connections over the last four decades. Dropped in throughout this rolling narrative are 20 detailed essays in which Trudeau contemplates individual characters or bonded groups of characters, including portraits of ur-folk such as Duke and Honey, Zonker, Joanie, and Rev. Sloan, as well as those who have joined the cast more recently, such as Zipper, Alex, and Toggle. The centerpiece of the volume is a four-page foldout diagram that maps in great and annotated colorful detail the mind-boggling matrix of character relationships. A feast of storytelling and a clarifying overview, this celebratory tome offers a unique way to experience one of the greatest comic strips ever.Created by the team that brought you The Complete Far Side and The Complete Calvin and Hobbes, this massive-yet-elegant celebratory anthology marks Doonesbury's 40th anniversary by examining in depth the characters that have given the strip such vitality. On October 26, 1970, college jock B.D. met his inept and geeky roommate, Mike. Fourteen thousand strips later, the world of Doonesbury has grown uniquely vast, sustained by an intricately woven web of relationships--over 40 major characters spanning three generations. This book opens with an in-depth essay in which G. B. Trudeau surveys his sprawling creation as only he could. The volume's 1,800 beautifully displayed strips chronicle the key adventures and path crossings of the ever-evolving cast, from ur-characters such as Zonker, Joanie, Duke, and Honey, to relative newcomers such as Zipper, Alex, and Toggle. Dropped in throughout are 18 detailed essays in which Trudeau contemplates individual characters and groups of characters.The book's literal centerpiece is a four-page foldout that maps in annotated detail the mind-boggling matrix of relationships. A feast of storytelling and a clarifying overview, 40: A Doonesbury Retrospective offers a unique way to experience one of the greatest comic strips ever.

    Crumb's Kafka is a vibrant biography that examines this Czech writer and his works in a way that a bland texbook never could! R. Crumb's Kafka goes far beyond being explication or popularization or survey. It's a work of art in its own right, a very rare example of what happens when one very idiosyncratic artist absorbs another into his worldview without obliterating the individuality of the absorbed one. Crumb's art is filled with Kafka's insurmountable neuroses. They are all there: Gregor Samsa's sister, the luscious Milena Jesenska, the Advacate's "nurse" Leni, Olda and Frieda, and the ravishing Dora Diamant-drawn in that mixture of self-commandtantalizing knowingness, and sly sexuality, that amazonian randines and thick-limbed physicality that is Crumb.Crumb's idiosyncratic illustrations add a new dimension to the already idiosyncratic world of Kafka. Includes adaptations of "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."

    Here, Mary Street Alinder--who collaborated with Adams on his memoir and was his assistant in later life--is not reticent about the major emotional episodes in Adams's life, including his marriage and extramarital affairs, and his not-altogether-successful fatherhood. She explores the major artistic influences on his work and gives in-depth profiles of the significant figures in his circle. She also explains the technique and style Adams developed to obtain his unique vision, as well as his uneasiness at becoming a commodity. Ansel Adams: A Biography is an intimate and provocative portrait of the world's most famous photographer.

    1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing-room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine de Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst’s “seven deadly elements.” “Oedipus,” “The Court of the Dragon,” and “Three Visible Poems” are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine de Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.

    This art instruction book will accompany the acclaimed Imaginative Realism: How to Paint What Doesn't Exist.James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensable tool for any artist.This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction."James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist

    

    Whether scribbled in a sketch pad or on a napkin, concepts are a way for artists to develop their skills and discover interesting shapes and forms that can be developed into their next masterpiece. In Sketching from the Imagination, 50 talented traditional and digital artists have been chosen to share their sketchbook works, from doodled concept sketches to fully rendered drawings. A visually stunning collection packed full with useful tips, Sketching from the Imagination is an excellent value resource for concept design to inspire artists of all abilities.

    Soon enough, she falls in love, then finds employment at a hostess bar for Japanese expats, where she is determined to learn the Japanese language and culture. Turning Japanese is a story about otherness, culture clashes, generation gaps, and youthful impetuosity.

    Thus each rare new story from her pen has been greeted with hurrahsas well they should be, because she's one of the most skillful, caustic, and emphatic cartoon storytellers of her generation. This new book presents the biggest, richest and most delightful collection of Tyler's work to date featuring many new and previously unpublished works.In "Migrant Mother" Tyler tells the grueling story of a cross-country trip with the flu and her terrible twos toddler using her trademark combination of rueful humor and emphathy. The full-color "Just A Bad Seed" is a meditation on a problem child who might not be such a problem after all, while "The Return of Mrs. Kite" chronicles a family crisishow her widowed grandmother fell in with a beau of questionable character. "Gone" (also in full color) is a stirring meditation on all kinds of loss, and "Why I'm A-gin' Southern Men" is a classic rant that dissects that particular breed of maleor at least a certain subspecies of "ex"eswith pitiless wit.Other stories include "Sweet Miss Lee" (a reminiscence of an immigrant roommate and her fate), "There's Something Wrong with a Perfect Lawn" (a tale of suburban obsessiveness), "Little Crosshatch Mind" (where artistic impulses come from), and "Uncovered Property" (discovering the power of sexuality at an early age).Tyler works equally well in delicately crisp black-and-white penstrokes and lushly watercolored paintings (this book will feature 60 pages of her stunning full-color work). All told, the three-dozen stories here will cement Tyler's reputation as a cartoonist to be reckoned with. 136 pages, 60 pages in color.

    With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, andunable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers.We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, andcuriosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences.We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.