Vivian, the Lady of the Lake, has been watching over him and manipulating his life since his birth. And now she needs his help.Danger threatens the old forest of Vivian’s world. To save it, Tom must wake King Arthur, who’s been sleeping for centuries. But first, he’s determined to find his grandfather.Tom starts a journey that will change his life forever. He discovers that fey and magic still exist, and myths are very real.If he wants to survive, he must learn to fight, and find courage he never knew he had.If you love magic, mystery, and Arthurian legend, you’ll love Call of the King, book 1 of Rise of the King.*Important Note. This book was previous published as Tom’s Inheritance, Tom’s Arthurian Legacy Book 1. It has been re-written, and has extended scenes and a new ending.

    From enchantment and shapeshifting to the age-old dichotomies of conflict versus peacemaking and love versus betrayal, all of these tales are uniquely reinvented, creating fresh, contemporary narratives that portray the real world as much as they depict the past. Based on the fable of Branwen, Daughter of Llyr, this interpretation revives one of the most action-packed stories in the whole myth cycle. Moving this bloodthirsty tale of Welsh and Irish power struggles and family tensions into the 21st century, this retelling retains many of the bizarre and magical happenings of the original. After being wounded in Italy, Matthew O’Connell is seeing out WWII in an obscure government department, spreading rumors and myths to the enemy. When he is assigned the bizarre task of escorting a box containing six raven chicks from a remote hill farm to the Tower of London, he soon finds himself ensnared in an adventure that leaves him powerless.

    If his king needs him and he is called to the sword, he knows where he must be.His country is threatened, the dark wings of war are gathering and his love... that will just have to wait.The needs of one man’s heart cry for peace, but Lancelot understands what he must do.He will stand shoulder to shoulder with the man he loves and if they survive the battlefields, if they can survive the peace, then maybe, just maybe, a knight and his king can put aside their call to arms and listen to the call of their hearts. The Knights of Camelot series is a reimagining of the Arthurian legends. Each book features two (or more) men in love with one another, steamy encounters, and more. These books are not intended to be read as standalones, so be sure to start at the beginning with Lancelot and the King.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    While the kingdoms fight each other, Alexander’s forces gather for the assault, their leader lured by tales of supernatural weapons and the elixir of immortality. Only one man can save the subcontinent from domination by the Greeks: the young Chandragupta Maurya, trained under the aegis of the ‘dark brahmin’, Chanakya.When an ancient seal is found, sharing the secrets of the brahmastra, the redoubtable weapon of the Mahabharat, it is up to Rudra, young commander of the Mauryan Nava Yuva Sena and lifelong friend and confidante of Chandragupta, to decode it. Along with his fellow commandos, and with the able guidance of his guru, Rudra embarks on a quest that takes him from the snowy peaks of the Himalayas to the seas of Rameshwaram, hunting the clues that will lead him to the brahmastra. On the way, he meets the Chiranjivis, ancient beings tasked with divine duties, and learns the secrets behind his own birth and his mysterious powers.But Rudra must be careful, for not all enemies were dispersed with the death of the mighty Alexander. Treachery lurks in the home, and when Rudra is framed for the attempted murder of his sovereign, he must pull every trick at his disposal to reveal the enemy, and save his kingdom from plunging, once more, into bloodshed and chaos.A historical, mythological adventure story, The Indus Challenge is sure to appeal to readers interested in the storied past of India and the legends woven into its soil.

    Seven essays offer a comprehensive survey of the legends in all of their manifestations, from theirorigins in medieval literature to their adaptation in modern literature, arts, film, and popular culture. It also demonstrates the tremendous continuity of the legends by examining the ways that they have been reinterpreted over the years. The indispensable reference on the subject, it also containsencyclopedic entries, bibliographies, and a comprehensive index. The extensive chapter-by-chapter bibliographies, which are subdivided by topic, augment the general bibliography of Arthurian resources. Comprehensive in its analysis and hypertextual in its approach, the Oxford Guide to Arthurian Literature and Legend is an essential reference book for Arthurian scholars, medievalists, and for those interested in cultural studies of myth and legend.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    But when the evil Merlin returns to lay claim to the impossible weapon, only one man can stand in his way—the immortal Thomas Skybourne. Written and illustrated by industry legend Frank Cho (Liberty Meadows, Savage Wolverine), Skybourne is a thrilling blend of fantasy and espionage action that updates the legends of King Arthur for a modern-day reader.

    In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    When we last saw Abigail Sinclair and Ben Whimble at the close of "The Outer Banks House," they'd overcome their differences in life stations and defied convention to begin their new life together.But now it's seven years later, and "Return to the Outer Banks House" finds the couple married and in hard times-riddled by poverty, miscarriages, and weakened family ties. The strong bonds that once held them together have eroded over time, and their marriage threatens to unravel, particularly when relationships from the past and ambitions for the future find their way into the mismatched couple's present predicament.Can their love survive? Or are the challenges they face insurmountable? "Return to the Outer Banks House" carries readers back to 1875 to answer these questions and explore the ebb and flow of a rocky marriage set against the enchanting North Carolina shoreline. Replete with history, intrigue, and plenty of maritime drama, it's an evocative tale of struggle in the Reconstruction-era South.

    Their unlikely friendship leads to an ambitious plan to unite the tribal leaders and, once crowned the first High King of the Britons, Maximus casts his eyes on the throne of the Western Roman Empire. Leading a force of brave warriors to Gaul, Maximus is victorious in battle. But it is not long after his return to Britain that hubris gnaws at him once again. Despite Caradoc's pleas to exercise caution, Maximus is determined to march on Rome itself. But who will pay the price for his bloodthirsty quest for power?

    There, housed in royal splendor, its awesome powers will be freely available to Arthur's suffering people, becoming the symbol of Arthur's reborn realm. But mysteriously, the Grail disappears. Missing as well is one of Arthur's most trusted men, who has not only taken the Grail but kidnapped Arthur's queen, Guinevere. A desperate search ensues, and a diabolical plot is uncovered, masterminded by none other than the evil Morgian, Queen of Air and Darkness.-- The epic tale of the legendary King Arthur, his lady love guinevere, stalwart advisor Merlin and loyal companion Sir Galahad has entertained and delighted people around the world for generations.

    Throughout years society has come to believe that our level of IQ will determine the success of a person's life. However, in recent years psychologist have found new insight by studying successful people. The results have been surprising because what determines a person's life success is not IQ but rather EI. Emotional Intelligence (EI) is the foundation of living a successful and meaningful life. People who succeed in life have a tremendous awareness of their emotions. Inside this book, you will be on the path of living a life that includes the followingEmotional MasteryAwareness of your own emotions and othersEffortlessly redirecting your emotionsA deeper connection with the people you loveDo not allow your emotions to take over your life and instead master the art of your emotions today!

    As he walks a dangerous road, Joe makes big decisions in hopes of making his God Jessica’s. Instead, she becomes his. After a desperate fight to hold on, letting go turns out to be their salvation.The Glendale Series wrestles with the age-old dilemmas of love, faith, family, forgiveness and growing up in a fresh story format. With relationships that grip readers’ hearts as they reflect raw realities plentiful in our society and an ending that will keep readers on the edge of their seats right up until the end, The Glendale Series is one girl’s unforgettable journey to health, wholeness and joy.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.