. . but maybe that's the problem.Back from a five-week escape from her obsessive former boss (read: job over, phone number changed, doorman notified), Tessa King returns to London rested and ready to reclaim her life. She has endless possibilities, and a full social calendar with wonderful friends and godchildren who adore her.But as Tessa begins to look at all their lives, she questions whether having a family can actually guarantee happiness: Helen and Neil, parents to twin boys, are in a seemingly perfect marriage, though it hides dark and twisted secrets. Single mother Billy struggles to make ends meet and can't get over a man who doesn't want her. Happily married Francesca and Nick endeavor to guide their headstrong teenage son. Claudia and Al have everything they need to create the perfect loving family—except a baby. And then there's Ben: best friend, loyal confidant, willing drinking partner, and Tessa's everything—but also Sasha's husband.Heartwarming, dark, funny, and almost too true to bear, Carrie Adams's extraordinary debut novel speaks to anyone who has wondered about the next step. It reminds us that the challenge in life is to find a direction that is truly our own, and that some fairy tales just aren't fair.

    Manette Ansay delivers the unforgettable story of two families united by tragedy -- and one woman's deeply emotional journey toward a choice she'd never thought possibleOn an ordinary morning in Fox Harbor, Wisconsin, Meg and Rex Van Dorn's lives are irrevocably changed when a drunk driver slams into Meg's car, killing the couple's six-year-old son, Evan. In a town in which everyone knows everybody else, it's no surprise that Meg and the driver, Cindy Ann Kreisler, were once the best of friends. Now, as Meg recovers from her own injuries, she and Rex find themselves unable to cope with their anger and despair, especially after Cindy Ann returns -- with a mere slap on the wrist -- to the life she lived before the accident: living in a beautiful house, enjoying her own three daughters, all of whom walked away from the accident unharmed.Mornings, we woke with an ache in our throats, a sourness in our stomachs, that had nothing to do with Evan. The truth was that, with each passing month, he was harder to remember, harder to see. I felt as if I were grasping at the color of water, the color of the wind or the sky. And this only made me angrier. My mind returned, again and again, to Cindy Ann, to what she'd done. When I passed Evan's room, the closed door like a fist, I thought about how Cindy Ann had destroyed us. When I saw other people's children, I promised myself that someday, Cindy Ann would pay.In their rage and grief, Meg and Rex buy a boat to sail around the world, hoping to put as much distance between themselves and Cindy Ann Kreisler as possible. Adrift in the company of other live-board cruisers, Meg tries to believe that she and Rex have left their bitterness behind. But when she returns to Fox Harbor for her older brother's wedding, she is forced to face the complex ties that bind her to the woman who has wounded her so badly. For, as Meg knows better than anyone, Cindy Ann has secrets and sorrows of her own, dating back to the summer of their friendship.Impassioned, insightful, and beautifully written, Blue Water is the story of people learning to face the unthinkable -- a compelling affirmation of the human potential for forgiveness, redemption, and grace.

    On the same day she learns her daughter is struggling in second grade, a call from her son's school accusing him of bullying throws Alice into a tailspin.When it comes to light that the incident is part of a new behavior pattern for her son, one complete with fake social media profiles with a lot of questionable content, Alice's social standing is quickly eroded to one of "those moms" who can't control her kids. Soon she's facing the very judgement she was all too happy to dole out when she thought no one was looking (or when she thought her house wasn't made of glass).Then her mother unloads a family secret she's kept for more than thirty years, and Alice's entire perception of herself is shattered.As her son's new reputation polarizes her friendships and her family buzzes with the ramification of her mother's choices, Alice realizes that she's been too focused on measuring her success and happiness by everyone else's standards. Now, with all her shortcomings laid bare, she'll have to figure out to whom to turn for help and decide who she really wants to be.

    Four years later, she’s a stay at home mum with two adorable children, has swapped her Louboutins for rabbit slippers and spends her day making crustless sandwiches and colour co-ordinated lunches instead of signing up high profile clients. When her husband is suddenly made redundant, there is panic in the Mathers’ household. With a mortgage the size of the national debt and a credit card balance that’s in danger of toppling, Lucy reluctantly decides she must return to work. So she digs out her old power suits from the back of the wardrobe and leaves Will to become a house husband. But sitting in Lucy’s old office is Grant Cassidy, suave, handsome and ruthless and with no intention of letting Lucy walk back into the number one job. At home, despite his breezy declaration that swapping boardroom battles for toddler groups would be a doddle, Will’s belief that parental issues could be solved with forward planning and a spread sheet soon falls by the wayside. With both Will and Lucy struggling to adapt, could their previously happy marriage be developing some cracks?

    For fourteen years, Letty Espinosa has worked three jobs around San Francisco to make ends meet while her mother raised her children—Alex, now fifteen, and Luna, six—in their tiny apartment on a forgotten spit of wetlands near the bay. But now Letty’s parents are returning to Mexico, and Letty must step up and become a mother for the first time in her life. Navigating this new terrain is challenging for Letty, especially as Luna desperately misses her grandparents and Alex, who is falling in love with a classmate, is unwilling to give his mother a chance. Letty comes up with a plan to help the family escape the dangerous neighborhood and heartbreaking injustice that have marked their lives, but one wrong move could jeopardize everything she’s worked for and her family’s fragile hopes for the future. Vanessa Diffenbaugh blends gorgeous prose with compelling themes of motherhood, undocumented immigration, and the American Dream in a powerful and prescient story about family.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    There’s just one problem — it’s not her family, it’s her husband’s. In fact, everything in her life is tied to him — his mother is the closest thing to a mom that she’s ever had, their home is on the family compound, his sister is her best friend. So when she and her husband admit their marriage is over, her pain goes beyond heartbreak. She’s on the brink of losing everything. Her job, her home, her friends and, worst of all, her family.Staying is an option. She can continue to work at the winery, be friends with her mother-in-law, hug her nieces and nephews — but as an employee, nothing more. Or she can surrender every piece of her heart in order to build a legacy of her own. If she can dare to let go of the life she thought she wanted, she might discover something even more beautiful waiting for her beneath a painted moon.

    Among them, third-grade teacher Sadie Randolph, who has taught every child in town and believes we are all eight years old in our hearts; Stanley Stone, once Fulton's most prominent lawyer, now feigning dementia to escape life with his son; Marge Walker, the town's self-appointed conveyor of social status who keeps a scrapbook of every local murder and heinous crime; and Rachel Silverman, recently widowed, whose decision to leave her Massachusetts home and settle in Fulton is a mystery to everyone but her. C. J., the pierced and tattooed young mother who runs the beauty shop, and Joanna, the hospice volunteer who discovers that her path to a good life lies with helping folks achieve good deaths, are two of the staff on whom the residents depend.McCorkle puts her finger on the pulse of every character's strengths, weaknesses, and secrets. And, as she connects their lives through their present circumstances, their pasts, and, in some cases, through their deaths, she celebrates the blessings and wisdom of later life and infuses this remarkable novel with hope and laughter.

    It’s only when Ben suddenly drops dead from a massive coronary while training for the New York City Marathon that Georgia discovers her husband—a successful lawyer—has left them nearly penniless. Their wonderland was built on lies.        As the family attorney scours emptied bank accounts, Georgia must not only look for a way to support her family, she needs to face the revelation that Ben was not the perfect husband he appeared to be, just as her daughters—now ensconced back at home with secrets of their own—have to accept that they may not be returning to their lives in Paris and at Stanford subsidized by the Bank of Mom and Dad. As she uncovers hidden resilience, Georgia’s sudden midlife shift forces her to consider who she is and what she truly values. That Georgia may also find new love in the land of Spanx and stretch marks surprises everyone—most of all, her.   Sally Koslow’s fourth novel is deftly told through the alternating viewpoints of her remarkable female protagonists as they plumb for the grit required to reinvent their lives. Inspiring, funny, and deeply satisfying, The Widow Waltz explores in a profound way the bonds between mothers and daughters, belligerent siblings, skittish lovers, and bitter rivals as they discover the power of forgiveness, and healing, all while asking, "What is family, really?"

    Squeezed into a coat closet with his classmates and teacher, first grader Zach Taylor can hear gunshots ringing through the halls of his school. A gunman has entered the building, taking nineteen lives and irrevocably changing the very fabric of this close-knit community. While Zach's mother pursues a quest for justice against the shooter's parents, holding them responsible for their son's actions, Zach retreats into his super-secret hideout and loses himself in a world of books and art. Armed with his newfound understanding, and with the optimism and stubbornness only a child could have, Zach sets out on a captivating journey towards healing and forgiveness, determined to help the adults in his life rediscover the universal truths of love and compassion needed to pull them through their darkest hours.

    Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.The Best Girls is part of Disorder, a collection of six short stories of living nightmares, chilling visions, and uncanny imagination that explore a world losing its balance in terrifying ways. Each piece can be read or listened to in a single disorienting sitting.

    Mirabel is the smartest person anyone knows, and no one doubts it just because she can’t speak. Monday is the town’s purveyor of books now that the library’s closed―tell her the book you think you want, and she’ll pull the one you actually do from the microwave or her sock drawer. Mab’s job is hardest of all: get good grades, get into college, get out of Bourne.For a few weeks seventeen years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone’s seen in years pulls up and unloads new residents and old secrets. Soon, the Mitchell sisters are taking on a system stacked against them and uncovering mysteries buried longer than they’ve been alive. Because it's hard to let go of the past when the past won't let go of you.Three unforgettable narrators join together here to tell a spellbinding story with wit, wonder, and deep affection. As she did in This Is How It Always Is, Laurie Frankel has written a laugh-out-loud-on-one-page-grab-a-tissue-the-next novel, as only she can, about how expanding our notions of normal makes the world a better place for everyone and how when days are darkest, it’s our daughters who will save us all.

    . . midnight.The old millennium turns into the new.In the same hospital, two very different women give birth to two very similar daughters.Hope leaves with a beautiful baby girl.Anna leaves with empty arms.Seventeen years later, the gods who keep watch over broken-hearted mothers wreak mighty revenge, and the truth starts rolling, terrible and deep, toward them all.The power of mother-love will be tested to its limits.Perhaps beyond . . .