Strangers and friends, neighbors and rescue workers, set up search parties and held vigils, praying for her safe return. Against all odds, she was found, alive, clinging to a storm drain. The girl from Widow Hills was a living miracle. Arden’s mother wrote a book. Fame followed. Fans and fan letters, creeps, and stalkers. And every year, the anniversary. It all became too much. As soon as she was old enough, Arden changed her name and disappeared from the public eye.Now a young woman living hundreds of miles away, Arden goes by Olivia. She’s managed to stay off the radar for the last few years. But with the twentieth anniversary of her rescue approaching, the media will inevitably renew its interest in Arden. Where is she now? Soon Olivia feels like she’s being watched and begins sleepwalking again, like she did long ago, even waking outside her home. Until late one night she jolts awake in her yard. At her feet is the corpse of a man she knows—from her previous life, as Arden Maynor.And now, the girl from Widow Hills is about to become the center of the story, once again, in this propulsive page-turner from suspense master Megan Miranda.

    When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    It’s a particular feeling, the urge to murder. It takes over your body so completely, it’s like a divine force, grabbing hold of your will, your limbs, your psyche. There’s a joy to it. In retrospect, it’s frightening, but I daresay in the moment it feels sweet. The way justice feels sweet.”The greatest mystery wasn’t Agatha Christie’s disappearance in those eleven infamous days, it’s what she discovered.London, 1925: In a world of townhomes and tennis matches, socialites and shooting parties, Miss Nan O’Dea became Archie Christie’s mistress, luring him away from his devoted and well-known wife, Agatha Christie.The question is, why? Why destroy another woman’s marriage, why hatch a plot years in the making, and why murder? How was Nan O’Dea so intricately tied to those eleven mysterious days that Agatha Christie went missing?

    Implicitly.You think your children are safe.But are they really?Midsummer night: a thirteen-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible?

    For fifteen years, Nap has been searching, both for Maura and for the real reason behind his brother's death. And now, it looks as though he may finally find what he's been looking for. When Maura's fingerprints turn up in the rental car of a suspected murderer, Nap embarks on a quest for answers that only leads to more questions—about the woman he loved, about the childhood friends he thought he knew, about the abandoned military base near where he grew up, and mostly about Leo and Diana—whose deaths are darker and far more sinister than Nap ever dared imagine.

    B. C. Murders, Patricia Highsmith’s Strangers on a Train, Ira Levin’s Death Trap, A. A. Milne's Red House Mystery, Anthony Berkeley Cox's Malice Aforethought, James M. Cain's Double Indemnity, John D. Macdonald's The Drowner, and Donna Tartt's A Secret History.But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller who spends almost every night at home reading. The killer is out there, watching his every move—a diabolical threat who knows way too much about Mal’s personal history, especially the secrets he’s never told anyone, even his recently deceased wife.To protect himself, Mal begins looking into possible suspects . . . and sees a killer in everyone around him. But Mal doesn’t count on the investigation leaving a trail of death in its wake. Suddenly, a series of shocking twists leaves more victims dead—and the noose around Mal’s neck grows so tight he might never escape.

    A. Milne was also the author of numerous dramas, essays, and novels for adults — among them, this droll and finely crafted whodunit.In it, Milne takes readers to the Red House, a comfortable residence in the placid English countryside that is the bachelor home of Mr. Mark Ablett. While visiting this cozy retreat, amateur detective Anthony Gillingham and his chum, Bill Beverley, investigate their genial host's disappearance and its connection with a mysterious shooting. Was the victim, whose body was found after a heated exchange with the host, shot in an act of self-defense? If so, why did the host flee, and if not, what drove him to murder?Between games of billiards and bowls, the taking of tea, and other genteel pursuits, Gillingham and Beverley explore the possibilities in a light-hearted series of capers involving secret passageways, underwater evidence, and other atmospheric devices.Sparkling with witty dialogue, deft plotting, and an intriguing cast of characters, this rare gem will charm mystery lovers, Anglophiles, and general readers alike.

    When the opportunity presents itself, Phryne decides it might be amusing to try her hand at becoming a lady detective in Australia. Immediately upon settling into Melbourne's Hotel Windsor, Phryne finds herself embroiled in mystery. From poisoned wives and cocaine smuggling, to police corruption and rampant communism (not to mention erotic encounters with the beautiful Russian dancer, Sasha de Lisse), Cocaine Blues charts a crescendo of steamy intrigue, culminating in the Turkish baths of Little Lonsdale Street.

    Perhaps not consciously. Perhaps not yet. But they know. When eight-year-old Daisy Mason vanishes from her family’s Oxford home during a costume party, Detective Inspector Adam Fawley knows that nine times out of ten, the offender is someone close to home. And Daisy’s family is certainly strange—her mother is obsessed with keeping up appearances, while her father is cold and defensive under questioning. And then there’s Daisy’s little brother, so withdrawn and uncommunicative . . . DI Fawley works against the clock to find any trace of the little girl, but it’s as if she disappeared into thin air—no one saw anything; no one knows anything. But everyone has an opinion, and everyone, it seems, has a secret to conceal.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    The stranger, Brat Farrar, has been carefully coached on Patrick's mannerism's, appearance, and every significant detail of Patrick's early life, up to his thirteenth year when he disappeared and was thought to have drowned himself. It seems as if Brat is going to pull off this most incredible deception until old secrets emerge that jeopardize the imposter's plan and his life.

    She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived.When three people disappear from her town in three years―all around her birthday―Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer all those years ago.Agent Reed Markham made his name and fame on the back of the Coben case, but his fortunes have since turned. His marriage is in shambles, his bosses think he's washed up, and worst of all, he blew a major investigation. When Ellery calls him, he can’t help but wonder: sure, he rescued her, but was she ever truly saved? His greatest triumph is Ellery’s waking nightmare, and now both of them are about to be sucked into the past, back to the case that made them...with a killer who can't let go.

    A spate of violent deaths – the details too foul to print – has horrified the capital and the smog-bound streets are deserted. But Rachel Savernake – the enigmatic daughter of a notorious hanging judge – is no ordinary woman. To Scotland Yard’s embarrassment, she solved the Chorus Girl Murder, and now she’s on the trail of another killer.Jacob Flint, a young newspaperman temporarily manning The Clarion’s crime desk, is looking for the scoop that will make his name. He’s certain there is more to the Miss Savernake’s amateur sleuthing than meets the eye. He’s not the only one. His predecessor on the crime desk was of a similar mind – not that Mr Betts is ever expected to regain consciousness after that unfortunate accident...Flint’s pursuit of Rachel Savernake will draw him ever-deeper into a labyrinth of deception and corruption. Murder-by-murder, he’ll be swept ever-closer to its dark heart – to that ancient place of execution, where it all began and where it will finally end: Gallows Court.

    In the summer of 1963, it is the whole world to 12-year-old Cork O’Connor, its rhythms as familiar as his own heartbeat. But when Cork stumbles upon the body of a man he revered hanging from a tree in an abandoned logging camp, it is the first in a series of events that will cause him to question everything he took for granted about his hometown, his family, and himself.Cork’s father, Liam O’Connor, is Aurora’s sheriff, and it is his job to confirm that the man’s death was the result of suicide, as all the evidence suggests. In the shadow of his father’s official investigation, Cork begins to look for answers on his own. Together, father and son face the ultimate test of choosing between what their heads tell them is true and what their hearts know is right.In this masterful story of a young man and a town on the cusp of change, beloved novelist William Kent Krueger shows that some mysteries can be solved even as others surpass our understanding.